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What's success all about? What's philanthropy all about? Let's think of our legacy, following in the footsteps of some great Americans like the Carnegies and the Mellons who used their wealth for quality purposes.
I think English people were a lot better at breakdancing than they were at making records.
I had a lot of time to think in the service; I swore that, if I survived, nothing would keep me from an acting career.
I think cars encapsulate the history of innovation and style - it's the other side of the coin of the car being public enemy No.1.
We now think it hilarious that medieval streets were used as open sewers. Equally, our descendants will say: 'You won't believe this, but people were once allowed to hurl a couple of tons of dangerous metal around smashing into each other.'
I don't think you can write - at least not well - if you don't love stories, love the written word.
What I was going for in the first two albums I didn't necessarily achieve. Because I was young and because it was my first time out. And the second album was such a 'quickie' sort of 'Let's just get it over with!' But the kind of music I make, there's a lot of subtlety in it. And I think it takes a couple of listens to actually really get it.
I have never been too concerned about things you're supposed to be concerned about as a singer. Pitch is important, and so is sounding good. But I think there's something underneath all that.
I met Elvis first in Las Vegas. I think I was appearing with Tom Jones and he came backstage to say hello to Tom or we went to his dressing room to say hello.
I think it's the most wonderful thing in the world to have an identity, something the audience can remember you for.
I think it is - the biggest plus the performer can have is to be a little unique.
I would love to stay at SNL forever. But you can't stay in the same place. People think you're a loser.
I think everyone should sit down and write a book. It's a lot like therapy but a lot less expensive.
I am a person who believes in the good of people and who may have had things influence them to a certain degree, but deep down I think most people are good and would like to be good.
Back then, my idol was Bugs Bunny, because I saw a cartoon of him playing ball - you know, the one where he plays every position himself with nobody else on the field but him? Now that I think of it, Bugs is still my idol. You have to love a ballplayer like that.
I think everything should be governed by law. We don't want to keep secrets anymore.
What is in the Constitution is the burning desire and aspiration of all the people of Vietnam. So for the moment, we don't think about opposition parties.
As soon as I started acting in England, I got unusual roles. Although I'm 6 foot six, and agents might standardly cast me in tough guy roles or the big guy in the back, I've been very blessed to do roles that makes them think twice about how they're gonna cast me.
I think Stieg Larsson was pretty brave. He wanted to bring up things that we don't like to talk about, or like to ignore.
We need more extreme movies in Sweden. Personal projects that are necessarily made for a bigger audience. I think it creates a creative lock-up to have the audience as a goal.
I like doing fight scenes. I always have, and I insist on doing as much of that action as they'll let me do. I think that's easy for me.
I'm very proud of 'The Words' and all the cast. I think Lee Sternthal and Brian Klugman are like new directors, and I really believe in them, and they're gonna rock everything.
The gun issue is a big, unresolved issue in this country right now. I think it's out of control.
I think at the end of a show, you have to walk out with a message. That's my hardest struggle right now; that's what I'm working towards.
I think it's important that we have a new batch of British film-makers that aren't doing the same old stuff. And that includes me.
I don't think I'm egotistical, and I know what my limits are: I'm a black guy who's probably losing his hair. But I'm happy to play roles that I'm given, and I'm happy to play roles that I write.
It's discouraging to think how many people are shocked by honesty and how few by deceit.
I think the more you party and the more you get drunk, the more your soul starts to evaporate, and eventually, you're just a husk. So you have to go to the gym and build your soul up again.
People like to put you a box. I've always been the wrong shape. Maybe you are, too. I think all the people who are wrong shapes for boxes should go out and march into the streets singing, 'We are the shapes! We don't fit the box.'
I think I'm constantly surprised that adults can't deal with illogical things or thing that are weird or psychedelic. I've never really lost that.
The first band I was in, I think was called The Strangers. I got the sack because I was too small!
As a kid, I think people would have described me more as a goofball, or being energetic. But I always loved parodies; I loved spoofing things.
I think the process of 'SNL' is still pretty formal. You make an audition tape, your agent sends it in, they watch people's tapes, and then they invite people to perform at a comedy club in Los Angeles or New York. But I don't know how much actual scouting they do online.
I think comics has this rap of being misogynistic, and that's certainly not untrue.
I think almost anyone is capable of doing things that are evil or hurtful or harmful.
I really liked Quentin Blake, who did all of Roald Dahl's stuff. I don't think I really got Quentin Blake as a kid, but as I grew older, I really appreciated the kind of knowledge and the skill that went into those seemingly effortless drawings, and I really wanted to capture some of that in my own work.
I think if you don't trust in yourself, it helps to trust in something else.
I think 'Something Ventured' is a nice piece because it celebrates venture capital in a unique and powerful way.
These days when you say 'videogame', people think of immersive games that take over your life and require three thumbs to control. My goal is to create games that almost retreat into the background. I'm interested in bringing them back to their role as a social facilitator, the way party games help people to interact.
I think I started toddler gymnastics when I was around 3 or 4, and I began taking it seriously when I was 6.
How can you have the religion of the sovereign be the religion of the state if the sovereign belongs to many religions? And it's at that point, I think, historically, that you start to see people saying maybe the state should not associate itself with any religion. Maybe there shouldn't be any official religion.
I think for really good-hearted people, that idea of putting yourself in the shoes of a monster to figure out why they acted that way, that's a really frightening idea.
I think spirituality is a good thing but I dislike any sort of dogmatic organization.
I remember somebody asking me in an interview years ago if I would be interested in playing Jason Bourne. I laughed: I didn't think anybody would want to see me run around with a machine gun. It always stayed in the back of my head that I had reacted like that. It bothered me.
Samsung and Apple seem to think that they're going to provide everything. Apple believes services will drive hardware, while Google wants to own each user regardless of hardware, so you have differing philosophies.
However in countries outside of Japan I think game music is still a potential growth market that has not yet developed to the extent that we are seeing in Japan.
However now we can create a sound that can truly startle someone and in terms of sound effects I think the environment that we are in now has improved dramatically.
I think that American people really know how to pursue fun, they really know how to have a good time. Japanese are somewhat more reserved than Americans, so I'm jealous.
And it's very strange, but I think there is something very common - not only in Celtic music - but there is a factor or element in Celtic music that is similar in music that we find in Japan, the United States, Europe, and even China and other Asian countries.
My background is that I came from a middle class family, and I think those values stay where ever you go.
I don't think I am really awesome. I think I have basic qualification to be an actor.
It doesn't feel great to be compared to Genelia or anyone. I don't want to be compared, and I would like to think I am different.
'180' is a romantic film, but I don't think it can be classified as a fluffy love story. It is a wonderful story with a script that is layered and more complex than the normal ones.
I think acting is my destiny. I did my first film when I was just eight. However, I never took that role seriously.
I have a bad history with resolutions! I don't think I have kept up even one of them so far. Once, I promised to myself that I would wake up at 6 A.M. every day - it didn't even last for a week.
I don't learn as well, I think, in like a structured way. I kind of have to be thrown into it.
I was maybe halfway through my career, and I was shooting a Nike commercial, and the director came to the trailer and said, 'Hey man, you're really gifted at this. I get a lot of athletes that come in, but you were prepared, and you made everything seem very natural. I really think you should look into this.'
I think any time you're able to humanize the plight of the wrongfully incarcerated, then you're doing your job.
I think speculative fiction has fewer unspoken prerequisites than literary fiction for writers of color.
At times I have a beat first and then I write. Sometimes I have a melody in my head and I pick up the guitar to develop the song. Other times I just write without any melodies, and I end up using those lyrics when I think I have the appropriate instrumental that would bring out and depict the emotions of what I have written.
I think it's important to learn instruments, whenever one has a little space. Be eager to learn and love your instrument.
There's always some generational-guys-hanging-out movie that is made every few years, I think, and some of them are great.
I've always felt some kind of connection to people who are kind of over-smart. People who over-think things to the point of some sort of paralysis, and I think that certainly can be me on any given day.
There was a telemarketing job one summer in high school that I was rejected for. I still walk by the building that I actually had the interview in. It's still in New York, and I always think about that job and why I didn't get it.
I think there's been this whole image of masculinity that's been out in society - of brooding, brutish, egotistical, narcissistic men - like, this patriarchy.
I think the best voices, the most creative voices, and the best content always wins.
Never did I think I would live to see the day Jim Crow was resurrected, making repeat appearances in the South. And he has packed his bags, and he has moved North. Something is wrong.
I think everybody's trying to get to a place in themselves where they conquer what they was afraid of; they achieve some of their life goals, kept their word about what they were trying to do.
I think that every artist - or anybody that's in business - could benefit from a direct-to-consumer strategy, so I think that that applies to us as artists and content creators, too.
We represent a hustler. I think we represent inspiration. I think we represent, you know, staying down. I think we represent building yourself up from the bootstraps.
I went through every emotion with tryna pursue what I'm doing, you know what I mean? And I think what's gon' separate whoever's gon go for something, that you ain't gon' quit.
'Victory' is like, you won, so the question is, what? What did you win? I think that the songs go into that. It's just about reaching a place in myself.
Google is one of these products that I think is incredibly habit-forming, and it's the kind of product that shows this characteristic of something that we use with little or no conscious thought.
One of the common myths is that when you have kids you can't really have adult relationships, that kids come first. We don't think so. We actually think that we have to take care of ourselves individually. If we can take care of ourselves, then we can become better partners for our spouse.
I think my worst habit is struggling with technology, even though I know how this stuff works, I need to bring conscious thought into how I use.
The narrative related to economics is, I think, very well understood even by the common man.
I might have been lucky to grow up in the 90s, but I think, actually, we started getting complacent about prejudice. We thought we had killed prejudice, and if you were still talking about it you were just going on too much.
Every day I wake up and think: ‘Am I part of the problem? Am I helping further entrench the political divide? All the raging mouthpieces of the right that I’m furious with - am I just the same but on the left?’ I have no easy answers to that.
Going to the theater or having the honor of performing in theater reminds you of your humanity in a very different way. It's a real release and an incredible challenge. But the stage is a dangerous place. You gotta be trained. Plus, crowds like when things go wrong. I think that's part of the thrill. Anything can happen.
I think if you want to get to know me, you should come and see a show. A person might get to see more sides of me.
What makes an actor, I think, is a combination of a deep curiosity about life and a case of the crazies.
The murder of my husband by the railways has altered the way I think about everything. I had always thought that the majority of people were decent and honourable. In the wake of the crash, what made me angry more than anything else was the realisation that this was not true. I still find it very hard to come to terms with.
I like stirring the pot - I think it's part of my duty, to shake people up a bit - make them look at things in a different way.
I thought people would think I only wanted to be an actor because my dad was, rather than because I had an innate calling.
I think you have to draw from any character and bring it to yourself as much as possible.
If I feel confident wearing something, I think it translates in photographs. It changes my demeanor and posture.
I think the danger with the liberal Left is seeing the Republican Party as a monolith.
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