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I think I'm long past the days where I would go to the store and drop a couple hundred bucks on CDs, so my playlist is gonna be pretty long in the tooth.
As a kid, you don't have a ton of spaces where you are honored, where what you think is honored and what you say is revered.
I think it's important that your work is in conversation with artists in your community.
I think rappers spend a lot of time trying to figure out what is new. 'How can I say this in a way that no one has ever said it before?'
Hip-hop was indifferent to Broadway. We didn't need Broadway, but I think Broadway needed hip-hop.
Using something that is really painful, generally, as the percussive element for a beat, I think is cool.
I grew up watching MTV, so it's very surreal to me to think that there might be someone out there watching MTV, looking at us the way I used to look at Davis Madonna and Duran Duran videos.
As far commercial success, I don't think that's a focus but it's not that we don't enjoy that. It's not something you can attempt and achieve.
In my office I have a sign that says, 'Don't think. Just write!' and that's how I work. I try not to worry about each word, or even each sentence or paragraph. For me, stories evolve. Writing is a process. I rewrite each sentence, each manuscript, many times.
Ultimately, we have to decide, with the Legislature: Are we willing to take some bold steps to make us even more competitive in the future, competing in a global economy? I think Nebraskans are willing to listen to that discussion. They want an opportunity for their kids and grandkids to live here.
Where do you learn how to act? Not at church. America is a lot more like pagan Rome than we think. We still sacrifice to objects to gain our social goals.
I think there is great interest amongst the younger people in this music. I think that there is a lot of them that are looking for interesting situations and music that is stimulating.
I think that what is important is that the music be honest and direct and that it is relevant to today. I think music needs to be of its time and speak to that time.
Certainly, no studio is going to put its money and its muscle behind something that they don't think they can spin five or six movies out of and build a whole kind of imaginary universe from anymore, I think.
I can't anticipate what's going to happen to me next, but I'd like to think that I'm going to lead a life that's not really memoir-worthy, and that would be fine!
I think we should all talk to our enemies and talk to our friends. Talk! That's the only way we'll find solutions.
I don't believe in trickle-down economics. I don't think that people who have the most are inclined to share it, generally.
I don't think socialism, and I don't think warmness and respect are necessarily bad words.
I don't think everything is going to get peachy ever. But I think we have to fight for what we believe in.
I found there's a fairly blatant racism in America that's already there, and I don't think I noticed it when I lived here as a kid. But when I went back to South Africa, and then it's sort of thrust in your face, and then came back here - I just see it everywhere.
I think some people would say that I do overwhelm the words with the music, and sometimes thank goodness I do.
I don't think there's nearly enough interesting ways to do education online, particularly for younger children.
Sometimes, we nerds of technology sort of don't think that the rules necessarily apply to us in the same way, but I think when you produce products that hundreds of millions of people, if not billions of people, are using, we have the same responsibilities as any other person representing the Fourth Estate.
Hottest space that I think is interesting would be education, particularly, like, ages 3-10.
I think 'Shark Tank' is targeting companies that are really trying to raise their very first dollar. A lot of them aren't really tech focused. We're definitely going after companies that are building real technology, either software or hardware, they probably have raised a couple hundred thousand already.
The reason we invest globally is because we think that's where a lot of the growth is happening: around the world.
Not everybody wants to be Mark Zuckerberg, but everybody wants to create a little piece of the American dream, the Silicon Valley version. I don't think that's a bad thing.
We think that there's a lot of opportunities in helping improve finding food, delivering food, ordering systems, notifications system, and its a very frequent purchase item for a lot of people.
I think you'll see a lot more people in the Valley get more involved in politics.
There's been entrepreneurs working in the Valley for probably 50-60 years. It's not to say that you can't create that in other places, but I think people are a little bit impatient about creating the next Silicon Valley.
When you set out to create a new product, you usually do not start by trying to think of something completely new. You think of a product or concept that is already 'normal' to the world and then try to make it better. You make it Super Normal.
People nowadays think of gamebooks as rather old hat - and, after all, it was twenty years ago. In their heyday, though, they were a phenomenon, selling upwards of a hundred thousand units per title. And it's not as old hat as you might think: the same design skills I used in those days apply equally when I'm creating modern videogames.
Interactive storytelling emphasizes a personal connection with the characters. It is a powerful tool that can draw you so deeply into the world of a story that you lose sight of it as a story. You think you are there - at least, if it is done right.
I think we have to be very careful when we toss around terms like 'cut health care costs.' We would do very well to expect a cut in the rate of increase.
Comedy is a shared experience, and I think it's great to open that to a wide demographic.
I love playing live now more than ever. I enjoy it, I think it keeps you young.
A lot of people that embark on spiritual endeavors tended to, especially in the '60s and '70s, they tended to give up what they had before and cut themselves off from their lives, previous life as it were. But, I don't think that one should do that.
What I believe in touches many aspects of religious and spiritual thought. Mainly I'm influenced and inspired by the eastern yogi's aspect of mysticism, Which is, I think, the future.
I think there's been a big problem between religion, or organized religion, and spirituality.
It's the easiest thing in the world to be down about anything. I think the body responds to good vibes.
Too often, hospital staff are incented by management to get work done without worrying about care, and clinicians are too often not even trained to think about care.
The reception on 'P2' has been crazy. Every show on the tour has been sold-out. I didn't think people were gonna catch on to it that quick because I started the tour the same day it came out.
I think R. Kelly is twisted, sick-minded, nasty, perverted - he different. I don't know anybody like R. Kelly.
I think what sets a New York rapper apart from other rappers from other places is just being from New York.
And then it got even worse, I mean, a few people fell by the wayside within hours. Nick Lowe was in it for about 5 hours I think, he was expelled for going to bed.
Paper is a uniquely beautiful format, more so than the web, I think: you need to invest in the aesthetics.
I think there's a future where the Web and print coexist and they each do things uniquely and complement each other, and we have what could be the ultimate and best-yet array of journalistic venues.
I've purposely stayed away from reading much about postmodern theory, and most everything I have read just bored me to tears. I don't think anybody's written about it, or very few have, with any verve.
I think almost every writer in the world would hope that books would be always talked about with respect and civility and depth and seriousness.
I would think, as an artist, it's inescapable that you'll be affected by the world around you.
I think what we find, especially with the kids that grew up with 'Clone Wars,' when they're of the age where they're like, 'I want to revisit that stuff,' who knows what format they're going to watch it on.
I think, sometimes with fans, what a lot of studios miss is it's just the gesture: it's the idea of knowing that they do matter, that we do care about what they think.
I love the place 'Clone Wars' has on Netflix; it's very accessible, and I think it's great.
I think the Internet's been a tremendous tool in terms of breaking down the power structure of information and entertainment, particularly at a time when so much information and entertainment were in the hands of so few people, with multinationals owning everything.
I think we carry around the idea of being a Kid in the Hall as part of our identity. It's a big part of how we see ourselves now.
I think my first big purchase was actually for my mom. She had one of those '90s TVs in her living room that's like a 10x10 brick, so I purchased her a flatscreen for her living room.
The possibilities are endless now, with performing, getting your music online, getting your own website and getting your music out there. I think that's very cool and amazing.
Growing up in a band is weird - you get stuck hanging on to what it is you think you are. But what I took into Depeche was that punk ethic, that you don't have to be accomplished to be a musician. If you've got ideas, you can do this.
People unacquainted with graphic novels, including journalists, tend to think of 'Watchmen' as a book by Alan Moore that happens to have some illustrations. And that does a disservice to the entire form.
With the 'Watchmen' comic, we attempted to tell it in an accessible way. I deliberately made the artwork very clear, deceptively so. You think you're sucking on a sweetie, but it turns out to be a sugar-coated chili.
I came to think that nobody from England could draw American comic books, because they were clearly all done by this sort of Mafia, all these guys with Italian and Irish names who had the whole thing sewn up. It was actually seeing a comic book drawn by Barry Smith, who was about my age, and English.
I think probably the first time I wanted to be an artist was when I was about six or seven years old. I used to get British comics and I clearly remember seeing my first American comic: an issue of 'Action Comics', with Superman on the cover with a treasure horde in a cave, and Lois saying something like 'I don't believe Superman is a miser!'
If you're using a computer as an artist and expressing your personal vision, I think your personal vision comes through.
I think with something like 'Watchmen' you can genuinely call that a graphic novel because it has the weight and the intent of a proper novel and it also is the complete story.
I think the problem with the term graphic novel is it sounds pompous, it sounds pretentious, whereas on the continent, they call it an album, which to me sounds, it's got more much of a connotation of a kind of a music single and an album collection.
I think if you want to do a thing properly you have to take a lot of care. I've always found it's easier to draw comics if you know clearly in your head what you're drawing, rather than if you try and make it up as you go along.
I think Salesforce, going public very early on before they were profitable, it made a lot of sense for them because it got customers comfortable that these guys were going to have capital and be transparent about their business.
You know why Foo Fighters have been a band for 20 years? Because I've never really told anybody what I think of them. The last thing you ever want to do is go to therapy with your band.
I think maybe people see bands and musicians as some sort of superhero unrealistic sport that happens in another dimension where it's not real people and not real emotions. So, I grew up listening to Beatles records on my floor. That's how I learned how to play guitar. If it weren't for them, I wouldn't be a musician.
No one has any faith in the tape anymore - everyone just relies on computers and considers the hardrive to be the safest option, and I don't. I think an analog tape is something you can hold.
I don't think of Kurt as 'Kurt Cobain from Nirvana'. I think of him as 'Kurt'. It's something that comes back all the time. Almost every day.
We all love to sing, and when we sit down to write a song I think it kind of shows itself to us.
I don't know if I ever realized, initially, that I didn't tic when I was so focused on my acting. I think it was after I had already done it a few years, when I went, 'Hey, interesting that this happens.'
I think that the reason I became an actor, probably, underneath it, was that I spent my life acting normal.
I don't think I've ever done a real mini-series, but I love doing film first and foremost.
The greatest acting really is spoken without words, or at least I like to think that.
I think there's always an adjustment when somebody new is runnings things, from the top down.
I think it's fascinating that clothes can drastically transform someone's mood or the way they feel about their appearance.
I think every character I've ever come up with has been based on someone or something I've known.
My day jobs... I knew I was bad at those, so I didn't really have the confidence to think that I could do comedy. But I knew I hated the day jobs.
A lot of these kids I think are more content just to be on Facebook and the computer than they are to actually go out. They just really want to get a picture to post to their buddies, and that's about it.
It's a weird thing... putting your emotions out there for everybody to see while filming. I think it puts you in a kind of vulnerable state.
I internalize everything, keep everything inside. I'm not used to spilling my guts, and when you have to do that on film to make a point, it's hard. It's rough. I don't think it's as easy as people think.
The Left likes to think of itself as the bulwark of progressive liberal individualism, and yet it seeks to progressively coerce others to fund every social program under the sun via majority rule.
The problem with modern politics is everybody is doing sound bite stuff. In my stump speech, I give 20 minutes on why I think we're off track. And I think people do really want to engage in a serious high-level discussion on how to get the country back on track because people care about their own country.
I still think people do have racial hang-ups, but I think one of the reasons I can joke about it is people are shedding those racial hatreds.
I think every group of black guys should have at least one white guy in it.
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