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Princess Rose should indeed be a TV movie, assuming something doesn't go wrong. I don't know how good a movie it will be, because the way movie folk think is different from the way writers think, and I distrust what isn't done my way. This is what I call a healthy paranoia.
There is a certain advantage to the British accent. I do notice that Americans love it; they think the we Brits are smarter than perhaps we are.
If a bank is robbed by one of its employees, do you think the bank is corrupt? I don't think so. I think it's a victim.
People want to know on an ongoing basis, 'Am I doing right? Am I moving in the right direction? Do you think I'm progressing?' Nobody's going to wait for an annual cycle to get that feedback.
In the same way that you're driven in your business to keep innovating - Facebook is a wonderful example of constant innovation - think about doing that in philanthropy.
I think Indian women are very beautiful. They have a sense of elegance and innocence.
I should like to think that we'll find peace on this Earth at some point and come to a collective consciousness of compassion for each other, where we say, 'Enough! Let us live as one!'
As I've gotten older and I've watched people in productions, I go to the theater when I go back to London and see friends in Broadway, I think maybe there might come a time here to get back up there and prove oneself. It's just an itch; it's a nagging itch to go back there.
I usually dislike second books in series. The only second installment I ever loved was 'The Empire Strikes Back,' and I think that was wonderful because it evolved the characters while not seeming like a bridge.
In general, I think you can watch a movie in two different ways. One is the ethical point of view, one is the point of view of the story.
You know, I think that people give you back what you gave them. I try to be... as I am.
It is pure illusion to think that an opinion that passes down from century to century, from generation to generation, may not be entirely false.
Television enjoys a de facto monopoly on what goes into the heads of a significant part of the population and what they think.
I think if I hadn't become a sociologist, I would have become very anti-intellectual.
I think it's healthy to say, 'I'm 58 and, do you know what, this is what a 58-year-old woman looks like.'
I think everyone knows someone who's battling with dementia or caring for a relative affected by it. I've been staggered by how commonplace it is.
Normally I will have five or six cups of tea a day, and if I can have them poured from a teapot, then all the better. I think tea tastes so much nicer from a pot.
Well, I think that in every character there are little bits and pieces of yourself.
I think this is what hooks one to gardening: it is the closest one can come to being present at creation.
A holy day, after all, is a day for considering everything you otherwise think too little about.
I think writing is really about a journey of understanding. So you take something that seems very far away, and the more you write about it, the more you travel into it, and you see it from within.
I think at this point I only write books about questions I really want to figure out. They're indulgences, essentially. I think, 'What would I like to spend five years really thinking about? What could I gain from thinking about for five years?'
Certainly, I think Canada is many years ahead of the curve and still the great global pioneer.
I think one reason, obviously, that I spend so much time in one place is that I've been lucky enough to travel a lot, and now there are other different, invisible trains that are more interesting to me.
We all know how we can be turned around by a magic place; that's why we travel, often. And yet we all know, too, that the change cannot be guaranteed. Travel is a fool's paradise, Emerson reminded us, if we think that we can find anything far off that we could not find at home.
I don't think LVMH will want to significantly change the strategy of Loro Piana, and I don't think that they would have bought it otherwise.
Luxury is research in quality. It's quality with no compromise. What does that mean? That you don't think about how much something will cost to be able to achieve the very, very best.
There were times when I had maybe a couple of hundred dollars, and times I made myself think I was on top of the world.
I think Americans are probably getting sick of us Australians trying to take their jobs.
People are always trying to be on top. And not always with a macabre agenda, but I think that people are desperately trying to remain in control, rather than being honest.
I think audiences can feel when they're being served a filler episode.
I don't think there's an actor in the world who ever expects to get a call from the 'Star Wars' casting director - least of all me.
I think it helped that 'Fleabag' had such a dramatic arc to it, even though it was disguised as a comedy.
I think if you've got people on your side, if you've got people really laughing, you are able to make them cry.
I don't think you can be a good actor and want to please, because so much about performing and acting is surprising people.
I had such a supportive family, and I think that affects your life in such a profound way; it fortifies you completely.
I've been so obsessed with 'Game of Thrones,' and there's so much about nobility and duty that I think about a lot.
I think it's part of human nature, that we want to achieve. It's definitely a kind of cosmopolitan nature, wanting to achieve in the fast lane.
I'd like to think Fleabag's honesty makes her heroic in spite of her actions.
I don't think the challenge is asking an audience to like a character; it's inviting them to try and understand them... then making that journey entertaining and worth their while. It's a classic trick, but it's human, and it allows characters to have more depth.
I think the real understanding comes when we recognize our humanity in each other. That's not just between blacks and whites. That's between all religions as well.
There's all kinds of mothers, so to use the label 'mother' and to think you really understood all that a human being is because she's a mother, is a mistake.
When I was asked to read a screenplay about Margaret Thatcher, I think I felt immediate apprehension.
As a woman, I think Margaret Thatcher felt she had to be ten times more prepared than the men.
I think I wanted to do something that retained the improvised chaos of 'Mamma Mia' the theatre show which set it apart from all the slick packaged productions.
In Europe, it is not so unusual for directors to move between opera, theatre, and film, and I have at least three girlfriends I can think of who have directed in all three genres.
I have been very lucky, and I think it all goes back to state subsidy for the arts. I gained my training and confidence and credentials in the not-for-profit world, and in England, that does not mean on the fringe of things. It means right at the centre.
I realized that I didn't think I could stand the psychological battering that actors have to withstand. I just felt I wasn't cut out for that kind of self-promotion.
I think Margaret Thatcher was a superstar in this country, and I think we all felt we needed a superstar to play her, somebody of huge intelligence, passion, and power and warmth.
Oh yeah - I watched Knife in the Water, saw the shot, and repeated it. But even if I hadn't seen that film, inevitably the camera would've ended up on top of that mast, I mean if you think of it there are only so many dynamic shots on a boat.
On long car rides, we would always listen to the 'Blues Brothers' soundtrack and try to emulate everything that Aretha Franklin was doing. There was soul and grit in it that I think a kid from the suburbs really needed.
I think that we need to allow words to be words. If my self-esteem and my self-worth linger on words that are used to describe me, then you have a problem in itself.
I've been lucky enough to do a few editorials in the U.K., but I've never even been on a casting for mainstream commercial work. When I try to understand it, I think people are scared to try something new.
I think the real problem is all the negative connotations people have with that term. They think, 'Oh my God! I don't want to be 'plus-size!'' But people attach too much significance to terms. We can't let these terms define us or our beauty.
I think it's just that the fashion industry can only accept one thing at a time. It's like, 'OK, well, if we're going to add plus, then let's keep it hourglass and white.'
A lot of my close friends are musicians and are consumed by the idea of death; their heads are like a torture chamber. I’m not like that - I don’t have death anxiety and I don’t think about it all the time.
We’re all guilty of slacktivism, or of feeling like a savior for taking two seconds of your day to think about someone else.
I think the longform email is exhilarating and exhausting at the same time.
I think the main thing which boygenius and I talk about ad nauseum, is that I feel like I just apologise for myself less.
I actually have a kind of fantasy about doing a covers album in general. My music taste is so eclectic, that I think it would be cool to put it through the funnel of my arrangements.
I wouldn't want to even try to begin to describe our customer, as I think she likes a certain amount of anonymity. I try to offer clothes that allow that. I myself do not like being defined so readily, so I imagine that she is similar?
Time is my biggest luxury. Finding time to do things outside of fashion, which I think for a designer is incredibly important.
I don't think people realize what it's like for people of color to audition for film and TV.
When we think of the myth of the settling of the West, this is our creation myth. But because we think of it as mythology, not as real people interacting with other real people, we ignore the cost of human lives and blood.
I like to do the research of history and the creativity of writing fiction. I am creating this thing which I think is twice as difficult as writing either history or fiction.
I love reading and I love thinking - the reason that I love my books so much is that in order to write them I have to read and to think for years at a time about the same period of time.
The fundamental essence of science, which I think we've lost in our education system, is poking something with a stick and seeing what happens. Embrace that process of inquiry.
If a product has an endless list of ingredients, and you can't pronounce half of them, I would think twice about bringing them into your home.
One of my big pet peeves is single-use plastic bags. I think it's one of the stupidest ideas in the world.
We've explored very little of the ocean. We really don't know what's out there. But people think we've figured it all out.
I don't like to talk about myself. I don't want to talk about what I do, what I think I do. The position I play on the pitch, I am expected - and I expect - to create chances for my team-mates and score goals.
I have so many memories and have so many people to thank at Liverpool. I have to improve as a player. In my head, I always think this.
You have to think and act quickly. You have to quickly come up with a solution to beat a player, because most of the time, you are in a one-v-one.
So it's, I think it's quite, quite unique to fly with somebody with so much experience.
I think that witnessing ecological problems visible from space is one of the new and essential roles of astronauts.
I think doing something of your life is something that you've got deep inside, whether it's to, whether you want to be an astronaut or a, whether you want to do science, or whether you want to be a movie star, or whatever.
And, I think, as a kid, I had a strong motivation to do something of my life. And, I think that's the strongest motivation I really got. And, that came obviously from my parents and my grandparents.
All the most prominent Darwinists proclaim naturalistic philosophy when they think it safe to do so.
When people ask about inspirations, and you're like 'oh, it was a flower or a mountain or a pony', some people just think you're insane. I'm worried to come across that way.
I think my parents were immigrants, you know, so I guess I would be first generation. Growing up in California.
I do think that there is a profound reservoir of creativity and imagination in everyone I've ever met, and sometimes if someone is persistent and perversely obstinate enough to persevere, then they want to be helped. There is a way to help them.
I don't think I've worked with anyone where I haven't seen some progress. Now sometimes you can't take someone where they want to go, not all the way, and sometimes you stop, and they do it or don't do it on their own thereafter.
I think I needed the resilience of approaching my late 30s to come to terms with the resilience I required to learn to sing.
At home, I had seven brothers, one sister. I sewed clothes for my sister's dolls although she was grown and gone away. I was a weirdo but didn't think I was a weirdo.
What I love most about Her Majesty is that she has kept hats alive in people's minds for more than 60 years. You can't think of her without imagining her with a hat or a crown. I would, of course, love to design one for her.
I don't think that swearing or gratuitous violence or sex make a show better. I just think there are natural rhythms to a human being in these situations, and what happens in these situations that cable allows is a natural reaction.
I think finales are always so hit or miss because they're so personal. When you do a finale, it's always up to the person watching it.
I think the first thing I did when I was a kid was a Maxwell House Coffee commercial with George Strait. And I did a Wrangler Jeans commercial, and then 'The Patriot' came to town.
The borderlanders are people who are kind of caught in the middle. They think there must be another world out there. There probably is a God, but they are either turned off by the church or wounded by the church or wary of the church for whatever reason.
I think guilt is directional. You should get rid of it, but the way to get rid of it is not to get rid of the guilt feelings. It is to get rid of the wrong that you did that caused the guilt feelings.
The level of shyness has gone up dramatically in the last decade. I think shyness is an index of social pathology rather than a pathology of the individual.
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