Think Quotes
Most Famous Think Quotes of All Time!
We have created a collection of some of the best think quotes so you can read and share anytime with your friends and family. Share our Top 10 Think Quotes on Facebook, Twitter, and Pinterest.
I think it's a long-time process when you are trying to get fitter and fitter.
I think, of course, when you are coming somewhere, when you know you are playing good tennis, it always helps you.
It wasn't very easy getting used to being famous. Everybody stared at me in the supermarket and on the street. I think my life changed, for sure.
If I had to choose between a third Wimbledon title and the number one ranking, I would choose Wimbledon. The ranking just shows how you're doing in the year, so I think the Slams are first, and it shows in the number anyway.
I'm not out to max my income. I think my viewers would call me on that right away if I did.
With my channel, and what people associate with Internet, most people think it goes viral, you become this huge thing super quick. I never had an explosion or a huge thing. It's just been something that has progressively been growing. It's been building.
I was heavily influenced by J. R. R. Tolkien, George R. R. Martin, C. S. Friedman, Terry Brooks, Robert Jordan, R. A. Salvatore, and James Clavell to name a few, but of course every book I've ever read, whether I liked it or not, has had an influence... I think I am constantly evolving as a writer, but not to mimic anyone else or mainstream trends.
There have been discussions of doing 'The Demon Cycle' on both large and small screen scale, and while there is no project currently in development, I think the series has both the big imagery and complex character development to have legs either as a TV series or film franchise.
I enjoyed Jonathan Franzen's 'Freedom.' Would I make that into a film? I think it's better suited to television. That would very much be a dialogue and performance piece, and it would take some very skilful direction - but not my kind of directing. But I thought it was a real literary work.
Silent films were, I think, more different than we know to sound films. We think of it as simply that we added dialogue and in actual fact I think it was an entirely different art form.
If you ask the question of Americans, should we pay our bills? One hundred percent would say yes. There's a significant misunderstanding on the debt ceiling. People think it's authorizing new spending. The debt ceiling doesn't authorize new spending; it allows us to pay obligations already incurred.
You know, I think when you are unemployed, especially for a long time, it's hard to be inspired or hopeful almost about anything. So it's tough, especially when there has been such gridlock here in D.C. You know, when we are fighting and can't get anything done, whether you are liberal or conservative, Democrat or Republican, no one wins.
I think most people see drawing as subservient to the subject, a sort of meditation, a studying, a searching observation, in my case, for its own sake.
Men turn to formal wear when they want a new job or when they think their current one is in danger. They try to present themselves as powerful and successful.
I think space, architectural space, is my thing. It's not about facade, elevation, making image, making money. My passion is creating space.
However, I think I managed to reach a new level with Koko, and I will always be grateful for the experience.
I think if we're going to live in this - in this world - in this technological world where information can be disseminated so quickly, we have to be serious and take firm, strong action against those who are putting American lives at risk. Because this will put people's lives at risk.
Again, we saw in Bosnia - we had U.N. peacekeepers tied to trees, being taken hostage. The fact is they don't have the type of deliberate and authoritative rule that I think is needed to get the job done.
I think there has been a lack of full cooperation from too many people in the Muslim community.
I do think we need more cameras. We have to stay ahead of the terrorists, and I do know in New York, the Lower Manhattan Security Initiative, which is based on cameras, the outstanding work that results from that.
I think if you live in a country, basically you share the dominant values of a country although you may disagree on issues all the time.
I think Melbourne is by far and away the most interesting place in Australia, and I thought if I ever wrote a novel or crime novel of any kind, I had to set it here.
I think it's a problem that we don't have more companies like Facebook. It shouldn't be the only company that's doing this well.
I don't think the label cares about an album... People just want their number-one record.
I don't think anybody would be interested in my memoir - and my memory isn't very good either!
I think plays, like books, are endemic. They grow out of the soil of the writer and the place he's writing about. I think, you just can't move them about, you know.
I was brought up in an Orthodox Jewish household. I don't think I ever had a single discussion with my parents about faith. It was just something gently imposed.
As we realize that more and more things have global impact, I think we're going to get people increasingly wanting to get away from a purely national interest.
At the descriptive level, certainly, you would expect different cultures to develop different sorts of ethics and obviously they have; that doesn't mean that you can't think of overarching ethical principles you would want people to follow in all kinds of places.
I believe that nationalism is a very strong force, but there are other forces operating; there are tendencies pushing towards a larger picture, especially in Europe, I think; but I still think nationalism is real.
I don't think nationalism is alone holding the field; it's in contention with a lot of different things.
I don't think there's anything in the compromise that means that there's a clash of ethics.
I suppose what's happened recently has confirmed suspicions I voiced in the book, and I think made clearer some of those things that I point out. For instance I have a section of the book where I talk about the possibility of torture.
I think ethics is always there; it's not always a very thoughtful or reflective ethics.
I would like us to think about it more explicitly, and not take our intuitions as the given of ethics, but rather to reflect on it, and be more open about the fact that something is an ethical issues and think what we ought to do about it.
I'm not overly alarmist about it, but I do think there are some worrying signs, like the growing accumulation of wealth by a very small proportion of the population, plus elections in the US are much more dominated by money than anywhere else calling itself a democracy.
In a situation where many national leaders do the same thing and look out for national interests, and with an issue like global warming, you're likely to get no solution, so I think you have to have some kind of ethical trump on some of those issues.
In the sense that you're not at the centre of power, like a president or prime minister of a major power, everyone is marginalised; my position doesn't isn't unique in that respect. I think there are different sorts of relevance in different contexts.
I always think like I was born in the country where everybody ate apples. Then I ended up in the country where everybody eats bananas. So now, I eat bananas so long, I'm just remembering the apples.
I am afraid that people will think I re-illustrated 'The Little Prince,' when really, it was more a tribute to him as a dedicated pilot and a man who believed in the goodness of people.
Once again, I think there is little art being done that really owns up to such intense possibilities.
I think when you're younger, as an actor you have much more of a notion that you are doing something to the audience. But with experience, I think you begin to worry less about what the audience's experience is and concentrate on working with the other actors, and that tends to let the audience do more work.
Ease is something that I think many admire in other people, in sports or whatever it may be.
We don't think of them as acting, but we take on certain characteristics based on where we function, and those relationships draw out aspects of who we are as people. And that's what acting is. Different parts draw out different parts of your nature.
If you go in and audition for roles rather than just be offered them, then you kind of get a chance to kind of discover that you can do something that you didn't think you could do.
I enjoy finding a low subject and bringing it up high. I think with strong technique, you can glamorize certain things. You can make the imagery sharper, rounder, and basically better looking.
The left-wing agenda wants us to think that the reason there was a depression was because the government didn't do anything. That's not true.
My mother always taught me that two wrongs don't make a right. We shouldn't bail out Wall Street. We shouldn't bail out Detroit. It will cost the economy more than the cost of the bailout which is more than the politicians think. We'll run into the hundred of millions to prop these companies up.
My first wife tried to get back with me a year later, but there was no way. I used to think she was the be-all and end-all, but I got my stinky little pride back.
It's more than sentimental for me to be working in theater in New York; it's very personal. I think it's a spiritual experience for me.
Certainly the Australians were buried in Korea. But I think that from Vietnam on, all the killed were brought home to America or to Australia, in our case.
The battalion, the whole battalion was affected by the two killed just within a week of being there, and I think that that pulled everybody up to make them realise that this was a very serious business.
I would love to see Steven Spielberg working. I just think he's the greatest living director.
I'm very spiritual and I'm Jewish by faith. I'm not a practising Jew, I'm more of a recreational Jew. I celebrate the holidays and I try to inform my kids about their heritage because I think we all at some point have to defend our heritage and if they get picked on I want them to know why.
I kind of don't like doing film commentaries because I think they're kind of weird.
I think superheroes are heroes with flaws, and in their flaws, there is a sense of humor.
There's a lot of American kids think their food comes from the grocery store and the concept of seasonality has no meaning to them whatsoever.
Would you rather have cheap, subsidized - illegally subsidized - goods dumped into the Wal-Mart and not have a job and not have your wages go up in 15 years, or would you like to pay a little bit more - not much - a little bit more, have a job, and have your wages going up? I think the American people are going to make that choice.
In a free market and in the absence of planning, developers will flatten every hillside, fill every canyon, obliterate every endangered species, and pave over every wetland they think they can make a buck on.
Simon Cowell seems like a very nice guy, but I think he's a secondhand Mickie Most to be honest.
I started stem cells when I wanted to find a cure for my mother, who I loved very much, and western medicine was not able to cure her. If I had discovered stem cells a year before, I think that she would still be here with me.
The fact of the matter is right now politicians and insurance companies are making decisions. We're saying we want doctors to be making decisions. And I think that will lead to a higher-quality, lower-cost system over time.
Well, I think what we need to remember is that budget deficits can impede economic activity.
I have to use the word 'insurgent' because I can't think of a better word right now.
I think so much of adolescence is about finding your tribe, and what kids today have that we did not have is access to the whole world.
I don't think we set out to make it the most intense 'Fosters' finale ever, but I kind of think that's what we ended up with.
I think effeminacy is something that's really important to talk about in the context of gay media representations and in terms of the gay experience at large.
I wanted to take a stand against what I think was not so well established then but is thoroughly well established now, which is the substitution for a real sense of a country of a hideous distortion which you can sell to the people called 'heritage'.
I don't even think about maintaining a relevance. I just think about what do I want to paint, what am I gonna do now, what am I gonna do later.
What they can expect always is that they're going to be made to think.
I don't see how they can with most of my pieces, but I think it's unfortunate that they can through familiarity with flashy performances of a great deal of other music.
If you're writing a piece for the Boston Pops, the balance is towards one end. If you're writing a piece for a chamber music society, then it's towards another point. I won't make a final answer on that. I think it changes with every piece.
I'm obviously very keen on the theater and I think it's inevitable that some of the orchestral and chamber pieces have got dramatic elements which might even suggest an unspecified dramatic plot of some kind or other, even though it's not in my mind at the time.
I know what I want at least, and the older I get I think I'm better at getting it out of players and singers.
I think the past need not be the dead past. If we get it right, with new books, the past can be a beacon for the future.
I think the main thing was that the character couldn't speak in regular language, so he had to be mimed.
I think that Star Wars revolutionized not only sci-fi movies, but also the entire industry in the way that things are done.
I think the things I wanted answered have been answered by people in the know that we can't talk about, so I'm perfectly happy with how Chewie came to be where he is and what is going on in Episode III.
In the south of France the phones cut in and out, the electricity isn't particularly reliable. I think many people would get very irritated with that life.
I left school at 16 and skipped university to work, initially as a waiter. I think I missed out on what would have been great years.
When I was very young in London, I had a bank account, which didn't have a great deal in it. I should think at least every three months the bank manager would call me up and threaten to strangle me because I had no money, and I was writing checks.
I wrote 'Hereafter' quickly and without mapping it out too much or being too schematic. As an exercise, I think that was incredibly important.
You're either a person with a conscience, or you're not. I think I've got quite a fine conscience.
Watching people just look out for themselves, I think, is extremely interesting. It goes right back to something like 'The Beggar's Opera' - the underbelly of society, how it operates, and how that reflects their so-called betters.
In terms of popular cinema, 'One Flew Over the Cuckoo's Nest' is as near perfection as I can think of.
I like more the fact that I like to think out of the box. Thinking out of the box goes along with dressing out of the box and living out of the box.
I don't sell anything. So, I have a personal image, but I think that's because I'm from an art background, and I'm an artist, and I think most artists do have personal images. I consider myself more in that category of the way an artist had a look.
Architects have big egos. We like to think we're creating the pyramids and they're going to be around for thousands of years. And it's a joke because they're not even going to last our lifetime. I built a home for umpteen gazillion dollars on a gorgeous piece of property in Palm Beach, and 11 years later somebody else bought it and knocked it down.
Guys, we are trying to share Unique Think Quotes, so you will not get to read the same things again and again on our website. You can also share your favorites on Facebook or send them to a friend who loves to reading quotes.
