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If I can make a teacher's salary doing comedy, I think that's better than being a teacher.
With the first issue of 'Weasel,' I was even aware myself that I'd improved. I still have affection for my earlier stuff, but I don't think it's anywhere near as good as 'Weasel.'
In retrospect, I think I had some kind of learning disorder. I could kind of charm my way through grade school, but in high school... I could never seem to grasp things.
I think that's why I became good at art. It was something that I could do that I could be really proud of.
I don't come from a comedy background or a stand-up background, but I think that sometimes there's a misconception that an actor who works primarily in comedy is a comedian. There's nothing wrong with being a comedian, but I'm absolutely not that. I can't think of anything more terrifying than doing stand-up!
I come from a background where I like collaboration and improv. I think that it is important.
I think the idea of creating a character from scratch, one that has not been done in a novel or an existing story, is immensely exciting, terrifying and ultimately rewarding.
I think the Canadian Football League is a great league, but it's not the NFL, and I'm not Jerry Rice.
We knew the people in Natick and knew the teachers that would be teaching our children. It was important for us to be involved in the Natick community because we think so highly of it.
When I retired in 2002 I had retired to stay home with my family and didn't necessarily think my playing days were over.
I think sometimes parents and teachers can push children away from reading by telling them it's something they must do, the same way they must eat their greens and must pass their exams in school. Poppycock! Read or don't read - that's your call.
Every generation likes to think that children don't read as much as they used to when they were young! You listen to some adults saying they were going around reading 'Ulysses' when they were seven or eight! I think children are voracious readers if you give them the right books and if you make those books accessible to them.
When you're doing a single-camera show, it's more buying into a level of reality. I think a sitcom, a four-camera show, doesn't require that so much. I think with a film show, you just need the characters to grow.
'Younger' is about reinvention and how age is very much a state of mind. I think the show is ultimately about reinvention. I do think it explores, ultimately, the differences between generations, through the prism of reinvention. That reinvention is possible.
I think women have such rich emotional lives that they are expressive about. I also think they're funny. I like watching strong female characters, and I like writing them. I don't know if it's conscious that I gravitate towards women, but it's certainly evolved that way.
I think L.A. has got a great lifestyle, but I love New York. You couldn't do 'Broad City' in L.A. because L.A. is a much gentler place. The standard of living is so different.
I think people have this sort of idea that 'Sex and the City' was this overnight sensation, and that can't be farther from the truth.
Women are really emotional creatures, and men are kind of closed in terms of emotions. I think women are just a lot more out there.
I think it just boils down to right place, right time, and just being able to break them big fights. Maybe it wasn't England's time, and right now, I feel like it's England's time.
I trust Colorado families and teachers way more than I trust D.C. central planners who think they know better than parents do.
I am not so naive as to think everyone will change. There are certainly those who will go to their graves as hateful, violent racists.
Being at college, I think that's the time when you really start searching for things outside yourself.
Americans think that if you're popular, there must be something wrong with you.
Nobody really cares about what other people think anymore; they're all about themselves.
We need a number of solutions - we need more efficiency and conservation. Efficiency is a big one. I think car companies need to do a lot better in producing more efficient cars. They have the technology, we just need to demand them as consumers.
It's important to be informed but I also think it's important to be inspired. I'm creating a space where people can be inspired.
I think one of the secrets to modelling is the less you care and the more you're yourself, the more successful you are.
It's a very performative thing, grief. As with so much in modern life, I think there's a whole performative layer to what we do because we feel like there's a private TV show viewing our lives.
I think it's a wonderful fact about Judaism - at least about the approach to Judaism I most relate to: There are no universal answers. We don't have it all figured out. God is unknowable.
I spent three and a half years writing the novel 'Chang & Eng,' about the conjoined brothers for whom the term 'Siamese twins' was contrived, and when I think of these afflicted people, my only emotion is one of profound sympathy.
I believe that one of the reasons I get to play golf all over the world is because of the barriers that Lee Elder broke down. I just think he's amazing.
'If I Can Dream' is my all-time favorite Elvis song. It was a big record, but not as big as it could have been. It was one of those records where you'd think it sold 10 billion copies, but it didn't.
I think we did our first session in 1958. There were no black background singers - there were only white singers. They weren't even called background singers; they were just called singers. I don't know who gave us the name 'background singers,' but I think that came about when The Blossoms started doing background.
Every song I've written is luck, I think; it's luck - 'How did that just happen?'
I don't think when I'm doing music. Things just happen. I've even taken my clothes off while performing. But then I'm so shy that I can't even take my clothes off in the dressing room, even though it's just the other guys in the band in here with me. It's really weird.
I think I wanted to write a book about the relationship between the victim and perpetrator in which the victim agrees to remain silent.
I don't recall having a gun. I really don't. I don't think I ever pulled a gun on anyone in my life.
You've got to think lucky. If you fall into a mudhole, check your back pocket - you might have caught a fish.
If you ask any person on this crew what they think of Hugh Jackman they'll admit they've never seen anything like it. I'll give him an emotional note and he'll hit it every time.
There's always been a lot of pressure and tension on the line. If 'Pi' didn't work out, I have no idea what my career would be. I don't think I would have gotten another shot at it. If 'Requiem for a Dream' didn't work out, they would have called me a 'one-hit wonder with a sophomore slump'.
I think video games and that stuff should be as violent as possible, but age-appropriate. It should be realistic. When it's not realistic you run into kids running around shooting people and not realizing the consequences.
On certain plays and situations I feel like I have the advantage. But sometimes I just have to not think about the size of the guy in front of me.
What about the hero of The House on the Strand? What did it mean when he dropped the telephone at the end of the book? I don't really know, but I rather think he was going to be paralysed for life. Don't you?
I think that I have less conviction than ever that poetry matters - that poetry changes or saves anything or anyone. But, in fact, that's tremendously freeing. If it doesn't matter much, the stakes are lower and you can't really fail. It's insurrection. It's a tiny alphabet revolution. A secret. A psalm.
I'm normally late, so I just kind of throw on the sort of thing that's at hand. And then I'll go through phases of wearing the same thing again and again and again - and my wardrobe is mainly about black and white, so it goes together. I'll play with certain elements, but I don't really think about it too much.
I just am who I am. And then when people label me eccentric or different, I'm kind of astonished because I think, 'This is completely normal. This is just how I am, it's how I've always been.'
I think it's beautiful to be able to cover yourself in metal. I love the color and the way it reflects. But it is also a protection.
I think life is about having the mixture of the curiosity of an older person and the imagination of a child.
I think the world's just gone completely mad, with everyone wearing the same things, even celebrities.
I don't dress for effect, and I think that it never works out when someone does.
I watch people throw aluminum cans in the trash, and I think of all the stories I've heard about the over-mining of aluminum, the erosion that happens, and the trees that fall down.
I am much more aware of making the plot more original, avoiding contrivance, having the story matter much more. I used to think more about symbols consciously. Now I think much more about the story.
One time, it was really funny, I was going on stage... and they were like, 'Oh, we didn't mic the puppet! Mic the puppet!' So, that's how I know that sometimes I do a very good job, because they think that the puppet is actually, like, real.
It's weird to think I'm in a show in Vegas with my name in lights. It's crazy, like a dream.
My last name's kind of interesting - Farmer. I don't really think it's interesting for the stage. I think Lynne kind of had a better ring to it.
Embrace who you are. It's OK if you're shy sometimes. Just don't worry about what others think. Do your thing.
I don't see myself as celebrity like other people do. I just think that's funny.
I like to think I would adapt to the way that any manager who came in would want to play.
My preferred position has always been striker and I think I managed to show what I could do.
I grew up in the South, and I think there are lots of people who have distorted views of the South.
I went to film school so I have a writing and directing background, and I think a lot of the material I'm interested in writing and getting out there is stories about anti-heroes and people you should just not ordinarily root for - trying to figure out a way of appealing to people they wouldn't normally appeal to.
The centerpiece of 'Law and Order' is the crime, and it starts with the writing. There's a beginning, a middle and an end. It allows the audience to watch any given episode and can drop right in and not feel lost. I think the stark, raw structure has a lot to do with its longevity.
It wasn't until I could get out of Stanford that I could sit down and think about my life, to do the things that most kids do, which is to ask who am I, what do I want to be when I grow up. I never got to do Dan Pintauro.
Thankfully, I was able to go to Marquette University and get my education, a Catholic education, so I could please my family, because I think they wanted me to be a priest.
I don't think there is anything more bitter in American politics than a close election.
My goal isn't so much genre, or fact-based or not fact-based. I just want to work on projects that I think could be great.
I think most of America is seeing the strings behind the campaign, and sees the crass political maneuvers that people are making. I mean, they're extremely apparent to me.
I think there are a lot more writers who are actors than you know; they just don't have roles on famous TV shows that you recognize.
I think, first and foremost, Wayne Rooney is a class player. Wherever he is on the pitch, he can make an impact.
I think it can be quite frustrating at times for anyone playing out of position, but you've just got to deal with it.
Everyone experiences bullying at some point - there are always older kids who think it's cool to pick on the younger kids.
I just think it's so important to have fun because if you're having fun, then your viewers will have fun too.
I know people that make similar content to me who are 30 or 40 years old. So I don't think there is an age limit to it at all.
I don't think there's so much difference between making documentaries and feature films. I think it's even harder to make documentaries.
I don't think that we'll support any state that is prepared to discriminate against the citizens of Connecticut.
Democrats tend to think of elections as cycles. Republicans don't: It's ongoing and constant.
I had a scene where the chair was meant to slide off the table, but do you think it would slide off? No. We were running out of time and we had to get these scenes done urgently.
Kylie and I were both taking piano lessons at the time and didn't think of acting. A friend rang mum up and said, 'How about bringing Kylie and Danielle in because they might be right for the part?'
If you're a kid in Southern California, somebody - whether it's you or your parents - somebody throws your hat into the ring and I think everyone had a commercial or two.
I think I would have had less tumult in my life if I hadn't grown up in my particular house.
I always think, when there's stuff that people don't like, I always say that if I have another success, I'll enjoy it more, but you don't really.
At the end of the day, I think that I'm making music for me as that 12-year-old kid in front of my boombox every day. I try to think about, if I'm that little kid, what would he like?
I would never design anything. I just think that's kind of wack. I hated every rapper fashion line that ever came out, you know what I'm saying? I would never try.
In terms of fashion, I think the biggest influence that I had was my father. My pops, he was really into men's fashion and read all of the magazines.
I think there is a collective unconsciousness, or some sort of consciousness, that you can tap into if you're open and brave enough to let everything go and be part of that.
This big part flies off on the floor. The other part goes like this and lands in my foot! Standing up! It's standing in my foot! Right in the side of my foot. The flute glass. I think I'm like in one of my own pictures.
I don't know. I think it's funny! I think it's funny! I go, what? It's so absurd. I'm alone.
I don't think I've been bored, ever. I've always been working on two or three things at a time; whether it was in the early days, or whatever, I was always working on something.
I don't think you can get any more working class than me. Everyone seems posh to me.
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