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I do not want to waste any time. And if you are not working on important things, you are wasting time.
If you want to publish two books a year under your own name and your publisher doesn't, maybe you need a different publisher.
Demarcus Cousins, he can move. With his size, he can really use his size on the perimeter against anybody. That's what I want to do when I get to the league.
Every time we step on the field, we want to score. If we don't, then we're disappointed. We don't settle for three.
I'm a writer; I've worked as much as a writer as I have as an actor, so I was in a script-note session at Imagine for a TV show I wrote that they were producing, and they happened to say, 'You'd be great as Crosby, do you want to do this show we're doing, 'Parenthood?'
I am very strict on what products I want to associate myself with, and I felt that some things were just to make a buck.
I don't know if I would ever sleep well again if I actually saw a ghost. If they exist, that's fine. I just don't want to see one.
There are amazing behind-the-scenes technicians in Portland who didn't want to raise their families in L.A.
I want to talk about jobs, the economy, foreclosures. I want to talk about energy prices.
You just see a good project and want to be involved in it, and that's what 'Dexter' was.
I lose tons of stuff on the cutting room floor. For Scary Movie 3, for example, we had a lot of Matrix spoofs, a Hulk scene, and some of that stuff just doesn't hold up - it's too much plot, audiences just didn't want to hear about it.
I think once we started directing separately - we each have different kinds of interests now, and the kinds of movies we want to do. I wouldn't hold your breath for that one.
The only one that got through was Jimmy Walker, because he plays the gas station attendant. I mean, there's nothing wrong with it, it's just that we were kind of purists at the time, and we didn't want any comedians.
I don't really feel there's rules in my everyday wear. I kind of do whatever the hell I want to do.
There's so much diversity of opinion out there, so ultimately you have to listen to it, put it aside, and make what you want to make.
I'm terribly attention-seeking. It's very different once you get all this attention, though. Because then you want to control it. And you can't exactly.
Poetry carries the imagery which is large enough for the kind of life we want for ourselves.
I want to reach the Mr. Joneses and Mrs. Smiths who wouldn't give Waco a second thought.
The movie, if I recall, didn't have to do with the television show because there were concerns from everyone that they didn't want it to be like the TV show.
I want to encourage the non-star, low-profile film, and maybe we've got a chance.
I have my life on the field, but when I finish that, I want a quiet life with my family.
Here I was, having done a thriller and a horror movie - why did I have the audacity to make a romantic fantasy? How can I continue to make genre films? Well, maybe I don't want to continue to make genre films.
As a director, you have to go in with a really, really, really clear picture of what you want.
We want order and security, and we want liberty. And we want not only liberty but equality as well.
Most of the shows I want to do I'm not smart enough to figure out how to watch.
I realised how rich I had become and I asked myself, 'Do I really want to be the richest person in the cemetery?'
'Batman Begins' came out and it was really successful, and it had gritty naturalism. And suddenly... I can't tell you how many movies I was pitched where it was, 'We want to do what you did with 'Batman' but with 'Teenage Mutant Ninja Turtles,' or whatever.
Ever since I was a little kid, I told my mom that I want to go to Hollywood and make a 'Batman' movie.
If there's something I want, I go for it. I just think about how I'm going to go for it.
If you want to get out of medicine the fullest enjoyment, be students all your lives.
There are a couple of roles I haven't played that I want to. I would love to play Shiloh.
The kinds of stories I want to be a part of telling are about delving into what it is to be a human being.
We've had so many faith-based movies that I think are sub-par; I almost want a new phrase for them.
People don't want to leave Facebook to play games - Zynga's phenomenal success is proof of that.
The fact is that Iran doesn't want to see the Taliban come back any more than do most Afghan citizens.
You want people to identify with the person on the screen or in the theater, but you don't want them to identify with you as a person.
It's great to be able to have your feet in both worlds. I wouldn't want to be just stuck in one or the other.
With Sean Penn, he wants to be surprised. He doesn't necessarily want what he's written, although we'll do what he's written. He likes the danger of acting.
The last thing I'd ever want to see is another manager being sacked. I certainly don't like the phrase 'sacking season.'
I want to write theater pieces, opera, or some kind of amalgamation where there is singing, music and theater.
Many of us, both Jews and Christians, want the public square to be pluralistic, which is neither partisan nor naked.
I still shoot film. I like what film does, how it renders things, Also, when I'm shooting from the air, I want to have as large a negative as I can.
I want to be host of 'SNL.' I want to work with Steven Spielberg, Leonardo DiCaprio, J.J. Abrams, Emma Stone and Tim Burton, Sean Penn, Cameron Crowe. I want to work with Adam Sandler - he is so funny - and Tina Fey and Amy Poehler.
No harm's done to history by making it something someone would want to read.
Americans are pragmatic; we want quick, clean, simple solutions to vast problems. The paradox is that we're a deeply confessional culture, but we're not often contemplative.
My process is very disempowering to the director anyway, so it's essential that you be respectful. Once we've sort of found the scene, I have to get out of there, because you don't want to split the actor's idea of who's in charge.
If you want to fight against a declining trend, you've got to have a much bigger bazooka.
The more songs I've written, the more I've grown interested in telling a story. When I first began, I had this list of opaque phrases where you can make of it what you want.
Casey Affleck is someone I want to work with again. We almost had him on 'Pete's Dragon,' but his scheduling issues didn't work out.
I want to play football, and I want to help the team. It doesn't matter if I play midfield, if I play in defence, if I play as a striker.
When I was 12, I saw the Apollo moon landings, and I thought that was really fantastic and exciting and thought, 'That's what I want to do.'
I really don't want to make the same film twice, so I am conscious of going after material that is significantly different to anything I've done before.
Most of the films I've tried to make I've ended up making. And they don't necessarily go in the order you want to do. So I haven't got a huge list of undone films or stuff that's just been abandoned forever.
If you have John Goodman in your movie, you want to use him as much as possible.
We've had to set a workshop up; we've had to equip the workshop and everything else. But all that equipment is there now and whatever projects they want to use it for in the future.
I don't want to steal anybody's story. I very much want to use the stories that I hear to get lost in my mind, to tell a larger story.
I had been an independent entrepreneur from the beginning, and I felt I could do it myself. I didn't want to get a job.
I don't want to make an 'Animal House.' I'm not interested in making 'Ghost Busters.'
My philosophy as a filmmaker is to inform and entertain at the same time. And when I went away from documentaries into miniseries like 'Roots,' I did the reverse. Instead of just entertaining, I want to inform at the same time.
The tools I learned photographing celebrities, now I want to use them to sell ideas.
There's nothing worse than putting two similar shows back-to-back. Viewers don't want to watch one show and then sit through another half-hour of almost the same thing.
Politicians often call for sanctions as a way of sounding tough when they don't want to take riskier measures.
If you want to hear arguments against deploying a big U.S. ground force in Syria, just ask a general.
I'm an actor, and so of course I want to see TV companies making good dramas. I want that to be a priority.
I want to have the same success in my acting career as I did in my boxing career.
I've had a lot of good nights, and ideally, I don't want to be remembered for a bad night.
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