Daniel Clowes Quotes

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I must have been 3 years old or less, and I remember paging through these comics, trying to figure out the stories. I couldn't read the words, so I made up my own stories.

I was a very fearful little kid, and I would always see the worst in everything. The glass was half-empty. I would see people kissing, and I would think one was trying to bite the other.

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I have this certain vision of the way I want my comics to look; this sort of photographic realism, but with a certain abstraction that comics can give. It's kind of a fine line.

You can give some kind of spark of life to a comic that a photograph doesn't really have. A photograph, even if it's connecting with you, it seems very dead on the page sometimes.

When you see somebody who's got a complaining personality, it usually means that they had some vision of what things could be, and they're constantly disappointed by that. I think that would be the camp that I would fall into...

It's embarrassing to be involved in the same business as the mainstream comic thing. It's still very embarrassing to tell other adults that I draw comic books - their instant, preconceived notions of what that means.

I love the medium and I love individual comics, but the business is nothing I would be proud of.

I don't read much of anything online.

I'm not opposed to comics on the Internet. It's just not interesting to me.

I'm a fan of parchment and wood pulp.

Working on movies made me realize how fluid the medium of film was.

For example, I noticed that every single kid in the high school in 'The Death-Ray' is based on somebody I went to high school with.

I think I've had the fantasy of a ray-gun that could erase the world from the time I was a very little kid.

I think that's what we're all most terrified about: that we'll just die and disappear and we'll leave no trace.

That's the biggest part of doing comics: You have to create stuff that makes you want to get out of bed every morning and get to work.

People seem to need a likable protagonist more than ever.

I'm more interested in characters who are a little difficult.

I had no television when I was little, just a stack of old, beat-up comics from the 1950s and 1960s.

I was 30 before I made a living that was not embarrassing.

For me, the whole process involves envisioning this book in my head as I'm working.

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