Robert Wilson Quotes

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If you see the sunset, does it have to mean something? If you hear the birds singing does it have to have a message?

Some years ago, I was invited to speak in Houston, Texas. They said I was a founder of 'postmodern theatre'. So I said to my office, 'This is ridiculous for me to go and speak about postmodern theatre when I...

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I had no idea I was going to have a career in the theater. I did not plan it.

In Europe, unlike the States, they have a cultural policy.

I think that opera in Europe is 30 years ahead of America. There is a broader range of material presented to the public. They value contemporary opera.

To me, what is important in the theater is that we don't want to make a conclusion. We don't want to make a statement, don't want to say what something is. We want to ask, 'What is it?'

My method is much like choreography. I don't sit at a table. I work in a room with people.

Sometimes, when we're very, very still, we're more aware of movement than when we make a lot of movement outwardly.

My work has always dealt with a kind of space that allows one to daydream.

My work is formal, not based on psychology.

I'm supposed to be the guy who hates naturalism.

By giving the leadership to the private sector in a capitalistic society, we're going to measure the value of art by how many products we can sell.

One of the few things that will remain of this time is what artists are doing. They are the journal and the diary of our time.

I'm an artist, not a philosopher.

Usually in theater, the visual repeats the verbal. The visual dwindles into decoration. But I think with my eyes. For me, the visual is not an afterthought, not an illustration of the text. If it says the same thing as...

The first thing you must know as an actor or director is the space you will inhabit. See the architecture; imagine where things can happen in space.

Increasingly, I find myself drawn to classic forms - to Euripides, Shakespeare and grand opera.

Everything in Wagner's work - the music, the acting, the staging - stemmed from the text. Everything served to interpret the text.

If you take a Baroque commode and put a Baroque clock on top of it, maybe it is not so interesting as when you put a computer on top of it. Then you see both items in a new way.

Counterpoint is difficult. I have been doing it since the beginning of my career. But it is not just taking any opposite. It is finding the right opposite.

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