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The contemplative life is often miserable. One must act more, think less, and not watch oneself live.
Actually, I love golf clothes! I think this is the most interesting part of golf!
Of course I live in my time, and I'm really curious. But, at the same time, I don't think it has a direct impact on my work.
I think the golden age of couture had some of the most incredible customers: women like Nan Kempner and all the icons.
President Chavez has always been a loyal friend of Gaddafi, assassinated in the crudest way possible. Europe should think about the bombings and the destruction of Libya that filled the country with terrorists. Who's truly ruling Libya's military and sending thousands of armed men to fight in Syria? It's Al Qaeda.
And later I thought, I can't think how anyone can become a director without learning the craft of cinematography.
They think something's gone wrong, but in Don't Look Now, for instance, one scene was made by a mistake. It's the scene where Donald Sutherland goes to look for the policeman who's investigating the two women.
For I am not so enamoured of my own opinions that I disregard what others may think of them.
I befriend people too quickly - I don't think that's wrong, but I get told that I should be a bit more careful.
I love film, and I think it's so important for kids to be educated about films and real life subjects that films cover.
I don't think people should be afraid of portraying people with accents, especially Asian accents.
It's really mind-boggling to me when I think about where I started and where I am now. It's kind of insane.
I think any immigrant who comes to this country also knows somebody who is undocumented.
Boxing is like chess. You encourage your opponent to make mistakes so you can capitalise on it. People think you get in the ring and see the red mist, but it's not about aggression. Avoiding getting knocked out is tactical.
My husband is very proud of me and what I do. Which I think is really sweet.
I think when you start talking about money, it stops the whole creative process for me.
Everyone has this notion of the Middle Ages - certainly the early Middle Ages - as being this very superstitious era. I think that all eras are superstitious. We all have our magical thinking.
The only way to be a novelist, to think that you can create something others will give themselves up to for a dozen hours or more, is to have psychotic self-belief.
I have six brothers and one sister, and I was an ice hockey player when I was younger. I think my dad thought I was going to be in the women's league for ice hockey. But, I totally fell in love with drama in grade school, and I asked my mom if I could get involved with it.
When I was 12, I got a manager, but my mom was against it. It took a lot of convincing. But when I got a job at Manhattan Theatre Club, I think she saw how passionate I was about it and that I worked really hard - and now she's super supportive.
When you're working, you're in the present, but you've always got one eye on where your next job might be coming from, and I don't think that will ever go away.
Roast potatoes - I can't say no. At Christmas, I reach over for the fifth or sixth one, and I think I could keep going until I explode.
High-end divorce is a closed world. When I tried to research it, I was really surprised about how little there is out there. I think that's because of the nature of the subject matter - privacy is incredibly important to this level of client.
'Spooks' was unique. It took up such a lot of your life - I think we did 10 episodes for the first few seasons. That's six months of your life.
'Spooks' was very much of its time and rather unique, so I was more than happy to be in that as a long-runner - because I think we won't have that sort of show again. I think it was really, really unusual.
I would like to think that there are more women in positions of power, to actually get these projects off the ground that are more balanced, where the story is about men and women.
When the acting all dries up, I won't be going there - either to the police force or to the church. I'll have to think of something else!
Think of everything in Seattle - Microsoft, Amazon, Starbucks. Then you go down to Silicon Valley - Intel, Apple, Google, Facebook, Twitter. What does New York produce?
I go to movies and concerts and stuff - that's why I think all my money would be gone if I weren't working because I just keep spending it, on that, and CDs, and I don't know.
I still think of myself as a retailer first, but I also know how to make clothes.
I think many men are either time poor or have little interest in going to stores. I love stores.
I think with black tie, you can't really do too much. I think you have to pretty much stick to the rules on that.
But I also think it's up to the fan base to call in the radio stations and demand that the more mature artists be played as well.
Ever since I was a little girl, I wanted Valentino to design my wedding dress. Valentino is the definition of timeless elegance. I don't think there's another couture house like it.
I do very well with English, and I think I should do that more and take advantage of the versatility I have. I can sing; I can play guitar.
I try not to think about the success, because it's pressure to continue making music.
I don't think Africa gets as much credit as it should have on the world stage. People tend to think of us as coming from The Dark Continent, where nothing good goes on. That's not true. A huge amount of, as I say, entrepreneurship goes on.
I think the Australian men and American men are quite different. I feel like Australian men might be a little bit more laid back and a little bit cool whereas American guys are sort of 'boom, boom, boom.'
Sometimes I think I'm a bit impatient, and a bit more patience would help me in some cases.
I think you need to be able to adjust to the required circumstances and adjust your driving style.
I think very clearly the philosophy is to build a competitive and very quick car!
I don't believe that people die and come back as spirits, but I think there might be some unexplained events.
A worldly actor is a better actor. It sounds pretentious, but I think having these experiences can translate back into your work.
I don't really have a lot of hip-hop and all of that, so I have a lot of John Lennon. That's one that I really like, and The Clash, the Rolling Stones, groups that I think are kind of timeless.
I don't think I'm complicated at all. I'm not political, and I'm not trying to be diplomatic. I don't want to hurt anybody's feelings, and I don't say bad things about people. There is no agenda. There's no trying to fool somebody.
Now, everybody always says there's no 'I' in team, but there is an 'I' in win, because the individuals make the team what it is, and how they think and what they do is important to the team. So when you act like the individual is not important, well, it is damn important who these people are and what they are.
I certainly like to win. But I really hate to lose. So when you think about that, you're always motivated to, 'I don't want to lose the next game. I don't want to lose the next game.'
Bringing the astronaut's nightmare to life so vividly is a remarkable accomplishment but Alfonso and Jonas Cuaron want more than just the adrenaline ride - they're feeding our wonder and inviting us to think deeply about profound questions of existence.
I don't do stunts and I don't think many actors do. For an actor to say they do their own stunts I don't think is very respectful of the profession of stunt men and women.
Oh man. If I had magic powers... I would hope that I would use them for good. I think I would. But I would do something pretty trivial like making traffic disappear.
Instead of the cashier and ticket-ripper of the movie theater, the block chain consists of thousands of computers that can process digital tickets, money, and many other fiduciary objects in digital form. Think of thousands of robots wearing green eye shades, all checking each other's accounting.
This sounds really hokey, but I think Buddhism is the only religion that is genuinely peaceful, so I'd try to promote it in a contemporary society.
But I also enjoy music outside the band. I've been doing production for other people, including Robert Wyatt. Check him out. The album we did together, 'Rock Bottom,' I think it's really lasted well. It's a 35-year-old album, but it worked.
Watching something being constructed, whether you're passing a building site or whether you're watching an artist at work, is fascinating, and I think that's the enjoyment.
There were a lot of gifted amateurs in my day. Most of the kids now play fantastically well. I think there are so many bands around now who might get there, but it's a tougher journey.
No one thinks they're irritating. Nobody thinks they're boring. So if you're playing a character like that you have to play them as how they think of themselves.
When you are making the one you are doing, you think it is the greatest film going. And then you do another one and it is a great film.
I think there's some certain attitudes and certain guys that can feed some positive energy, and that keeps you going through an 82-game schedule.
I think a lot of personnel decisions come down to who's the best player today, like if we had to throw 'em in a game today versus what could their upside be 18 months from now. A lot of times, those are two different answers. That's the difficulty of player personnel.
I think there's always enough right in front of me worrying about who's playing the minutes tomorrow, but you've always got to have an eye on a year or two from now and what those guys will do if you think, 'Well, let's give them a full year at the 905 and see how they progress.'
I think switching is like a lot of things. You can do it - it's a game plan - but you better do it well. You better practise it.
I think it's all machismo - 'Come on, you've got to guard your guy, man. If you can't guard your guy, then you can't play defence.' A lot of it is accountability, where you say, 'Hey, you're matched up with him. Go do your job.' The zone kind of sometimes moves a lot of pieces around.
Chemistry kind of builds all season. It's not like we say, 'OK, it's game one, and now we've got our chemistry.' I think it shifts and moves all season long.
I think it's fascinating that I receive attention for what people perceive to be a level of manliness or machismo, when amongst my family of farmers and paramedics and regular Americans, I'm kind of the sissy in my family.
My wife happens to be probably the greatest working woman in comedy. I can't think of anyone who even approaches her achievements and her abilities.
When I got my job on 'Parks,' it was so dreamy, kind of unfathomable. I didn't think a job that excellent could exist for me.
But I think people see 'Wallace and Gromit' as something akin to an elderly couple. These two know each other so well. Nothing can split them apart.
With some CGI, I think the brain slightly perceives that things aren't real. There's no gravity, the light's not quite real, the shadows aren't quite real.
In crime fiction, I cut my teeth on early Robert Parker, Elmore Leonard, John D. MacDonald, and Alan Furst. I always loved the writing of Hemingway and Faulkner. Cormac McCarthy's 'Border Trilogy' has been a huge influence; I think I read those novels four times.
I try not to think too much about my writing process - I tend to feel my way forward and find more insights that way.
Character drives the story, and the story drives the book. I don't think about where the action should go, or how much there should be, until it's required by the characters. When I find myself adding conflict just because I'm afraid that the reader might get bored, I know I've taken a wrong turn somewhere.
I think some people see me as being some kind of lovable, bumbling buffoon, and I'm actually quite mouthy and sharp, and that doesn't compute.
I fall in love with every film while I'm doing it. I fall in love with the directors, I fall in love with the process. I don't think I could do it otherwise.
A teacher asked me if I'd audition for a play, and I ended up playing the pirate Red Dog in a production of 'Treasure Island.' And that's where it started, and I really felt part of something special, but I still didn't think about it as something I wanted to do. I was just having fun.
The inclusion of slope style in the Olympics is cool. I think it's going to be a total breath of fresh air. The Olympics needs us more than we need it.
I'm not the smartest guy you've ever met, or the hardest-working. I was a mediocre student. I'm not technical at all - I can't write a word of code. What sets me apart, I think, is a tolerance for risk and an intuition about what will happen in the future. Seeing where things are headed is the essence of entrepreneurship.
I think the idea that giant profitable corporations should pay their workers enough so that they don't need food stamps - since when is that left-wing? How did that become 'leftie?' That doesn't seem leftie to me. That seems common sense.
People want to think of economics as a natural science, like physics, with the comforting reliability of simple-to-understand theories like F=MA. Unfortunately, it isn't. Economics is a social science, and the so-called theories are really social and moral constructs.
My scientific qualifications are relatively scant. I like science. I try really hard to educate myself about it, but in the end, if something has to go 'boom,' and it would probably only go 'fwoosh,' I am relatively unconcerned about that, which is a sin, but not, I think, a grave one.
I read my father's books growing up. I thought then and I still think now that his writing is wonderful. It delights and infuriates me in equal measure that he's still that good.
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