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I think that there's a lot more freedom in the low budget, the independent films where, unfortunately, you don't have the money, necessarily, to get the orchestras in there to play a lot of stuff. But, you have a lot more freedom, very often.
I think that's one of the things that has always put me in kind of an odd niche. It's that all of my understanding of orchestral music is via film, not via classical music like it's supposed to be. To me it's the same, it doesn't make any difference.
Most often the music does end up in the movie, and sometimes there's a point where I wish that it wasn't, just because I think the score would be more effective if there was less of it. But, again, that's not my call.
So, it becomes an exercise in futility if you write something that does not express the film as the director wishes. It's still their ball game. It's their show. I think any successful composer learns how to dance around the director's impulses.
You have to nail the right tone because sometimes when you just see his films cold, you're not quite sure. It's the same in - I'm trying to think of other directors with a similar sense - David Lynch's films, Tim's films, some of Cronenberg's stuff.
Some of these things I saw in foreign films - African films, Cuban films - long before I decided to really go on this course as an actor. I started to think about what values I saw in those films that I wanted to bring to my projects.
When you've moved past a point where you're just scrambling for jobs, you think about the things that you want to do. And the things that you want to do are governed by what you've seen, what you choose to embrace.
But I think it's very key that there's a plan for Haiti. And we have to begin to - as progressives and people who are concerned about Haiti and have been concerned about Haiti, we have to begin to build some sort of consensus, a movement around the Haiti that the Haitians envision.
Whether it's an inspiring song or whether it's an entertaining song - whatever it might be about it - I just want people to feel the emotion that I put into it because I think emotion... is everything.
There's this accent that I think everybody has when they grow up going to an international school. It's a mix of not quite English, not quite American. When I moved to L.A., it just went completely American.
I think my mom put me in tap classes when I was three, which I never pursued. I don't know how to tap. Then we moved to Portugal when I was five, and, I think, she put me in ballet classes immediately. Then I was expelled for being too restless - I am too high energy - and was told I could go do rhythm gymnastics.
As I understand from the real military personnel who I've had the opportunity to speak to over the last few years, humor is very much used to diffuse stress. I think that if they were to keep it as serious as the situations often are, there would be a lot more nervous breakdowns.
And I think every woman can be a diva, and every woman can be just a woman. I think life is a runway, and you can do everything you want. If you want.
Do what you're happy with and not what you think whoever else is going to tell you about you 'acting a color.' You don't act at all. You just do what you think is best.
I think theater and church are so relatable because it's traditional call-and-response in the way that an audience interacts with the actors.
I think, in this business, you grow up quickly because you are surrounded by adults; you are needing to stay present and stay cautious of what you are saying. I have been working since I was 10, but I also went to public high school, so I know how to handle all of it.
For 'Prom,' if I had missed high school, I don't think it would come off as real.
I think that's the great thing about acting: you get to play different characters and enhance one part of yourself to really bring that out and create a new person.
I think of myself as an Olympian. I have had a dream since I was a very small child. And because I have parents without whom I couldn't have realised that dream.
One of my favourite books of all time: 'The Great Gatsby'. I just think it's so well written.
I think the human mind is fascinating. I love figuring out why people are doing what they do.
I love the freedom of having my own space and my own place and doing things on my terms, and not really having to think about anybody else's schedule.
Kendrick is phenomenal. I've never tried and practiced a song that was as hard as when I practiced Kendrick's verse on 'Control.' He's a genius. I think that people do recognize it.
'Priscilla' was made in 1994, and I think it was kind of daring for its time.
Because I don't look like most lead actresses look, I was told that I shouldn't even come to America. That I shouldn't even try! I think that's ridiculous.
I think you have to try and fail a little bit, because you learn how badly you want it.
The most surprising thing - and the thing I really didn't think I would have an opportunity to do when I was younger - was I didn't realize the kind of roles I would be able to play. I thought it would be, like, two lines here, the joke.
I haven't shut any doors, and I'm really open to anything, so I think it's just about the material and what is going to get made.
I think television is a big commitment, so it has to be something that you're really excited about and something that you want to potentially commit a lot of time to.
I feel like it does get busier professionally, but personally, I think I choose how I spend my time more carefully, so it balances it out in that sense.
I think people come into our lives for a reason, and we can learn from them, and they have lessons to teach us.
I think the important part is picking clothes that are flattering to your figure, and obviously I want a big say in what I was going to wear, 'cause it's still me that's out there.
I think it's important to be kind to the world before it disappears if we don't take care of it.
I always think it's really nice to see characters band together and fight for what they all believe in.
I enjoy a Prosecco. It's bubbly; it's fun. I think it goes with a lot of food.
I don't think we'll see a 'Real Housewives of Koreatown' anytime soon, but here's hoping.
When people look at me outside, they think, 'She's so lucky,' but no one's exempt from tragedy.
I'd say Jordan Henderson's got some good clothes. I call Stevie G 'James Bond' because he looks good in everything, and he's got the lot. I called him James Bond at the weekend, and I don't think he liked it, but that's what I'm calling him! Martin Skrtel's got some good clobber as well.
I think Kanye West is - people don't give him the credit he deserves for what he has brought to our generation.
As a young player, I think it's important to have people who talk to you.
In the past, I'd felt I didn't want to try something because I might get shot down for it. I'd tried it with England, and the goalkeeper - I think it was against Poland - saved it. This time, it came off.
They wanted to play me central midfield when I was at Aston Villa, so that's why we left. Things were going good at Coventry, but then scouts from Manchester United and different clubs around England were watching me, and I don't think Coventry liked that.
People think I got loads of money at City and then left for Chelsea to chase more money. I didn't get that money. I moved to Chelsea because they made promises to me. They told me I would get opportunities, I would play and that they believed in me as a young player.
I think if I were to express my wish, it would be that we are more regionally self-reliant. And I don't mean people being survivalists, I mean regionally self-reliant. So that you have these individual cells. The idea of having different solutions in different areas, so that we have a very robust, durable civilization.
The role I see for my books is trying to think through the consequences of various things because a lot of the issues around technology and the nuances in it are not usually widely appreciated. That's how I view my writing as I sort of explore this terra incognita ahead of us in an effort to try to understand where we might be heading.
I think technology is spreading, and I think one's experience of technology is going to relate increasingly to class - not so much to country.
We need to build change in to our systems and let these systems evolve as circumstances change. Change is inevitable, but we need to do a better job of dealing with it, because when we start building huge gleaming monoliths, I think we start getting into trouble.
I think Chicago people are very special people, and the Midwest's confluence of East Coast-meets-Midwest sensibilities had to, on a formative level, inform me as an artist and an actor. In that sense, it had to have helped me.
As an ambiguously non-white actor, I've been able to play light-skinned African American guys, Latinos, and I don't think that I've ever had to play some kind of ethnic stereotype or something that was typed specifically for a person of color.
When I multiply numbers together, I see two shapes. The image starts to change and evolve, and a third shape emerges. That's the answer. It's mental imagery. It's like maths without having to think.
I think if I ever stopped pushing myself, I would revert quickly to quite repetitive, restrictive behaviour. But in pushing myself and concentrating on what I can do, I think I can contribute to society. And that gives me the desire to keep pushing, to see what I'm capable of. The thing to do is not to stop.
The way that I approached numbers, think about them, the same as for language as well-acquiring vocabulary, understanding the grammar, the structures of languages, the rhythm, the music and so-on - these things obviously evolved.
I'm very comfortable with the idea of there being late bloomers, and for me, of course, there's no difficulty at all in the way that I think of talent and achievement and so on.
I do read a lot, and I think in recent years the ratio between the amount of non-fiction and fiction has tipped quite considerably. I did read fiction as a teenager as well, mostly because I was forced to read fiction, of course, to go through high school.
I've got a quiet voice. I think it's because as a child I didn't speak very much. I used to put my fingers in my ears to feel the silence, which was like a lovely trickling motion in my head.
My autism is a very mild form. It was diagnosed at the age of 25, partly because it wasn't diagnosable as a teenager (this is Asperger's syndrome, specifically). But there were certainly traits within that condition, within the autism spectrum in general, especially at the high functioning end, that I think are best looked at as pluses.
Our thoughts and our feelings, of course, are not wholly objective, they're inherently subjective. And that's the danger, and I think as long as we're aware of it and can push back against it, I don't think that these two views are necessarily incompatible.
My first memory - at about four - was of numbers. The doctors who study me think a combination of mild autism and seizures I had when I was three have made me experience numbers the way I do.
I found maths very easy, but I still enjoyed discovering things. You have to have the necessary information. For example, what's the difference between the mean and the median? Probability fascinated me. You have to think very carefully about things, which is the way my mind works anyway.
For a long time, I didn't think I wanted to live in the Ozarks or write about the region. It seemed to be a sure recipe for obscurity, and to be obscure was not my conscious ambition.
I think all regions have had their peculiarities of speech rounded off by television, radio, and people travel so much more now.
I don't think I can write a book as nihilistic as some of my early ones. They're so bleak. I don't think I would enjoy that as much anymore. You really become fixated on ways out.
This happens to me all the time: I think I'm working on one thing, but this other thing, whether I want it to or not, keeps coming through.
I think there are some folks who don't particularly like what I have to say, but on the whole, the reaction has been very positive.
I think my grandmother Woodrell was most responsible for my becoming a writer. She wasn't quite literate, but was very proud that she attended school as far as the third grade. She worked as a maid, housekeeper and cook.
For us as Asian-Americans, I think the bane of our existence is one stereotype - 'Sixteen Candles,' the Long Duk Dong character.
I think filmmaking is a gamble anyway, right? You never know the results from the start.
I think growing up in the States and Australia, we were exposed to a lot of different types of things. I used to go to Gilman to watch punk shows, and it's a complete different environment - you were inspired by so many different things, whereas in Hong Kong, there is nothing for anybody.
I think the producers, for the most part, don't want to see prices skyrocket because that will only create problems for them down the road and would also be a, you know, would be a very serious shock for a world economy that can't afford serious shocks right now.
Clearly, the Chinese need the resources, but I don't think they want to clash with the industrial world which happens to be the market for their goods.
I think Hollywood has this reputation of being fake, but there is real people, and you can choose and try and see.
Yeah, I think there are many other important things in life, not just tennis.
Well, I think, you know, the university and the high schools are also important, but depends how I'm going to do in tennis - well, I hope. I mean, it depends, so I don't know yet.
I think it's one of the Times' problems that they haven't made it clear to readers what various formats mean.
I think on civilian casualties they could do more. It's actually something I've discussed with the editors involved. They're aware of it, and I'm hopeful that there will be more reporting on that.
The Times' new credibility committee report that was issued on Monday very specifically said they will be putting in a policy that reporters must get permission from their department heads to appear on television, which I think is a really good thing.
I think Tierney is also more libertarian than he is conservative in the conventional sense.
Right, but there's expertise and then there's inside information. And I think we have to make a distinction.
If you think of having a family as being loved as a child, cared for - I did not experience that.
The teacher is commodified, the school is a shop, the subjects are consumer goods. To read, to think, to reflect, isn't a question of want, it's a question of need.
I mean I've seen 3D films so far and I think it's a long way to go before they replace actors. It's a funny thing with 3D, I haven't quite got it yet. Yet.
I think of myself as being Jewish and Irish, despite the fact that I'm English.
I think any actor worth their salt wants to show as much versatility as they possibly can.
I think I have just always had an awareness that when you go to a premiere and people start cheering and shouting your name and stuff, they are shouting at a perception of you that they have.
Because of my schedule and dietary requirements, I don't party a lot, but when I can let my hair down, I will; I think that's healthy. I love a weekend in Vegas.
Normally, if I don't qualify as well as I think I can, I seem to carry a little chip on my shoulder for the race, and that normally helps me out.
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