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The first time we all played as a band, I think it was in January 1998, in Jonny's bedroom.
I think hopefully we've got enough brain cells left to decide if our music is really worth something.
I chose 'The Voice' because I knew they had a lot more respect for each artist, as opposed to the other shows. They don't get it. I don't think those shows ever got it. I was turned off by some of the other shows and how they did things.
It might be odd for people to hear this, but honestly, you know, when you're on stage, I don't think people realize how grueling eight shows a week is. And as far as jobs go, being a Broadway actor, it's hard. It's fun, but it's hard.
Flops are always disappointing, but 'High Fidelity' was devastating. Not that I thought it was going to make me a big star, but I did think it was going to run longer than a week and a half.
In terms of the class structure that you see so much in European portraiture, I don't think one feels that in America in the 21st century. But we have these other kinds of social structures now, like celebrity, who establish new hierarchies.
The trouble with most people is that they think with their hopes or fears or wishes rather than with their minds.
By the fulfillment of my legal and moral duty I think I have earned punishment just as little as the tens of thousands of dutiful German officials who have now been imprisoned only because they carried out their duties.
Usually halfway through a book I have a serious depression, so I go on safari on my ranch in South Africa, or fishing off my island in the Seychelles. When I come back and re-read it, I think: 'What was all that about, Smith? It's fine, just get on with it.'
You know that feeling when you finish a final exam and you think, 'I never want to do that again'? Well I have the same feeling when I finish a novel. Each time I say, 'I think I may retire now' and then after six months the ideas start to churn again. I could never stop.
I don't like to talk about that McCanles affair. It gives me a queer shiver whenever I think of it, and sometimes I dream about it and wake up in a cold sweat.
I'm not really much of a fan of Drake. I don't know why; I'm not really keen on it. His songs just make you think about your ex! I'm more about upbeat songs! His songs are more sad most of the time!
I think most people agree with the idea of shared sacrifice, but for many, when push comes to shove, that principle goes out the window.
I think that most people who complain about our government have no idea what they're talking about because they've never been to a country with a bad government.
You know, be an actor because you love to act. Don't be an actor because you think you're going to get famous, because that's luck.
I've done a lot of geeky things in my life, but I think the geekiest of all was my first effort to build props and cosplay, when I was about twelve years-old.
Some ISPs are blocking all BitTorrent traffic, because BitTorrent can be used to share files in a piratical way. Hollywood lobbying groups are trying to pass laws which would force ISPs to block or degrade BitTorrent traffic, too. Personally, I think this is like closing down freeways because a bank robber could use them to get away.
I think the default position of humans is to be terrible, and we have to train it out of our children. That's just part of survival, right? Predator animals don't survive by being nice; humans are basically predator animals.
I think it's natural for any manager to want to grow his business. The question is at what rate, and in what direction, and in what format?
I don't think there's anything inherently wrong with a bank being big. In fact, there are some good arguments about universality of geography that in theory, if you have all your eggs in one little community, and some big employer goes out, that could be your downfall.
Shipping has a great oversupply of vessels that came from over-ordering a few years back. We think 2014 may be when it turns around.
I think at the end of the day, the real sick man of Europe is liable to turn out to be France, not Greece, not Portugal, not Spain, not Italy. The reason is France is very uncompetitive to begin with on a global scale, and the measures that Hollande has been putting in have been very, very negative from the point of view of economic growth.
Part of the reason why I'm supporting Trump is that I think we need a more radical, new approach to government - at least in the U.S. - from what we've had before.
If you add up all the promises any politician makes, the math doesn't work. Hillary Clinton's math doesn't work; Donald's math probably doesn't work. I think you have to listen to their campaign pitches more as symbolic, more as metaphors.
I don't think that women necessarily always write like women. I was a writer on the 'Comedy Central Roasts' for a while, and I always wrote the jokes that people assumed the men would write.
I did some pretty embarrassing modeling, like catalogs and QVC. I know there's probably a stereotype where all pretty girls think they're unattractive, but modeling is the worst thing for your self-esteem, because you're never pretty enough, you're never thin enough.
I think that all of us, as Americans, are due due process and have a right to a fair trial, and have a right to be considered innocent until proven guilty. I think that is the American way and it's the foundation upon which this country was built.
A lot of people in the film industry are fatalists who think a worthwhile film will always achieve its destiny, and the films that aren't worthwhile won't. It's all sort of pre-determined, etc. And I don't think that's true at all.
I don't think there's anything cliche feminine about Jane Austen. And, anyway, her earliest champions were Sir Walter Scott and the Prince Regent.
My biggest false steps have actually been when I tried to do very different projects. I found I was getting people saying, 'Why does Whit Stillman think he can do a film about blacks in early '60s Jamaica? Or the Chinese and the cultural revolution?' Those were the two biggest failures I had getting off the ground.
There's so much of this thing now, where you're supposed to do all the work before you get the commission. I think it's really good to try to resist that. If you just have a week to come up with a pitch for something, your ideas aren't going to be very good. Get your income from somewhere else, and keep your writing not tied into these contracts.
If you are designing cryptosystems, you've got to think about long-term applications. You've got to try to figure out how to build something that is secure against technology in the next century that you cannot even imagine.
In a sense, communications networks can be defined entirely by who has cryptographic keys, and I think a lot of networks will work that way in the future.
I think that the people who are trying to shut down WikiLeaks are going to have to accept this as a fact of reality that cryptography allows you to do this kind of thing.
I think, and I've thought this for a long time, that we live, roughly speaking, in the last generation of human beings.
Sometimes the funnier you are, the more vulnerable and scared you are underneath it all. So I think, for me, comedy was always a defense. It was a weapon so that you can't hurt me.
I actually think that one of the most dangerous phenomena is the bowing to expertise, whether it's in international relations or how to use technologies.
I have a lot of fans who are people of color. I think, if nothing else, I kind of understand that sense of being on the outside looking in, culturally.
I like to think I'm making films in the film business where movies are making enough numbers for the studios to let me keep working, but you also want those films to have content that makes you proud you made the film. That's not easy, but it's a fun puzzle to figure out.
I think the experience of going to a theater and seeing a movie with a lot of people is still part of the transformational power of the film, and it's equivalent to the old shaman telling a story by the campfire to a bunch of people.
In the '70s, with movies like 'Little Big Man,' westerns began to have a little different flavor, and I think casting people and filmmakers began to realize, 'Hey, maybe we can get a little more authentic in terms of who we cast here.' That kind of opened up the gates.
I tried bull-riding... I wasn't good at all: I don't think I ever got eight seconds anywhere. But then, after that, I discovered acting through community theater.
Having watched 'The Lone Ranger,' I asked my dad, 'You think we can be on TV like that guy?' He said, 'Probably not. You have to be 6 feet and blond to work in TV and movies.' I said, 'But what about that guy? Jay Silverheels?'
I think that the idea of sharing is something that has been lost in our social conscience, and we need to re-think that. We need to learn a new way.
I think the older you get, the more you realize how important life is, the more you think about your family.
When I'm answering questions from the Denver media, I'm not worried about what the Broncos' people are going to think. I'm worried about what Belichick will think. Isn't that crazy?
I think we're at risk with our democracy. I think we're dealing with the most closed, imperialistic, nastiest administration in living memory. They even put Richard Nixon to shame.
Veterans have had a long record of leaning towards the Republican Party. I think that's changing. I think that President Obama has the strongest record with veterans among any president in my lifetime.
I think the death knell for any musician is getting a job that you like and pays enough that you just stay there forever.
Why Galatasaray and not Liverpool? Because I am a winner - I play for prizes - so I went to Galatasaray because I thought that I would win more at Galatasaray and be champion than at Liverpool, and I think afterwards that I made the right choice.
I think Inter have been very clear: if a good offer comes in, they have to let me go. They don't want to lose me, but there is a chance they will let me go.
I want Robinho to stay with Madrid because I think that he is almost the same as Cristiano Ronaldo.
I think that if a United States of Europe were to be formed, it would be in our interests to fight for it, as all our old traditions would remain in such a united Europe, whereas if we were to start now as part of the Russian Empire, everything that had ever been in Germany would disappear.
I think that's so strange, because they do know that we're all actors and we perform things that have not necessarily anything to do with us personally.
I guess when I think about it, one of the things I like to dramatise, and what is sometimes funny, is someone coming unglued. I don't consider myself someone who is making the argument that I support these choices. I just think it can be funny.
There's no story if there isn't some conflict. The memorable things are usually not how pulled together everybody is. I think everybody feels lonely and trapped sometimes. I would think it's more or less the norm.
When you're out there trying to still figure things out, it can just slow things down. So you have to kind of think on your feet, and it makes it kind of fun and exciting and challenging at the same time. But more time is always better for any movie. I think any director would probably tell you that. Any filmmaker, really.
I always think about stuff I learned, in any scene. Juilliard taught me a lot.
The first year at Juilliard is, I think, the best. And partly why I left - I only went one year. Partly why I felt okay leaving is that the most important elements, I believe, happen in the first year. What they do is they tear down all your conceptions of acting, and they take away all your tricks that you've learned.
A lot of actors like to get themselves worked up, and I think from what I saw from Mr. Redford, he goes the other way. He relaxes into it.
Being in New Zealand, which is incredibly beautiful - I think it's paradise - it's just the perfect place. Everything about it I love, and I would love to live there.
I would love to put out music that was just stunning or soul-baring or whatever. But I don't think I have the voice for it.
I think people are attracted to teaching because they want to make a real impact.
People think of teachers who are born to teach, and you think of all these charismatic folks. Some of the most successful teachers are some of the least charismatic, interestingly. But they have a gift of figuring out what motivates people.
I think Teach for America has suffered from the fact that I did not teach, in a major way. I also think if I had taught, I wouldn't have started Teach for America.
If we freed up all the money in the certification process, think about how much more money we'd have to put into teacher salaries.
I think the way to understand Teach for America is as a leadership development program.
I've heard a number of our alumni - people who are running schools and school systems - think a lot about different models for the teaching profession.
In a society that glorifies the pioneers, it's easy to think that an endeavor is only worth pursuing if you can be the first to pursue it.
When you think of the typical Teach For America corps member, soldiers and ex-bankers are probably not the people who come to mind. In fact, there is no such thing as a typical corps member. They can't be neatly pigeonholed or painted with a broad brush.
It's easier to poke holes in an idea than think of ways to fill them. And it's easier to focus on the 100 reasons you shouldn't do something rather than the one reason you should.
I don't think I was funny until college. I lived with some Harvard MD/PhD students - they were so smart, and what I contributed to the house was, I was the funny one.
I used to write jokes with friends. We'd pick a topic and then think out loud, brainstorm.
Just figuring it out for 30 years - 30 years... I think I'm ready now to expand - to grow.
I think it's never too late to start anything, except maybe being a ballerina.
My music is very innovative, in a class by itself. Nobody else is saying anything of value. What I'm trying to do is get people to think, to alter their consciousness. It's not your typical platinum formula for success.
When I think of black television and history, I always use 'The Cosby Show' as the bar.
I think the leotard for me became, after I retired, a sort of a symbol of the confines of still fitting into the ballet world in mind and body.
So much is made about the beginnings of ballet careers, the rosebud, and then once the petals and leaves start falling off, is it beautiful anymore? Some people think it is; some people don't. The expectation is to focus on the very beautiful parts, not the ending.
I think what you learn, working on a film or TV set, is how to tune certain things out. You've got 60-100 people swirling around you, each of them with a very important job to do.
I think there's something about evil that is thoughtless and relentless and incredibly frightening because it can't be reckoned with, reasoned with or stopped.
'The Wire' really is an American classic, and I think that's something to be very proud of.
I wasn't necessarily the brightest in my family. I think my older sister was probably more clever, but I worked very hard.
As for what other people think of me, I could worry about that every day, but choose not to.
I think there is something for all of us where you find a balance in your life, where you feel that everything you do isn't about your own creature comforts or satisfying your own appetites. Some of it has to be directed outward and there is a huge satisfaction in that.
I've said what I'm prepared to say in my poems, and then journalists think that you're going to tell them a whole lot more.
There is some humour in 'Family Values.' I don't want everyone to think it's not going to make them laugh. But there are quite a lot of poems there that aren't funny at all.
The Chinese government attaches importance to, and protects, human rights. We have incorporated these lines into the Chinese constitution, and we also implement the stipulation in real earnest. I think for any government, what is most important is to ensure that its people enjoy each and every right given to them by the constitution.
I don't think a system or a government should fear critical opinions or views. Only by heeding those critical views would it be possible for us to further improve our work and make further progress.
What sort of person you grow into should not be achieved by default, and often that's exactly what happens to kids. I see literature as a method of guidance, information, and contemplation, and consider it the greatest compliment possible when a reader tells me that a book of mine really made him/her think.
I write early in the morning at the computer, and people think I'm crazy, but I still use my Mac-Classic even though we have a state-of-the-art PC. There are just less distractions with the simpler machine.
With dance and theatre, I think people get very nervous about not knowing the right things. They feel like they've missed something, or that they're not bright enough to watch it. It's not a test.
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