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I think all art is about control - the encounter between control and the uncontrollable.
As in, I think 'Badlands' is one of the funniest films of all time: 'Every day I wish I was carried off to a magical land, but that never happened' is one of the funniest lines in any film.
I've only ever really been in shows of friends, so I don't know exactly what happened. I think I'm incredibly cheap to hire. That can buy some traction. I'm as cheap as it's possible for an actor to be legally.
The simplest questions are the most profound. Where were you born? Where is your home? Where are you going? What are you doing? Think about these once in a while and watch your answers change.
I used to think of it as a joke that all paranoids were right. That was a joke in the '60s, but now I'm convinced that people should be paranoid reflexively - and then pare it down from there if there's any indication that they're wrong.
Arguably, the first five years of 'Saturday Night Live' were some of the most radical things ever seen on television. When NBC said, 'Okay, you can do a show from 11:30 to 1 on Saturday night,' they didn't think anyone would watch. It was like giving a piece of the candy store to the kids.
I used to think that the image of the press in the 1940s - a bunch of guys in hats screaming on the courthouse steps - was all baloney. I used to say, 'I know reporters. We're not like that.' But we are.
He was J. DiMaggio, and that was his business. He always was served and hosted - he was America's guest. And I really I don't think we would have the athletes that we have today and the social system in which they live without DiMaggio and what he did.
For artists, we're always looking for approval. We're putting our artwork out there and saying, 'What do you think?'
'The Critic' was so absurd, and I loved that. I loved working with Jon Lovitz, I think he's got a great, great voice for animation.
I think that 'Family Guy' and 'The Critic' come from some of the same kind of seed. I don't know what it is.
I think it would be impossible to make a movie about video games if there wasn't some violence that we know from video games.
Judy Hopps truly believes in something. We're not just giving her the run of the story, where we give her everything. Through her actions, she has to prove what she believes in. Personally speaking, I think that's cool.
I think when, like, things like 'The Wizard' and even like 'Tron,' when it first came out, I was a teenager, and, man, I really wanted to kind of just kind of disappear into it.
I think I would like to be a monk. I really considered Catholicism a few years ago, but there were some things that I just couldn't reconcile.
The worst job I ever had was as a telemarketer for, oh, I don't know, I think I made it about 90 minutes. I quit before lunch. I went in around 10:30 or 11 and said, 'I can't do this.' It was horrific. I had too many people yell at me within that 90 minutes to be able to continue.
I listened to a lot of Jay Z and Nas, stuff like that, so I was always New York-influenced. I think I have that New York flow.
I certainly think that 10 to 20 years from now, clearly the majority of veterinarians will be women.
I think, as a general matter, clearly, the United States globally supports the development of democracy and the democratic yearnings of all people.
I think that although we say we don't want to be the policeman of the world and et cetera, when 911 is dialed, it's the United States that has to answer the call.
You know, there's a real irony in U.S. assistance programs. First of all, I think it's misnamed. We're not so much trying to help people as we're trying to help ourselves. So let's be clear about this. So these are - in my view, they're cold calculations of national security and not aid programs.
I think most conflicts do end with negotiated settlements; some don't, but most do.
I think there was a pretty smooth hand-off from the administration of President Clinton to the administration of President Bush, particularly in the counterterrorism area. The reason I say that is because there was, for transitions, I think a stunning continuity.
I think what Osama bin Laden does is to take the fact that some peoples lack hope and lack opportunity, and twist it to his own ends.
I think that Vietnam, many of us who served in Vietnam thought that was very wasteful, and to what end? To what end? What were we really there for? What were we really fighting for?
I think it is obscene that we should believe that we are entitled to end somebody's life, no matter what that person has supposedly done or not done.
Well, you cannot think of cinema now, and you cannot think of cinema in the UK and not place Chaplin in the most extraordinary elevated context, if there can be such a thing, in that he was a genius, he was unique.
Well, I think In Love and War, which had a wonderful performance by Sandy, Sandra Bullock, who the authorities and, the supposed authorities, in cinema didn't want to know about.
'E.T.' depended absolutely on the concept of cinema, and I think that Steven Spielberg, who I'm very fond of, is a genius.
I'm not a great director or an auteur; I'm an ensemble director. I do think I can get wonderful performances out of actors.
I think Puerto Rico becoming a state would fulfill the destiny of 3.5 million American citizens that live in Puerto Rico.
Many people think that Puerto Rico would be a Democratic state just by virtue of the inclination of the Latino population in the United States, but the reality is that I see Puerto Rico as a battleground state.
In the '90s, I think that Bill Clinton would have won in Puerto Rico. I think in the 2000s, George Bush would have won in Puerto Rico.
I don't think of myself as a kind of celebrity, but wherever I go, people know me; they greet me.
People say I'm controversial. But I think I lead a very balanced and normal life.
If you look at any kind of modern organization and you think, 'What are the foremost tools of power?' You will find that it is information.
One day, I was just thinking about something, and then - you know when you think, and you have that inner voice in your head? I realized it was in English.
At, like, 11, I think, that was just me watching a lot of YouTube videos, and I whenever I had the chance, I would talk to myself, practise pronunciation. Then I found out about hip hop and became friends with American people through Twitter. I was like, 'Yo, I need to be in a country where everybody speaks the same language.'
It's important for kids to see someone who looks like them carving his own path. I definitely acknowledge that, and I think it's super great.
I'm inspired by a lot of things. I came from Indonesia. I grew up watching a lot of YouTube videos and was inspired by all these other things. I just love making music. I don't think I'm trying to profit off anything. I just like creating stuff.
I don't want to find out what celebrity X, who is a Browns fan, thinks of the zone blitz scheme. I don't think that's the sort of thing that I would even ask many people when they come on the show; it's very obtuse, even if they are an expert on football.
I love 'Game of Thrones' just as much as I love watching the NFL; I think a lot of fans do, too.
I try to ask the questions I think fans want to hear and just have a good, relaxed conversation.
Someone who's honest about their golf game, I think, is a person who's right in the world.
I don't think people are keen to have Coldplay tell me about Cam Newton's red zone option.
The days of the heavyweight champion as civil rights leader are long gone. You think you'd see Ali rolling around on the floor of an ESPN Zone? I don't think so.
Republicans regard Dean as one of their best secret weapons, I have yet to find a Democrat who, in private chatter, doesn't think he's a problem for them.
For anyone who's a fan of the 'X-files' show - I mean, I have the ultimate role. I got to deal with Mulder. I got to talk to him; I had a fight sequence with him. Really, for anyone who is a fan of the show, I think I fulfilled a lot of young boys' dreams.
I don't think you can beat a costumed monster. It's brilliant. I'll take that over CGI any day.
I think I'm probably a monster-of-the-week guy, and that comes back down to my old favorite show, which as a kid was always 'Scooby-Doo.'
I think Liverpool generates generosity which rubs off - it's a good place to work and to party.
I don't have a problem with green screen at all. I think children invented CGI. We invent worlds. A stick can become a sword. Or a bowl of stones can become a bowl of tomatoes. That's what children do, and that's what CGI enables us to do.
I honed my passion for acting in theatre and education, and I think it's important not to belittle the child audience.
Villains are fun. I think the important thing in playing them is that they don't see themselves as villains. It lets you be a little more expansive.
I think that Liverpool's particular modern history lends itself to the cinema better than London in many ways. When you go to Liverpool, you absorb that whole sound and humour.
Most people were annoyed with my voice, I think, because I'm working-class, and that doesn't sound quite right on Radio 4.
I honestly don't think you're taken seriously until you're 30. Any ideas I've ever taken to the BBC, they've told me I wasn't ready for it.
What I wanted to do was the comedy, and I found that. I found my bliss, I think.
I think comedy tells a lot; you can tell what people think by what they laugh at.
I bristle a little when the argument for film gets put into the nostalgia ghetto. Film is still the highest quality and best-looking image capture medium available. I don't think it always will be. The digital image will get better, and it will eventually surpass the quality of the film image, but it isn't there yet.
I do think that I'm a big believer in having an idea or having ideas and just tucking them away in the back of your brain. Even if you aren't consciously thinking of them, I think they simmer. You're working on them, even if you don't know you're working on them, and I think having something in your head for a while is a valuable thing.
Even if I had $200 million, I'm very wary of overusing CGI. I think it's a great tool and it can be used really effectively, but I feel like it does tend to be overused and especially in sci-fi stuff.
It took a while before I could sit across the table with Mark and not, every three seconds, think, 'I'm talking to Luke Skywalker.'
Sometimes you want to run away, sometimes you think you do, but you never had a dream like this before and you don't want to ask for more, sometimes you leave a mark before you know the score.
I don't think I'm an entertainer. I never think, 'Wow, I can't wait to get the crowd moving.' Some of my favorite bands never moved an inch.
I think bands, when they're on the road, they keep their sanity by developing an internal sense of humor.
I think that the future belongs to democracy, but not to capitalism, because they are opposite camps.
We're only going to invest our shareholders' money where we think they can get the kind of returns they expected when they invested their money with Exxon Mobil.
A lot of people have doubted me because of my size. They think someone like me doesn't deserve to be in the main event, but I think if they knew me, and knew what I've been through in my career, they would respect me.
I think we Southerners have talked a fair amount of malarkey about the mystique of being Southern.
Even now, after whatever gains feminism has made in involving fathers in the rearing of their children, I still think virtually all of us spend the most formative years of our lives very much in the presence of women.
Islamophobia has become so mainstream in this country that Americans have been trained to expect violence against Muslims - not excuse it, but expect it. And that's happened because you have an Islamophobia industry in this country devoted to making Americans think there's an enemy within.
I think if you place Jesus firmly in the historical context... you can make very educated hypotheses and guesses about how he lived.
There's one thing about TV that I really think is true. If you find the right cast and the right writers, and you got some chemistry going, even if a show is taking a little while to find an audience, if you keep it there, that audience will find it. Because that's what happened with 'Cheers.'
I always wanted my kids to like me and think I was funny, so I made up this story about a kid named Jake and his racecar that he had built from scratch, fully loaded with whatever fantastical gadget he or I wanted him to have at the moment. I loved making up the stories off the top of my head.
I think that we're gonna start seeing more and more people who started as a YouTube personality and now have their own studio, and they're gonna start creating things: story-driven stuff, longer-form stuff that people have an opportunity to enjoy.
My journalist sensibilities have guided me toward the types of projects I've gone for, even though the projects have been fairly diverse. It always has to have that interesting to attract me, I think.
I think 'Overlord' has definitely benefited because I work with every single level designer, and working where we have space to tell the story. That's what it's all about - getting writers and storytellers involved in the team and being a back and forth process.
I think that we definitely want to experiment, and if there's a hip-hop song that we like, we'll cover it. We don't want to be one of those bands that's like, you know, you know - Carolina Chocolate Drops does hip-hop. I mean, just know - you know, if it naturally works itself in, you know, cool.
I'm not good at planning ahead because it's just too much. I plan, set it up and then don't think about it again until it's almost time. That's just how it goes.
When you hear composer, you think, like, Beethoven: guy in a powdered wig, at a piano, furiously scribbling on manuscript paper. That's not the only image that a composer should bring up, you know. But that's kind of what we've said it is.
I think it's important that everybody has access to music, and not just people who live in cities or who can afford to drive to the nearest city.
I don't think I'm particularly sexual, no more than anyone else, though I am very creative.
I think the reason why we were able to actually get it made was that we were so extremely naive - we had no experience at all here. We didn't even know that you were supposed to have an agent. We didn't even have a lawyer. We didn't know one soul.
I don't like the idea that the first preparation when you start to design your building has to put your label. I think this is not fair. It's not fair to the building or to the people, to the client, because every building tells a different story.
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