David Leitch Quotes

Most Famous David Leitch Quotes of All Time!

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As a stunt guy, you become a mini-director. You're talking to actors about performance.

The way you present a stunt is tied in to the way you photograph it, so you're hanging out with the cinematographer.

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You learn tricks to make action look more dynamic - having the fight come toward you or shooting on a longer lens to compress the speed.

While filming 'The Matrix,' we studied how a Chinese fight-choreography team trains actors before production starts so that they can participate in action sequences in a more dynamic way.

People have given their lives to this industry to make movies compelling.

Film is a collaborative art form. I don't know why you wouldn't recognize the stunt performers.

Stunt coordinating is a good training ground for directing because you have exposure to all the departments in film.

There's a lot of directing within the stunt coordinator's job.

If you have John Goodman in your movie, you want to use him as much as possible.

If you're trying to get to the underworld of Berlin, it's not suits and ties; it's rock and roll.

Spies go undercover. They take on different personas.

Great actors can transform, but sometimes there's just this person who speaks right to the role. When they walk in the room, you know they're that character. That is something you can't teach an actor; that's something that's luck and...

Take up martial arts and get proficient. Take a sword-fighting class. Dive in and immerse yourself in it as you would any other acting class, so when the opportunity comes, that skill can be really utilized, and it's not half-baked.

You have to make bold choices to be noticed.

Some actors have an affinity for dance, and they should explore it, train in it, and get good.

'Atomic Blonde' is about the characters' bigger existential crisis and their world. It's not so much the conceit of the spy game; it's more that being a spy sucks. But we're going to make it fun to watch.

Coming from an action background, I always approach the action sequences in any script as kind of placeholders.

In the stunt world, fights and vehicles are often two different disciplines.

The vehicle-stunt world is so specialized. But when you spend so long in it as a stunt coordinator, you're exposed to all the disciplines, so it's always fun to combine the two ideas - a car chase and a fight...

I look at the action scenes as placeholders when I arrive on a script, knowing that I'm going to expand on them when I understand the constraints of the movie, the locations of where we're shooting, the abilities of the...

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