Words Quotes
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My mom had a tape of Patsy Cline's greatest hits, and whenever we were in the car, she would put it on, and it got to the point where I knew all the words to every one of the songs, and I knew what order they came in on the tape.
'Keep your head down at school.' Those are sage words from my dad. They kept me in check for years.
I considered Nat King Cole to be a friend and, in many ways, a mentor. He always had words of profound advice.
I try to gauge whether a girl likes me before I make a move. I would write a page-long note to a girl. If she wrote a whole page back, I knew she liked me, too. If she wrote back like two words, then I figured I'd move on.
Poets are always making waves. I mean, you know, in an ideal situation, the ideal republic can't tolerate poets because - it isn't that they mutter and criticize; it is that the poet does not accept the situation called the 'perfect' condition of man - in other words, perfect in the materialistic sense.
My daughter will find some of the sweetest words to tell you that can make a grown man cry. She still gives me the same inspiration. She still motivates me.
The trouble with words is that you never know whose mouths they have been in.
Some of the words and symbols and images from childhood will continually be part and parcel of my personality.
I wrote ‘No Words' and ‘Mull of Kintyre' with help from Paul. He was always like a big brother to me and a strong influence on my songwriting.
Actually I like the idea of being a Renaissance hack. If tombstones were still in style, I would want to have the two words chiseled right under my name.
I believe so deeply in the primacy of language, in lifting your prose to the highest level you're capable of and making your words symphonic.
Picture books are the distillation of an idea, and you have to use just the right words. I love that, and I try to use a lot of action verbs.
Many young Japanese were hearing for the first time the words of Native people from the West.
It's something that I learned even before I started acting: the movement, the dance of the body, is very important, and it comes before words.
I prefer radio to television. Radio is a dialogue; television is a monologue. In radio, you have to interact - they put the words in your head; you build the pictures in your mind. To that extent, it is more engaging than television.
Everything was going for me, I didn't even know the meaning of the word insecurity and suddenly I am surrounded by words like operation, cancer, chemotherapy, radiation.
I saw I could rhyme words. It came simply to me. But I wrote some pretty horrible songs that I still have on tape.
Many mothers or daughters assume that words only mean one thing. 'If I feel criticised, that has to be the whole story', and 'if I feel I am being helpful, that has to be the whole story'.
I would say 'woman' used to be a noun, and now it is a noun and also an adjective. And words change their functions in that way. It's one of the most common phenomena about words. They start as one thing, and they end up as something else.
The meanings of words and the uses of words come from practice from the way people in a given culture use those words.
Everything we say has metamessages indicating how our words are to be interpreted: Is this a serious statement or a joke? Does it show annoyance or goodwill? Most of the time, metamessages are communicated and interpreted without notice because, as far as anyone can tell, the speaker and the hearer agree on their meaning.
The long history of conversations that family members share contributes not only to how listeners interpret words but also to how speakers choose them.
Everything you say in a family carries meaning from all that was said before. So with friends, there is less likelihood of a few words triggering associations from childhood, where our deepest emotions often are rooted.
The Pavlovian view of women voters - 'plug the words in, and they will respond' - sends a chill down my spine because it sounds like an adaptation of something I have written about communication between the sexes: When a woman tells a man about a problem, she doesn't want him to fix it; she just wants him to listen and let her know he understands.
I am always telling students that a story is not just words. You can tell a story with dance or paint or music. Kids and adults are visual learners, auditory learners. There are those of us who need to touch it. Storytelling encompasses so much more than words on paper.
So my son is very curious, which is fantastic. He loves school. So I don't have to encourage him too much, but I love to do it because I know it's meaningful and words are powerful.
I have to admit, like so many women, I always knew there was a chance. But like so many women, I never thought it would be me. I never thought I'd hear those devastating words: 'You have breast cancer.'
Body language is a very powerful tool. We had body language before we had speech, and apparently, 80% of what you understand in a conversation is read through the body, not the words.
I took a course on 'Magic, Alchemy, and Astrology' at Mount Holyoke, and it was a whole new awakening for me, a way of thinking about the world primarily in terms of concepts and words rather than mathematical formulas.
I was a book lover from the beginning. I loved, love, words and images and ideas, the ways a book can make you feel things deeply or help you understand something you never even knew there were words for.
I don't know fancy big words, because I didn't have a rich mother who sent her to fancy schools.
I've got seven kids. The three words you hear most around my house are 'hello', 'goodbye', and 'I'm pregnant'.
You do need to edit yourself as you shoot because you have fewer options in a smaller movie. In other words, when I'm shooting a big movie, and I got an 85 day shooting schedule or more, then I'm saying I have enough time to shoot option A and B and C and D for every scene.
There's a sort of magic and music to comedy. Some words, some numbers even, are funnier than others. A Caramac bar, for instance, is funnier than a Milky Way.
I'd play the same character for ten years if the words and the moments that I'm playing are authentic.
I'm not a writer. I know a lot of writers; I know a handful of really excellent, great ones, and I know what they're like. They are in love with language. They're obsessed with it. Even if their thoughts aren't more special than anybody else's, they have a way of putting them into words that makes them sensational.
If a commodity were in no way useful, - in other words, if it could in no way contribute to our gratification, - it would be destitute of exchangeable value, however scarce it might be, or whatever quantity of labour might be necessary to procure it.
Advertising is a business of words, but advertising agencies are infested with men and women who cannot write. They cannot write advertisements, and they cannot write plans. They are helpless as deaf mutes on the stage of the Metropolitan Opera.
What we usually do to great men and women is relegate them to homogenised heroism. Their words and actions become soundbites and images in a way that gives us an excuse not to act bravely in our own lives.
We all have to strive to learn what motivates us, learn from our experiences, and what feels right and what feels wrong. There's a strong component over the years to having formal processes that help to identify lessons that need to be learned, and actions that need to be taken. In other words, how do you find the big idea?
The words 'maybe' and 'perhaps' are literally the same - the flavor is the same, the educational level is the same. But you just know when to use maybe and when to use perhaps. I think it's because of this: You get to know the tastes or musical tastes of words themselves, and this informs your choice, whether you use them or not.
Walt Whitman, he who laid end to end words never seen in each other's company before outside of a dictionary.
When you make a melody that doesn't come with words from the get-go, sometimes you're just thinking about random vowel sounds that go with it - and it's really, really hard to write lyrics that actually obey the vowel sounds.
I'm from the East Coast; I think about things dialectically sometimes - in other words, antagonistically. The rhythms that I think of are polyrhythmic, bouncy, loping. The way that I want to approach that is to get, like, a flat-footed Connecticut hard-core drummer to play these bouncy, loping polyrhythms.
To me, a story can be both concrete and abstract, or a concrete story can hold abstractions. And abstractions are things that really can't be said so well with words.
I like the idea of the audience absorbing the language and getting to understand it as they journey through the film. It starts off being more obscure, but you get used to it. A 'Clockwork Orange' thing. I read 'Clockwork Orange' without any vocabulary, and I got to understand the words as I went through it. I like that process. It immerses you.
Words can have no single fixed meaning. Like wayward electrons, they can spin away from their initial orbit and enter a wider magnetic field. No one owns them or has a proprietary right to dictate how they will be used.
I love bouncing my words off of someone else's, and the fact that writing a story with someone else guarantees you'll get something you never, ever would have written on your own.
Pretty much, the writer's in charge in theater. Of course you're in charge with the director, but no one can change your words. People can give you notes, but you don't have to take them. In Hollywood you take them and you cash your check and that's your job. It's very different.
I've asked every grammar schoolteacher in the nation to have their students write on the meaning of the Statue of Liberty. Wouldn't it be wonderful if the winning kid got up to the microphone and, in front of the world, had to dig into a pocket to pull out a crumpled sheet of paper containing the words that would move us all?
In a world of cell phones and satellite feeds - a world in which the president can sit in the White House situation room and watch a military action unfold on the other side of the world - it is not realistic to expect TV news to be anything but what it has become: a ceaseless flow of words and images that may or may not be accurate.
The average billboard has no more than eight words. It takes a lot of effort to make a beer, rice, or shampoo seem special in eight words.
Visuals are compelling, but sometimes the only way to get your point of view and purpose across is through words. Great copy can be embedded in any medium, any technology.
It took three years to put Shakespeare's words together, there were a lot of words to be studied and a lot of words to be sorted out, and it proved to be a major project.
Word books traditionally focus on unusual and quirky items. They tend to ignore the words that provide the skeleton of the language, without which it would fall apart, such as 'and' and 'what,' or words that provide structure to our conversation, such as 'hello.'
One of the lesser-known ways of making new words is to form a blend - and a blend is when you run two words together to make a third word.
I don't have any particular desire to see words making a comeback. They are of their era, after all, and that is their identity - they form part of the linguistic color of a period.
One of the most interesting things about the cognitive theory is the idea that anger and interpersonal conflict ultimately result from a mental con. In other words, you're telling yourself things that aren't entirely true when you're fighting with someone.
Most people know me from 'The Office,' where I played a guy who grunted out three or four words an episode and was kind of a knucklehead, and so I think it's surprising for people to see me do something like this. But Shakespeare is what I grew up wanting to do.
It meant so much to me as a kid to see professional theater and hear Shakespeare's words.
There's many ways you communicate. With colour, texture, sound... Even words can communicate.
I usually submit a novel at a certain number of words, and when I've finished working with my editor, the novel is longer than when I submitted it. I need my editor to help me open up the story.
Yeah, once the song is written, it just complexifies the profile of it to have the music and the words at odds. It comes naturally to me. A lot of my music is like that.
I like people who are minimalist with their words. Jack Nicholson thinks a lot then says something, and it's always spot on. Nelson Mandela is the same.
Prohibiting any words not approved of as 'politically correct' - that's not progressive. Putting 'trigger warnings' on books, movies, music, anything that might offend people - that's not progressive, either.
Are you ready to have your mind blown? Sometimes Ron Howard uses swear words.
I don't think socialism, and I don't think warmness and respect are necessarily bad words.
When I listen to my favorite songwriters, they have such simple melodies and chords. I occasionally manage to stop at the right time, but all too often I keep on going until I have way too many notes and words. But that's just what I do.
I definitely like the oddballs. There's a song called 'Little Thing,' which is the only song that I have recorded that has no words. And it's the one that I get past my critic inside me.
I think some people would say that I do overwhelm the words with the music, and sometimes thank goodness I do.
I worked at Salon.com way back when they started, and there's just unmeasurable value to distributing words online, too, but I still get my news from the newspaper in the morning.
The greatest acting really is spoken without words, or at least I like to think that.
It is from him, from Beolco Ruzzante, that I've learned to free myself from conventional literary writing and to express myself with words that you can chew, with unusual sounds, with various techniques of rhythm and breathing, even with the rambling nonsense-speech of the 'grammelot.'
If you listen to most songs, most people will not sing the words of the lead singer. They will sing the hook. The hook is what makes the record sell.
I've been really upset sometimes when I've been misquoted. And it's the one thing they use in big print. Or it's taken out of context. Thoughts are fluid and words are sticky. That's the thing.
In my mind, numbers and words are far more than squiggles of ink on a page. They have form, color, texture and so on. They come alive to me, which is why as a young child I thought of them as my 'friends.'
What I do find surprising is that other people do not think in the same way. I find it hard to imagine a world where numbers and words are not how I experience them!
When poetry is on the money, 12 words can slay you. I admire that greatly.
I love reading Warren Buffett's letters, and I love contrasting his words with his actions. He's a very wise guy.
There's an ancient connection between movement and music. Most languages don't make a distinction between the words 'music' and 'dance.' And we can see that in the brain. When people are lying perfectly still but listening to music, the neurons in the motor cortex are firing.
Instead of inventing a gobbledygook password, you join three simple words that come from a thought known only to you. If one day you were driving to work and ran over a frog that ended up flat, you might choose 'frog work flat.'
My hope was that organizations would start including this range of skills in their training programs - in other words, offer an adult education in social and emotional intelligence.
The 'Robben Island Bible' has arrived at the British Museum. It's a garish thing, its cover plastered with pink and gold Hindu images, designed to hide its contents. Within is the finest collection of words generated by human intelligence: the complete works of William Shakespeare.
Words have a genealogy and it's easier to trace the evolution of a single word than the evolution of a language.
I must have been 3 years old or less, and I remember paging through these comics, trying to figure out the stories. I couldn't read the words, so I made up my own stories.
I'm a firm believer in... just because these guys are professional athletes or whatever, everybody's going to have an opinion on something, and not everybody's going to get along. I've had my words with fans on Twitter too.
When I sit down with my notebook, when I start scribbling words across the page, I find out what I'm feeling.
Bobby Knight told me this: 'There is nothing that a good defense cannot beat a better offense.' In other words a good offense wins.
When you make as many speeches and you talk as much as I do and you get away from the text, it's always a possibility to get a few words tangled here and there.
Music speaks to people in a way that breaks down boundaries that words and actions sometimes can't.
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