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I have always been strong. My mentality is just that way; that's why I've been around so long.
The way I like to play, it really helps when I have more people around me to combine with.
You can either look at things in a brutal, truthful way that's depressing, or you can screw around and have fun.
Comedians talk to other comedians the way jazz musicians can talk to each other.
As a small company our fastest way to market was going to be by working with other retailers that were known for pioneering new technologies and categories.
I'm in favor of building the fence, and doing everything technologically to protect our borders. But the other way to secure the border, and one of the things we must do, is put in place good guest-worker programs that employers can actually use.
The world is a complicated place, and there's a lot of division between people. The performing arts tend to unify people in a way nothing else does.
Races always are good to show where you are reaching in your training as well as to keep you sharpened. Every race, in my program, I put it in a special way like a ladder, climbing up slowly and slowly to the next one. I see where my training is, and that is like a test.
'Flash Forward' was one of the big heartbreaks of my career. It was just this very frustrating experience. If we'd been allowed to tell the story we wanted to tell, I don't know that it would've been more successful or not. There's no way to know.
I tend to play in a way that feels natural to me. To me that's authentic for myself. I play by where I'm led by some sense of where I feel I'm supposed to be.
If you're playing with somebody from another idiom, you can't react to them in the same way that you react to somebody that is closer to your idiom. You don't fall into the same habits. You find a new way of communicating.
As a melody instrument player, it's all about getting from one note to the next, and those intervals and how you navigate your way through these vertical structures of chords. You realize that everything's moving forward, and it's all linear.
To be perfectly honest, I feel I have a duty to use my celebrity status in a positive way.
I do not support a single-payer system; I do support having something there, whether it's an option or not. And we can work with that, but we have to have something to leverage so we can get the insurance company to bring down their prices, and the only way to do that is to have an alternative there.
The more cases of Ebola infection we have, the more chances there are for the virus to mutate in a particular way that adapts it well to living in humans, replicating in humans, and perhaps transmitting from human to human.
If a commodity were in no way useful, - in other words, if it could in no way contribute to our gratification, - it would be destitute of exchangeable value, however scarce it might be, or whatever quantity of labour might be necessary to procure it.
Obviously, I'm not working out the way I was when I was playing. I do yoga. I swim a lot. I'm drinking a lot of good, healthy mixes. I got myself a Vitamix.
It's an interesting juxtaposition, being student body president and leading others and learning how to effectively help people on the team in a way that's not as direct.
Develop your eccentricities while you are young. That way, when you get old, people won't think you're going gaga.
When FDR died in 1945, he was still paralyzed from the waist down. After he died, his portrait was put on the dime. Through his illness, he went out of his way to minimize his difficulties. Of the thousands of pictures taken of him, only two show him in a leg brace or a wheelchair.
Considering that I'm British and I talk the way I do, I love it when a director takes a chance on me.
The only way I get a leading role in a studio picture is if Ryan Gosling can't play it, which is clearly the case with 'Selma.' If this was a non-colour-specific character, it wouldn't be me. It just wouldn't.
I think that we must find some way to get more common sense, more rationality, in our decisions and less emotion.
A fundamental premise in cancer therapy is trying to identify how the metabolism of cancer cells differs from normal tissue. When differences are identified, it often paves the way for treatments that will disrupt the cancer's metabolism while sparing normal tissue.
We're here so that Afghanistan does not once again become a sanctuary for transnational extremists the way it was when al-Qaeda planned the 9/11 attacks in the Kandahar area, conducted the initial training for the attackers in training camps in Afghanistan before they moved on to Germany and then to U.S. flight schools.
Now, the president would like to do tax reform, which would obviously lower rates for most people in America and make the tax code fair and get rid of loopholes and special treatment. But absent tax reform, the president believes the right way to get our fiscal house in order is ask the wealthy to pay their fair share.
So we still need a permanent fix. The president would sign the Dream Act tomorrow, the next day, the day after that. That's ultimately the only way to fix this, is for congressional action.
Historically, unfortunately, race seems to be the major division that humanity has imposed on itself, a way of subdividing into smaller groups.
Perhaps where text slides toward ambiguity, film inclines to specificity. A novel contains as many versions of itself as it has readers, whereas a film's final cut vaporizes every other way it might have been made.
When I told my parents I wanted to be an actor, it was like saying I wanted to be an astronaut. Not because it was highfalutin' in any way - just because they didn't know anybody in that field. They were anxious of a profession they knew nothing about.
I always try to put myself in the way of surprise as much as possible. My ambition is to keep challenging myself. I like that journey of discovery.
I'm a massive fan of Brit Art in general and Damien Hirst in particular. I think he's an absolute genius and should be celebrated in every way.
I'm not sure I always feel like I'm in the seat. Sometimes I'm only holding on by one hand and flying out behind the roller coaster. I don't know anybody who doesn't feel that way.
We have to find a way to let everyone know when they're watching that we hear them, that we're asking their questions on all ends of the spectrum.
The strongest feelings I experienced were in Davis Cup. It was the most powerful thing: the victories and the losses. It hits you in a distinct way. It's another level of satisfaction - another level of sadness.
So much of television is incredibly predictable. You watch the first five minutes and you know where it's going to go. If you can just create an element of surprise in both the storytelling and tone of a show, you're going to be way ahead of the pack.
I love Billy Wilder, and I love the way that his films can be very touching and very moving and very romantic, and at the same time there's always a little cynical undertone, there's always something that undercuts things.
A religious commitment coupled with theological awareness gives Jews a much better way to answer the claims made upon us by missionaries representing other religions than do the rather weak political and cultural arguments of the secularists.
If human language, with its logic, is the way God has given us to understand the world, then the Torah must be understood in that same language and with that same logic.
It was only after a while, after photographing mines and clear-cutting of forests in Maine, that I realized I was looking at the components of photography itself. Photography uses paper made from trees, water, metals, and chemistry. In a way, I was looking at all these things that feed into photography.
History is a guide to navigation in perilous times. History is who we are and why we are the way we are.
When I began, I thought that the way one should work was to do all the research and then write the book.
I had been writing for about twelve years. I knew pretty well how you could find things out, but I had never been trained in an academic way how to go about the research.
Wars never simply end, not for those in combat and not for the culture, and one way or another, they shape-shift from generation to generation.
I love novels, and I read them more than anything, but stories cut in sharp and hard and are able to reveal things in a different way: they're highly charged, a slightly newer form, and inherently more contemporary.
Novels often thin themselves out to a watery hue - some even start that way - and at times seem to only ride along the surface of things, giving us what we already know, reporting the news that is just news.
Undergraduate writers seem to be, in a way, more open to letting themselves just write.
I try to do the story the way I feel the story should be done, and how that folds into whatever larger sorts of categories or questions is really none of my business.
Most races are claiming races. For the lower-caliber horses, it's a way the track has of forcing people to run their horses at approximately the price at which they would not mind having the horse bought.
What part of 9/11 is big? If the future continues to reinterpret the past, it could be argued that 9/11 provides irrefutable proof that unless there is some other way that we learn to deal with our technology or deal with our brothers and sisters, it is goodbye as a species. That genie does not leave that bottle.
I've been proud to be national champion. I've really enjoyed it. I have very little opportunity to remind people that I'm British and it's a nice way of staying in touch. I'm going to defend it fiercely. I want to keep it.
Cycling is based so much on form, on aesthetics, on class - the way you carry yourself on the bike, the sort of technique you have.
Alan was always interested in politics in a major way. He actually believes that anarchy is a politically viable system, but I don't. I was always interested in putting forward the ideas that represented my viewpoint. I feel the same about anything I'm doing.
Literature is mostly about having sex and not much about having children. Life is the other way round.
I like the idea that songs can communicate in a way no other media can. That's why I write them.
Art can contextualise and buttress fame. So rather than being antagonistic in the way Fugazi would have had it in 1989, particularly in the present, maybe they are one - they belong to one another.
Kanye has this discursive way of working, getting input from a range of people, that I thought was really cool.
One of the things I really like about West African guitar playing is the way it makes harmony linear. They're really spelling things out and turning chords into melodies instead of just letting them be these hanging blocks of color.
For somebody like Kanye, fame is the fullest realisation of his art in a way. It's like an Andy Warhol dream or something. He's able to marshal all of these different artforms and media into his story, in this very layered, idiosyncratic way.
I'm from the East Coast; I think about things dialectically sometimes - in other words, antagonistically. The rhythms that I think of are polyrhythmic, bouncy, loping. The way that I want to approach that is to get, like, a flat-footed Connecticut hard-core drummer to play these bouncy, loping polyrhythms.
Some filmmakers are great at making complex things and films with a lot of moving parts, and I'm just not that way.
One day, when I have my own kids, I'll tell them that, even when their life is not easy, they can still do anything they want. That is the way to approach things.
I love Sarri's philosophy. We play high, with a lot of possession in a technical way.
Sex is a doorway to something so powerful and mystical, but movies usually depict it in a completely flat way.
Music as background to me becomes like a mosquito, an insect. In the studio we have big speakers, and to me that's the way music should be listened to. When I listen to music, I want to just listen to music.
I don't remember my dreams too much. I hardly have ever gotten ideas from nighttime dreams. But I love daydreaming and dream logic and the way dreams go.
Meditation is to dive all the way within, beyond thought, to the source of thought and pure consciousness. It enlarges the container, every time you transcend. When you come out, you come out refreshed, filled with energy and enthusiasm for life.
I thought when I started meditation that I was going to get real calm and peaceful and it's going to be over. It's not that way; it's so energetic. That's where all the energy and creativity is.
Think of a pitch in terms of advertising: You're trying to hook a reader the way a commercial tries to hook a detergent user.
When I started making films, all the theaters, the screen would slide open the widest possible point, and that would be widescreen. But now, theaters are geared up for around 16:9, so scope is now 'letterboxed.' In a way, if you want the big picture, you shoot 16:9.
I spent the first part of my career trying to avoid genre because I felt like genre, in some way, was cliche.
Filmmaking is hard. I mean, it's not that hard, but it is hard to find your way through a system because there's a lot of people, there's money, there's a big machine to kind of make it - and how to find methods and processes that allow it to continue to be a lively process and a creative process.
All my films are, in some way, romances. But I've always felt that the best romances are somehow doomed.
You have to talk about why things happened the way they did. You can't actually explain my political life except by a series of situations rather than by some carefully constructed, rigidly progressed ascendancy.
The way you present a stunt is tied in to the way you photograph it, so you're hanging out with the cinematographer.
While filming 'The Matrix,' we studied how a Chinese fight-choreography team trains actors before production starts so that they can participate in action sequences in a more dynamic way.
I find fight scenes actually more interesting, in a way, than chase scenes because you're watching your character go through this problem-solving process and fight the antagonist mano-a-mano. It's more powerful, more emotional.
I didn't go into 'Rabbit Hole' wanting to write about class. I think because of who I am it somehow found its way into it.
And you know, almost in a perverse way, I wish it had been undue influence because we know how to correct that. We get rid of the people who, in fact, were exercising that.
I came not from within the administration, and it was clear and clear in our discussions and no one asked otherwise that I would lead this the way I thought best and I would speak the truth as we found it.
A boot-camp class that combines upper- and lower-body moves - like walking lunges and push-ups - gets the heart rate up quickly, burning fat and calories and toning muscles in a time-efficient way.
I couldn't get my first film on the air. The first film I did was called 'The Race For Space,' about the U.S.-Soviet space race. The networks had a policy that I found out about the hard way. I even had a sponsor for my program, but the networks wouldn't put it on because it was independently produced.
So reports of my madness, as they say, were greatly exaggerated. Not that I give a bugger either way.
I began writing fiction because it was the only way to tell all the intricacies of a real-life spy story.
U.S. power flows from our unmatched military might, yes. But in a deeper way, it's a product of the dominance of the U.S. economy.
Politicians often call for sanctions as a way of sounding tough when they don't want to take riskier measures.
2011 is one of those years that historians are likely to look back on as a 'hinge.' And the truth, at once frightening and exhilarating, is that we don't know yet which way the door will swing.
'Cyber-security' is one of those hot topics that has launched a thousand seminars and strategy papers without producing much in the way of policy.
The surest way to empower the new terrorist gangs would be to withdraw from U.S. diplomatic missions.
Movies have a way of distilling moments in our culture, and 'Gravity' may be the defining film for the lost-in-space year of 2013: Nothing works.
I like solving problems, and science provides a logical way of solving real-life problems.
Driving a Model T Ford was extremely difficult. The pedals are reversed from the way they are now. It's so crude, but that was the motorcar that started it all. It's an incredible part of history.
We get the impression through film and TV that Americans are violent gangsters with guns or upper-middle-class people in romcoms. I really liked the people. They were really warm. They could have been Brits. I mean that in the nicest possible way.
Miley Cyrus epitomises what we have allowed. She has done it to break the mould. I can understand why, but we have given her the oxygen of publicity and encouraged it, so young girls will think it is the right way to attract men. We've lost our standards.
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