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We don't have a divine right to success. So I agree with a lot of politicians out there when they say, 'We've got serious issues.' We do: immigration, infrastructure. I think income inequality's one of them.
Remember that banks aren't markets. The market is amoral. The market doesn't care who you are. You're a trade to the market. The market will sell you if they think you're riskier.
I'm not saying that experiencing loss is why I can cope with darker worlds - I'm not saying that for a second - but I think it opens up a side of you in terms of work that wouldn't be as accessible had that stuff not happened.
When I think of sex symbols, I think of posters my two sisters had on their bedroom walls.
I think my lesson is to back yourself once you've been given a job. Far too often, I've been given a job and then doubted why I'm there.
I don't think anybody is wanting to put me back on the air. But I'm certainly out there trying.
When I was growing up in Terrell, Texas, I felt that it was not where I was supposed to be. I knew that I was meant for a different destination. I think that the minute I was born, there was something inside telling me where I would go, it's like energy - an intangible destiny.
I think Prince should open up a little more to other artists. Just because we love Prince. Especially the old stuff - we love him to death. But if he opened up he would be something to deal with. Imagine Kanye West producing a Prince track? It would be banoodles!
Well, the album 'Intuition' is out and just went platinum officially. So I think to have the music doing what it's doing right now, man, it's the ultimate. Nobody is really selling records out there but we are at a million records and we dropped it at Christmas, so we are just trying to get that thing to like two million, you know.
A lot of people may not know how competitive it is to play classical music, because when you think about it, the music that you're playing is music that's been here for years. And all you're trying to do is improve upon it when you play.
I see the 'z' in 'Humanz' as referring to robots, AI, programming, brainwashing, indoctrination. And it's a question to us: are we human, or are we humanz? Have we lost the ability to think for ourselves? Do we just believe what we're told? That's how I see it.
My mum was into pottery and embroidery, very artistic, and she knew some people from the college, which I think was how I got into it. My dad, who was a head-hunter, was also an incredible artist, and when he was very young, he was a really good cartoonist.
When I see my picture in the papers, I imagine that people think I'm a lot more serious than I am. They probably think I'm pretty miserable.
I'm probably quite practical when I'm on stage. I start off with a leather jacket, and then get too hot and take it off. I don't think too much about it.
I really didn't think this was going to be a success. We did the first three episodes and I said to Adam, 'I can't see this going anywhere. I've already used up all my urban legends.'
I think it's probably safe to say that continuing our onscreen relationship in front of the camera is probably not happening. I expect Adam may well pursue things in front of the camera, but I'm most likely not. It's not who I am.
I think there's something in people where they often want to describe their personal experiences, but when it's regarding wealth, they're obviously very guarded.
I think you can do a lot with fiction, and in some cases you can say even more in fiction than you can in straight-up documentary journalism.
I think there's something in people where they often want to describe their personal experiences, but when it's regarding wealth, they're obviously very guarded. They're very worried about how people are going to react to what they say.
There are so many people in the world and not everybody knows who I am, some people do, but I just don't think a lot of people know who I am.
There's a band in the U.K. called Elbow. They're not that big in the U.S., but I think they're genius.
And I was ashamed of myself for feeling like I had to do that in order to look a certain way. I felt misshapen, just not natural anymore. And I think it was a big stimulator of my drug use.
I have very short hair. It's the only cute haircut I think I've ever had.
I think I felt that I was very well known for my figure and needed to keep that up for my work. And I regret all of it. I felt fraudulent and very shameful.
As we move toward a new Middle East, over the years and, I think, over the decades to come, we will make a lot of people very nervous.
Look, I don't think President Obama would have bowed to the ruler of Saudi Arabia if he didn't have oil to the degree that the Saudis do. I think they and other producing states, almost all of whom, except Norway and Canada, are dictatorships or autocratic systems, have thrown their weight around because of oil.
I don't know, I think the crowds are even more responsive now because the audiences are skewing younger.
I think life is a little more basic here in Australia. There aren't so many distractions. People seem to feel they can be kinder with each other here, I think, to a greater extent than in the States.
I think when you first start out, you're writing books that are about your immediate place.
So, do I think I'm missing something? I really don't, and I think that comes with age.
I also think a Hot Mom is someone who can connect with what's current in her kids' world.
I think it's really amazing to have a big family. I've always wanted one.
I came out to California to live with my mom in Orange County for a while, and then I came up to Hollywood. I had just turned nineteen. I took an acting class at Playhouse West and decided, 'Wow, I think I can do this!' I studied really hard for three years before I got an agent.
I think American audiences are open to people with accents and different nationalities being on the screen.
I don't think many people can say they've been the lead in a Spielberg film and still been able to live their normal life that they had before.
I play a lot of football, watch a lot of football, and think about football.
I want to be a manager, it wouldn't scare me, but I also think you could be sacked in six months and you'd have to take the kids back to school with your tail between your legs.
I always think when you're in the Champions League, as a player, as a fan now, you're in that to come up against the biggest teams and the biggest names - that's what you want.
We think craft is important, and the irony has always been that horror may be disregarded by critics, but often they are the best-made movies you're going to find in terms of craft. You can't scare people if they see the seams.
Whether it's a popcorn movie or some really intellectual sociopolitical movie, I think to some degree they're all influenced by the social climate that we're living in.
I guess I have a fascination with the idea of puppeteering. I think, in a lot of ways, directing is puppeteering. I guess I see a lot of analogies between what puppeteers and filmmakers do.
We all live in some kind of home, so the idea that our home could be invested with a supernatural entity is kind of frightening, I think.
I think that the first 'Saw' was really more of a psychological film about two people stuck in a room, and the traps and games that fans seem to embrace so much now were quite a small portion of the film.
I loved 'Jaws.' I think that is not really a horror film, but it made me afraid of the ocean for a very long time.
I always felt that what is scary is actually hearing someone tell you what they think they see. That sense of invisibility makes things a lot scarier, since your imagination tends to fill in the gaps.
I like to think we're not the only thing that exists on the plane of existence. I like to think that just because we don't see it doesn't mean it's not there.
I think Mel Gibson could make 'Passion of the Christ' because he really believed in it and gave it his all.
I think audiences are far too sophisticated now to have an English actor putting on a Russian accent - it feels fake.
If you think about the traditional mafia stories we grew up on, it is always about the death of criminal organisations - things like the 'Sopranos' - the last vestiges of once proud families subsumed by the modern era.
We think criminality is something that exists in somehow another world to us. But actually, there is an invisible criminal web in which we are all enveloped.
Parents fear for their children. Absolutely, I think it's a deep and troubling theme to explore.
I've got lots of friends who would just think, 'Horror movies - they're crap, aren't they?' I think there's a cultural snobbery more than an institutional one.
As a screenwriter, you are so used to things going in directions that you wouldn't have taken, so to be able to say, 'This is how I intended it, this is how I want to shoot it, and these are the decisions that I'll live by,' I think directing is a logical conclusion of mine.
I just think action films now have... often, because you can do anything with CGI, people do. And I don't think you necessarily should. You lose that sort of human dimension, and you get all the stuff breaking the laws of physics.
I think ethnic and regional labels are insulting to writers and really put restrictions on them. People don't think your work is quite as universal.
There are a great many colored people who are ashamed of the cake-walk, but I think they ought to be proud of it.
I'm very proud of my dyslexia. I wouldn't have it any other way. It sits absolutely with what I do, how I think, and who I am.
With Barack Obama as president and the super-happening Michelle Obama as First Lady, you would think a new tone, a new tune, a kicky new jazzitude, would have entered Washington discourse, but it remains a landlocked island unto itself, held captive by its tribal fevers.
People want to be special. I think ambition can take in a whole package of things, power or sexual excitement.
I think that so-called capitalism and trade is a very important element in giving people opportunity.
I just enjoyed bar mitzvahs as a kid, and there was this company in the Detroit area where I grew up, and I think they recruited me as a party dancer - you know, like, you dance around and pass out glow sticks. I quickly rose in the ranks and, within a year, became an emcee, which was kind of unheard of.
It's easy to think you can get discovered on the street, but I developed my chops on the stage - four years of theater in high school, and then another four in college.
Personally, I think I am much calmer under incredibly stressful situations, and I've learned to deal with pressure and nerves, which is key to being a performer of any caliber.
Do you think I want to be the one lone voice against the Hollywood liberal establishment? It's not going to do me any good.
I'm a pretty quiet guy, but if people want to think of me as a lady killer, I guess that's good.
I like to start with the ordinary, and then nudge it, and then think, 'What happens next, what happens next?'
I think a bishop who doesn't give offence to anyone is probably not a good bishop.
It's a naive domestic Burgundy without any breeding, but I think you'll be amused by its presumption.
I think that maybe if women and children were in charge we would get somewhere.
I'm 65 and I guess that puts me in with the geriatrics. But if there were fifteen months in every year, I'd only be 48. That's the trouble with us. We number everything. Take women, for example. I think they deserve to have more than twelve years between the ages of 28 and 40.
When you sit down and see someone play at a piano, you don't think, 'Wow - what a fantastic machine.'
We think we receive all that we perceive, but in fact, we actually give the sky its colour.
I don't think my work is about the spiritual life, but it certainly touches on it.
I used to think that only people who were crazy were attracted to the desert, but once you've lived there, you become that way anyway.
In a way, you kind of get caught up in whatever image of yourself you think is out there.
I think anybody with an insecurity, which is everyone, appreciates the fact that it's much easier to be a predator than it is to be prey.
I think of the spam folder not as Pandora's box but as a costume shop in which you can play and play at being whoever and whatever you wish. If only for a time.
I just feel so upset when I think of all the lost years when I could have been doing stand-up gigs.
My first record was made in Termonfeckin, which is a small town on the north-east coast of Ireland. I had been in London, but it didn't click. So, at home, I didn't think about making something, just whether something could be made. There was no grand plan.
It seems to me that readers sometimes make the genesis of a poem more mysterious than it is (by that I perhaps mean, think of it as something outside their own experience).
I think that most of the people running companies today are motivated and pay is a small portion of the motivation.
Everybody is watching you every minute anyways. If they think the message you're sending out is phony, they're going to say, 'Who does he think he is?' It's again good business. But it is also an obligation.
I don't think movies or television have any basis in reality at all. It's all just pretend. That's what's fun about it.
I think that Barack Obama faces a level of divisiveness, and I don't mean on a national level in terms of the North and the South and the Civil War; I really mean just politically.
I think also there's no question that Lincoln has been diluted down through history in some way, almost by becoming as iconic as he is, in a way he's become diluted.
I think that when you are a teenager, it's the smartest you will ever be in your life. Teenagers are so resilient and strong, it's just amazing.
You know when you're writing, and it's just you and the computer screen, and you never think that anyone is ever going to read it... you're able to say private things when you're writing.
Originality does not consist in saying what no one has ever said before, but in saying exactly what you think yourself.
Well, I think one of the main things that you have to think about when acting in the movies is to try not to make the acting show.
Of course, plenty of people don't think that guaranteeing affordable health insurance is a core responsibility of government.
I probably don't make as much money as people think I make. I make more than the usual medium household. I'm one of the few middle class actors out there. The microcosm of Hollywood reflects the macrocosm of international finance.
I like female directors that gravitate toward masculine things. I think the danger of a male director is the over-fetishization of the masculinity.
They just think I'm a white dude. Every once in a while someone thinks I'm Jewish. I get a lot of stuff, but never Latino.
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