Want Quotes
Most Famous Want Quotes of All Time!
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I want to look at the community I came from and what role incarceration has played there.
I don't want to be an oldies act, kind of dragging around on the road just for the money.
I want to tell stories about Europe - I feel profoundly European, I don't feel like an American.
I said I did not know enough about UNICEF to handle a press conference and she said they would not want to talk about it they would only want to talk about films.
My dad was a builder, so I didn't have any connection to the arts at all. I never really considered film as a career, but I knew I didn't want to be a builder.
I don't do that virtual reality stuff. I'm not even into 3D, actually... I've been offered it. I just don't want to.
I don't want to be Babe Ruth. He was a great ballplayer. I'm not trying to replace him. The record is there and damn right I want to break it, but that isn't replacing Babe Ruth.
I couldn't disappoint people. I did not want to fail and exhaust myself, because I was the kind of runner who trained so little that I couldn't race again within another 10 days.
I've lost a little bit of my fire... I don't want to say I've lost my passion.
You don't want to be the site that people should use. You want to be the site they can't stop using.
I knew I wasn't a baseball writer. I was scared to death. I really was afraid to talk to players, and I didn't want to go into the press box because I thought I was faking it.
I didn't want to engage in a campaign where I was defending myself on those issues at every turn, so I just decided that I'd switch and run as a Republican.
If you want a machine to be able to interact with people, it better not do things that are surprising to people.
I've often said to young songwriters when they want to write with me, 'Let's take a stab at ten songs, and we might get one really good one.'
We want to make sure the military gets it right and understands that if they're going to have less money, they're going to have to spend it a lot more smartly.
Since the littoral combat ship plays a vital role, we want to make sure we're buying the correct version.
New Jersey makes important contributions to the space program. We want to make sure it just doesn't happen in Houston.
The last thing in the world I want to do is marry. I am too selfish, but I won't elaborate on that.
There's nothing like a roast parsnip, you don't want them too chewy though.
Everybody in their life has a list of what they want to do: I'm very lucky indeed to do one thing on that list.
We have multiple businesses, and obviously we want every one to stand on its own, and what you don't want to do is manage one business from the profit of the other one.
'All the President's Men' is a movie that has a very personal place for me because it made me want to be a journalist, and then it made me want to be a filmmaker.
When you do a freeze frame, you have the opportunity to find the exact shot that you want - no guessing.
If I have to answer one more time, 'Why did you want to remake 'Straw Dogs?'' with the emphasis on the word 'why,' I'm going to flip out.
Finding out you're able to do something doesn't necessarily mean you want to do it.
What actor doesn't want to walk around a set and be called 'Mr. President?' Playing POTUS is a kind of rite of passage among American actors - our version of playing Hamlet.
Cats have it all - admiration, an endless sleep, and company only when they want it.
I try not to put messages in my songs. My only message is man's communication with his fellow man. I want to narrow the gap of strangeness and alienation.
One of the ideas behind doing this acoustic record is that I didn't want to have to produce it by committee.
I didn't want to get attached to one guitar; I didn't want to have an instrument that was irreplaceable.
I turned down a lot of things that were so-called commercial. You're coming out of one film, and then they want you to be in the same one.
I initially thought I would be an architect, maybe. So I went to architecture camp and quickly learned that I did not want to be an architect. I was like, 'No. This is not for me.'
There is no magical reason why I am where I am. And there is absolutely no reason why you can't be where you want to be. If it can happen for me, it can happen for you, too. And it would be a privilege for me to help you get there.
One reason Zipcar succeeded was its branding: cool, hip, smart, urban, fun, innovative. Who wouldn't want to be associated with that?
If I had the medical clearance to fight, I would want to fight the best. The best would be Mayweather.
I've always been the same. I've had the same mentality ever since I was playing with my friends at school. I want to win. I only want to win.
You can't force an audience to see something they don't want to see, no matter what it is.
Studios, to cut through the clutter, want recognisable titles. But that does not excuse you, as a writer, from having an original story.
Computers have become more friendly, understandable, and lots of years and thought have been put into developing software to convince people that they want and need a computer.
As a professional player, I consider my career closed, but I don't want to exclude the possibility in the future that I may return, but not as a player.
Always I pay. Always I pay. How do you know Gelli? What do you want? How much do you want?
To me, what is important in the theater is that we don't want to make a conclusion. We don't want to make a statement, don't want to say what something is. We want to ask, 'What is it?'
Those nations of artists, finding their own individualism, and kind of standing against the world: to me that's the ultimate nightmare. I want to get lost and diffused in the world.
I just don't want to be a champion; I want to be one of the best fighters there ever was.
I want to be known as one of the best fighters ever. I don't just need a shiny medallion to tell me anything. I want to beat all the top-caliber dudes.
There was an inquiry just last week about the new Bette Midler show, and I just didn't want to do that.
I feel very lucky to have the freedom to do the things I want to do. And as I say, my clients are all my friends as well.
The problem is Twitter is designing the metaphorical equivalent of a Toyota Prius. A car for the masses. While I want a Formula One race car.
I get a lot of email, so if you're sending me an email, if you want to rise above the clutter, put something on it: say, 'Hey!'
I didn't want to be the lead guy. That's too much work. But I thought that it might be fun to be the lead guy's friend. I'd have days off, and still get a paycheck every week.
I knew I was doing something right because it was selling so I didn't want to interfere with it.
Media outlets that are exploiting Ebola because they want a sensational story and politicians using it to their own ends ought to be ashamed.
I think with 'Strictly,' people don't want you to do badly. They're willing you to do well.
When you make an exploitation film, you always want to have a real issue. That's how they were always done.
Hollywood wants to own everything. I don't want to own anything. I don't want people just to make content, I want to empower and teach them to create content they own that they can exploit in any medium.
I'm not concerned that my stuff isn't extreme. I don't want to be heavy. I can't think of another attitude to have toward an audience than a hopeful and a positive one. And if that includes such unfashionable things as sentimentality, well, I can afford it.
We cannot turn back the clock. We cannot undo the impact of technology. Nor would we want to.
When you're running a company, creating jobs is the last thing you want to. When you're running a company you want to employ as few people as possible, and yet you inadvertently create jobs.
I want to make wines that harmonize with food - wines that almost hug your tongue with gentleness.
The point is that I don't design stuff for myself. I'm a toolmaker. I design things that other people want to use.
I did not want to write one of those sequels that famous first-book authors get into where everybody says, 'Oh yeah.'
When I was the director of Central Intelligence in the early '90s, I tried to get the Air Force to partner with us in building drones. And they didn't want to, because they had no pilots.
I had been warned by other directors that opera is hell. The singers don't want to do what you want.
I want to be a better player, and there is no other way of showing it other than on the pitch. It is not a question of which team I play for.
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