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Personally, I think that the story is all-important; everything else comes later. But if there's any other way to ensure the betterment of the film, I always implement it.
I don't think I was considered to be a cabaret singer because I didn't have patter that was written.
I try to show what it is about language and music that enthralls, because I think those are the two elements of poetry.
People write me from all over the country, asking me, and sometimes even telling me, what they think a poet laureate should do. I found that immensely valuable.
If they don't read, if they don't love reading; if they don't find themselves compulsively reading, I don't think they're really a writer.
To write for PC reasons, because you think you ought to be dealing with this subject, is never going to yield anything that is really going to matter to anyone else. It has to matter to you.
The American Dream is a phrase we'll have to wrestle with all of our lives. It means a lot of things to different people. I think we're redefining it now.
The statistics on sanity are that one out of every four Americans is suffering from some form of mental illness. Think of your three best friends. If they're okay, then it's you.
I think the reason I choose the comic approach so often is because it's harder, therefore affording me the opportunity to show off.
If you don't like my book, write your own. If you don't think you can write a novel, that ought to tell you something. If you think you can, do. No excuses. If you still don't like my novels, find a book you do like.
I don't think you can ever assess your work. I don't think Turgenev could assess his any more than I can assess mine, and his didn't have a social impact as much as great literary impact.
I think I've always been fine on stage - though I get nervous beforehand. But once I'm on stage, all of that goes out of the window.
Some people may look at you almost like a fantasy at times, you know; some people don't think you're real. Because people forget that celebrities are humans too, sometimes.
Whenever I date a guy, I think, 'Is this the man I want my children to spend their weekends with?'
I think the most important thing about learning comedy is to start from who you are. If you begin the process by imitating what you perceive to be a comedy rhythm, you will get laughs sooner, but you will not be unique.
I think, as an actress, whether you want to or not, whether you're ready for it or not, people are going to look at what you're doing, and they are going to look up to you, and it's not even really about you; it's who you portray on the screen.
I've always been a blue collar guy, and I think it shows in my body of work and the way my career has developed.
I'm known as a dramatic actor. But because I don't do a lot of comedy, I love watching it because I can really immerse myself in it and not think.
The only real happiness a ballplayer has is when he is playing a ball game and accomplishes something he didn't think he could do.
Not all actresses know how to express their looks, I think. For me, it's an on-again, off-again thing. I'm still struggling.
I think most actors are shy. I really do. The greatest actors can disappear. I had friends call me the Blend-In Man.
Never think you're better than anyone else, but don't let anyone treat you like you're worse than they are.
I'm ephemeral as much as I can be, so I started to think about the idea of not working. It's really about a change of attitude. It's not so much about stopping, but about re-thinking the meaning of one's production.
Electronic medical records are, in a lot of ways, I think the aspect of technology that is going to revolutionize the way we deliver care. And it's not just that we will be able to collect information, it's that everyone involved in the healthcare enterprise will be able to use that information more effectively.
I think one key part of doing more with less is to be more strategic, to realize what the objectives you're truly trying to accomplish are and then to drive with greater focus towards those objectives.
I think peas are really nasty. I liked them when I was younger, but I guess when you get older you have different taste buds.
I think other than Jim Cornette, who's just, you know, a bitter old man who wants viewings, other than people like that guy who are just bitter, I could probably find whatever fan out there and show them some match that I've done that they would enjoy.
I think every fiction writer, to a certain extent, is a schizophrenic and able to have two or three or five voices in his or her body. We seek, through our profession, to get those voices onto paper.
I think if I'm going to do a science fiction, I'm going to go down a new path that I want to do.
And anyway, it's only movies. to stop me I think they'll ahve to shoot me in the head.
I think one of the successes of Gladiator is how we manage to turn on a dime the character from one thing to another where you believe he is one thing and he is something very different.
You perform for a different audience each night. People who don't understand just think that you go out there every night and do the same thing, but you don't - you have to find out who they are and give it to them.
Rich people are so eccentric, and I don't think people really realize. Especially by the turn of the century, they were living like rappers, and there was no income tax. They are some of the most fascinating people, and I am endlessly fascinated.
I think my parents wanted me to be whatever I wanted to be. But I do remember them - when I first moved out to L.A. - sending me applications to grad school for teaching.
The element of surprise - where you think you know where a joke is going, and then you're wrong. Those are my favorite kind of jokes.
In our family, we don't know why there are so many of us in wrestling. We think about it at the dinner table when we have big family reunions, and it just comes from a passion and love we have for the industry.
I enjoyed dancing with the Hardy Boyz back in the day. We did a lot of stuff at the house shows, dancing with Eddy Guerrero, and I think I had Mark Henry dancing as well. Kurt Angle danced. There were a lot of people who enjoyed that part of the magic of Rikishi and Too Cool.
Jonathan and Joshua Fatu, they are pretty much well secured there in WWE. I taught my kids everything they need to know in the industry, but I think they have nothing else to prove in WWE.
I spent my childhood in an imaginary world - probably because I needed an escape. I think that's one of the reasons people have imaginations - because they can't maintain existence here.
Karl Pilkington has the roundest head, I think, in the world. It's not technically a deformity, but I've never seen anything quite that spherical.
Magicians from the nineteenth century threw cards distances, but I think I'm the first one who made a thing about using them as weapons.
I do think deception... There's something kind of odd about tricking people for a living, but ultimately, it's a remarkably honest profession, when you think about it. If you violate that code, and you say you're not using camera tricks, and then you do, I actually think that's a kind of serious moral issue.
I think a lot of people just assumed I came to L.A. to do more television and get into show business.
Sitting with a deck of cards in your hand all day is an obsession. Visiting print shops and bookstores and libraries is an obsession. And writing about this is an obsession. I think, in general, most collectors are obsessed. I think the only form of a rationalized greed is when you're collecting something you are supposedly serious about.
I think the toughest thing about being an actor in a film is to be with a director who doesn't know what they want. And that can be really, really frustrating.
Theft annoys me more than anything else. The purloining of effects from another magician. Some people think it's massive to steal the secrets of nuclear reactors, but to steal a card move is trivial. They're wrong.
I love amazing people. I love dazzling them. That's why I think performing magic is one of the greatest things a person can do.
I think religion is a bunch of hooey, and I think that the holidays are an opportunity for people to get stressed out, getting their rush to shop. It's so conformist.
I think any time you lose an Ashes series, especially with the hype and build-up surrounding it and the pride we have as Australians playing against England, that's always hard to take.
I think, because I didn't think of myself getting into writing and production since I was younger, I could get bored of it if I don't continue to pivot.
I can never think about, 'Is this going to sell? Is this going to work on radio?' I just have to get in the zone where I'm like, 'Do I love this, or do I not love this?' Essentially it all comes down to that.
I think one of the things that saved me is that I never put all my eggs in one basket.
It's difficult being a child actor. I don't think everything beautiful has to be exploited. Some things can be beautiful and left beautiful.
I think that if there's some innovative entrepreneurs out there who can help teach people how they can cost-effectively help themselves and their planet, I think everybody would be for it. That's going to be the challenge - figuring a way to get the marketplace and commerce to teach us consumers another way.
After 'Mosaic,' I think a lot of people didn't know what my next record was going to be. And that's what I love. I just love doing music because I'm not going to follow the patterns and formulas of Music Row.
I don't think I'll ever be able to stay in one place for more than a year or two. It's not in my nature.
I've let a lot of things go, and obviously football is one of them. I think the hardest thing to let go is your self-image. That's what I'm working on now.
As human beings we have a tendency when we like something to tie it up and make sure it's there for a long time. I've been working on being able to let things go. I don't think I ever want to buy property again.
Well, I don't think I've necessarily ever been a passionate football player or a passionate person.
I think Ricky Williams had his time in the limelight. And I think it was good for what it was worth, and that was that.
I like clever songs. I like songs that make people think and I try to have substance in all my records, even with 'Sweet Dreams' how it was a club record and it was up tempo, but it was melodic and it was, like, lyrical.
The opening of the Frontier is not an engineering problem. It is not a money problem. It is a challenge to our ability to decide to make it happen and to think and act the right way to get the results we want, we need, we demand.
It's fine if you're making 1,000 or 2,000 of an electric car, and I think there is value in that in a lot of ways, but it's not going to have a big dent in oil consumption in the country, or CO2 emissions.
I was born in 1949 - which seems like a long time ago... Actually, it is a long time ago, when I think about it.
I didn't enjoy 'Topographic Oceans' at all. It was a double album, and the truth is it was padded out, and I didn't like that. But I was a fan of Yes - still am - and as such, I'm entitled to say what I think.
For me, playing music is like meditating - I just play and don't really think about what I'm doing, I just let it happen.
Human beings are remarkably resilient. When you think about it, our species has been teetering upon the edge of the existential cliff since Hiroshima. In short, we endure.
When you have a background in combat sports, people think you're this martial arts expert, but really I'm just a guy who is able to do certain things without making a mess of himself.
I was one of the original drummers. What everyone likes to do is think of Lynyrd Skynyrd as the band that picked up again in '73. But I was one of the original members, and I was a big part of that.
All I can say is we love what we do, and the audience is still there for us. I think what's given us such longevity is that our music may not be fancy, but it touches a nerve with the average Joe.
We're a blue-collar band. That's how we like to think of ourselves. We come from humble beginnings and still have this attitude of really loving to meet people, shake their hands, and talk with them.
It's inspiring, I think, for women out there to see I'm a regular person. I am the every woman who's struggled with my weight.
There are a lot of artists that come and go very quickly, and I understand why just because someone has a No. 1 doesn't necessarily mean they should be up for best male or female categories. I understand that Aria are protecting the integrity of what Aria is, but I do think that pop music isn't recognised enough.
People assume that a lot of pop artists don't write their songs. That, for me, is super frustrating because I think it detracts from some of the art and some of the craft of what we do. I'm at the helm of it, and I think that is what people don't see.
I generally like to be up front and honest and open because that's how I've always been. I have nothing to hide, and I think people relate to you more when you're just yourself.
I think my body is beautiful, and I'm confident to embrace it. There's nothing to be ashamed of if you're a size 14, as long as you're fit and healthy.
Playing on the PGA Tour and playing professional golf, I think it's what everyone has dreamed of doing - all the guys who are out here. I'm just happy to be able to call this a job, if you want to call it a job.
I think that kids have a greater capacity for processing things than we give them credit for.
Every child is different. I think it's important that we don't have maybe just one or two books that we're recommending to all children - but rather we cater the books to fit each individual child.
I tend to think of a myth and then explore how it would play out if it were happening in the modern-day world. I modify all the myths I use, but I stick very closely to their structure - it is the hidden teacher in me.
I think anytime you're writing to the middle grades, you're writing to young readers who are trapped in a number of ways between two worlds: between childhood and adulthood, between their friends and their parents.
I think the more you understand myths, the more you understand the roots of our culture and the more things will resonate. Do you have to know them? No, but certainly it is nice to recognise how deeply these things are embedded in our literature, our art.
I don't think about being famous, really. Being an author, I don't generally get stopped as I walk down the street. It's not like being a movie star.
I don't think I would ever inch my way up to Y.A. That audience is very well served. There are a lot of wonderful writers writing for Y.A. I feel like I'm in the right place.
I can't promise that every child with learning differences will become a novelist, but I do think all children can become lifelong readers.
From the time I was 9 years old, I loved magic. I was an only child, and I think that had a big impact on me. I always had grown-up friends even though I was a little kid. I would take the train from Lido Beach into Manhattan, and I'd hang out in magic shops.
I think with certain artists you want to hear their album... and then there are other artists who I like where maybe it's more about the single. I don't think there is going to be one way that everything works.
I never really think so much about commercial success; I usually just think about records that move me, and 'Baby Got Back' was one that moved me.
Many of us, of course, have children, and I think that the type of country that we are going to leave in our wake by rewarding bad behavior... is not a better handoff to the next generation and generation after that.
I don't think that there is a beer summit in the cards for me at the White House.
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