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I think I tend to live in sort of a meta state of existence where I'm always analyzing and analyzing whatever I'm going through at any given moment, and a lot of times I'll reflect back on and go, 'Oh look at that - if I acted this way when that happened, I might not have thought of that that way.'
I think it's my nature to - every time I hear about an award or a nomination, it makes me realize how much I must've been losing before, because I was not aware that every major city had these critics' awards.
Acting is kind of difficult to intellectualize - it's a far more visceral experience. It's really hard to be able to think about and then employ these kind of esoteric notions of this person's backstory and try to weave it in somehow. It's just kind of impossible.
Anytime you take someone's money, that puts enormous pressure. But I think if you want the most reward, you have to take the most risk.
I think reconciliation is Obama's goal - but the fight with the Republicans is like a fight with pit bulls, they never let go. Even worse, now the Republicans feel they can keep pushing and he will keep giving. They have not seen a stiff resistance on his part.
If you think black people have a motivation problem, open up a Wal-Mart and advertise a thousand jobs. Watch 5,000 people show up.
User-centered design means understanding what your users need, how they think, and how they behave - and incorporating that understanding into every aspect of your process.
I think everyone assumes that I talk to my parents a lot about writing, but I didn't - they're my parents. We didn't have constant workshops running in my household.
I ought to be more hardboiled; I'd like to be. I don't think I have it in me. To write in clipped sentences. To employ gritty metaphor in the introduction of sultry blondes... I can't do it, so why bother trying?
I think I might want to get into development, as in developing my own sort of piece, whether it be for the stage or the big screen or for television.
Playing a cop on TV and working closely with actual cops on set, I do think the media does a disservice to our first responders.
I think there's so many actors out there that we see and we know as one thing but are capable of so much more.
We went to church every Sunday. I do think it's my duty to give back. That's why I'm involved with St. Jude's Children's Research Hospital and the Make-a-Wish Foundation.
You have to ask what is going to happen to a lot of companies when there is not a lot more money to be gotten. That changes everybody's perspective, I think.
Scanadu is right at the heart of the next generation of computing, which combines mobility, sensors, cloud and big data. I am bullish on Scanadu and its potential to revolutionize the way we think about our health.
I don't think Yahoo can be Facebook tomorrow, and don't think Yahoo wants to be Facebook.
I've heard some writers say that they are obsessed with certain ideas and that they find themselves writing around the same obsession again and again, but telling different stories to get at that same idea. I'm beginning to think that I suffer from this syndrome, too.
My style is unique and random. But I think it's important that it still makes sense.
I think I've been quite lucky in that I haven't had to make too many changes to myself. Obviously, there have been adaptations and things that I've altered, but I haven't changed completely. I've stayed myself.
Because I sometimes shopped in Waitrose, I thought I was actually quite posh. I've realised that I'm basically a scullery maid. Even the middle-class people who I meet in parliament, people who live in London - which I think is remarkable because how can anybody afford to live there - seem much, much more middle class than me.
Ah, well, I do think the generation that came after me has changed. I think there is a growing sense that young women should like themselves a bit more.
I loathe and detest people who pretend they don't care what people think about them as if that is a virtue, when it is simply rude.
I think power will do anything to survive and one of its main techniques is the rule of exceptions. So it makes an exception out of people and we worship them, whether that's Nelson Mandela, Martin Luther King or Rosa Parks. These people become beatified beyond recognition.
Fear and hatred can be the things that drive you. I don't always think of fear as a bad thing, it gives you fight-or-flight.
The fact that I stick up for women doesn't mean that I think all men are rapists. But that's lost somewhere in translation. Obviously I don't think that. I married one! I gave birth to two of them.
White Americans have the option of not having to think about race on a daily basis. People of color don't. Race is a major deciding factor in their lives and the histories of their families.
I try to think of the social function of fiction as drawing the individual toward larger social and political questions. But I'm also very comfortable in saying that my novel - any novel - doesn't matter as much as larger questions of how we can see justice done.
I think novels - or any art form - can have a powerful impact on people's perceptions of race, particularly if they draw attention to the absurd inconsistencies and stereotypes we all carry around with us and don't want to think about.
I think most Hollywood meetings are silly and I truly despise pitching. It's insane to expect someone to come in and tell you the story before they've written it, and buying an idea from someone who can explain it rather than write it is like choosing a mechanic based on his ability to draw a picture of your car's problem.
I think Forever 21 is a great way to get in on the trends without spending a lot of money.
I think screenwriting gave me more of an affinity for plot - my first novel, 'Me and Earl and the Dying Girl,' doesn't have a very sophisticated roadmap. But screenwriting required me to learn a higher level of plottiness, and I tried to bring that to 'The Haters.'
I think every parent takes more pleasure in seeing their child succeed than seeing themselves succeed.
We can't make a decision based on PR value. We have to do what we think is right.
I don't see any baseball expansion right now. If it were up to me, I would contract two teams. But I certainly don't think expansion on the horizon.
O'Malley wanted to move the Dodgers out of Brooklyn because he saw the promised land. He was right about that, but to this day I think he was wrong to take the Dodgers out of Brooklyn.
The team was supported by the fans, and the city was committed to a new building. But that wasn't good enough for Walter O'Malley. He had a better deal, and he passed up a good deal for a better one. I don't think that was right, because ownership of a ballclub is at least a semi-public trust.
Montana and I had a chemistry that was unbelievable. When I first came into the league he told me I added five years to his career, and I just think we complimented each other very well and were able to do some amazing things out on the football field.
I think I just went into a system that was willing to utilize me and gave me opportunities and I felt fortunate to be able to go to Oakland and put the silver and black on. I wanted to prove to everybody that I could still play.
I think what people might not really know about me is that I'm really a shy individual.
A lot of people still think caring about clothes is a dubious, unserious, frivolous, girlie thing.
Now they show you how detergents take out bloodstains, a pretty violent image there. I think if you've got a T-shirt with a bloodstain all over it, maybe laundry isn't your biggest problem. Maybe you should get rid of the body before you do the wash.
I think we can bring a new retail language to Rockefeller Center that would really change Midtown.
Kids still can be said to live in their own little world. Even if their parents are helicoptering around them, assigning play dates and so forth, I think they're still living in some sense of their own little perceptual worlds.
Now I don't really write for adults or kids - I don't write for kids, I write about them. I think you need to do that, otherwise you end up preaching down.
I don't really write for adults or kids - I don't write for kids, I write about them. I think you need to do that; otherwise, you end up preaching down. You need to listen not so much to the audience but to the story itself.
I would say if you want to write, write what you care about. I think that's the most important thing. I think if you write what you care about, you stand a better chance of having the reader care about your story.
When people hear I have six kids and 16 grandkids, they think, 'Oh, boy, you must get a lot of stories from them.' I don't. It's not like I'm behind the sofa in the living room taking notes while the grandkids carry on.
I think I have a pretty goofy profile for a writer. It seems to me most writers were reading 'Little Women' when they were 6 months old. At the age of a lot of my readers, I wanted to be a major league baseball player. I didn't read much.
My guess is more reporters probably vote Democrat than Republican - just because I think reporters are smart.
I like Scott Caan. I think he's a great young kid. I think he's gonna have a really huge career.
Confidence is a lot of this game or any game. If you don't think you can, you won't.
A woman doing comedy doesn't offend me, but sets me back a bit. I, as a viewer, have trouble with it. I think of her as a producing machine that brings babies in the world.
I tell young comics, 'Do you want this badly enough? It's there. But you have to go get it. And if you think I'm going to give you the key to the lock of that door, there is no key, there is no lock, and there is no door.'
I don't think a lot of people realize the influence TV has on our kids. Kids take a lot of their cues from it in their dress and their conduct.
It's a great story. It's available for anyone else who wants to try it. We're not brilliant. We're not unbelievable. We're just two people who hit a nerve. I think it can be done again and again and again. More people should try it.
If you really want something you just hang with it. We think our future's ahead and not behind.
If we were to hit the level that Metallica or somebody like that hit, we'd have had a hard time dealing with it. I think it would have been our doom. It's hard for anybody at that level.
I think the choice of actors that we have is a little more varied and rich here in New York than in L.A.
We do a hard fantasy as well as hard science fiction, and I think I probably single-handedly recreated military science fiction. It was dead before I started working in it.
I think it takes about a million words to make a writer. I mean that you're going to throw away.
I used to watch people like Richard Burton and Mel Gibson and think, 'I could never do that.'
I really believe that anybody on the Left or the Right that tries to invoke the teachings of Jesus to say they should vote for this candidate or that candidate, I think they're stretching Scripture.
A lot of Ivy League schools have presidents who are very politically active. And I don't think it has an impact on whether a student chooses a school or a donor gives to a school.
I think that Gov. Huckabee is one of us. I know that a lot of the other candidates try to talk like evangelicals, but he's actually one of us. He believes like we do on all the issues, which energizes me as a voter.
I gave up so many things. It wasn't that I was out of control - it was just years of eating anything I wanted. I wouldn't eat a whole pizza, but if I wanted pizza two or three times a week, I didn't think to limit myself. So I just cut out all the stuff that I viewed as unhealthy.
I don't think that Slaughterhouse-Five was successful movie material. In fact, Vonnegut's books mostly I don't feel are movie material.
I think it's too bad that everybody's decided to turn on drugs, I don't think drugs are the problem. Crime is the problem. Cops are the problem. Money's the problem. But drugs are just drugs.
Yeah, I think we have to. If we want our shows to be - if we want the quality of the shows to be good, and we want the energy to be high, and if we want to be in good enough physical shape to do them, and not exhaust ourselves on the road, and not get stale, we have to pace.
America is still mostly xenophobic and racist. That's the nature of America, I think.
I don't think I've ever actually written from inspiration, actually had a song just go, 'Bing!' I only recall that happening to me twice - once was with 'Terrapin' and the other was 'Wharf Rat.' I mean, that's twice in a lifetime of writing!
Now, when we face a problem like global warming, and you understand that the biggest impacts on global warming come from business and industry, I think business needs to take a leading role.
It's better not to wear too much jewellery - just a couple of nice things, nothing too rattly - and stick to kitten heels or flats. Women let themselves down with tall heels. I think they're kind of vulgar. I see women sinking into grass at outdoor parties or tiptoeing over gravel at weddings. It's silly. You need to be practical.
I think we could have done a lot more great music, so I was disappointed that we didn't continue making records and touring, but it's hard to argue with 10 good years.
I think my voice worked out fine, but it was a lot of work for me. And I was very self-conscious about it. I was a bit self-conscious about writing lyrics too.
I think that technology has both introduced new sounds but also allowed an increasingly painterly approach to recording music as you can now paint over what you've done and more and more refine an existing performance.
Music has become a bigger business, and with that there is more pressure to succeed; I think that it creates a negative pressure for being creative.
I have a lot of friends who get up most mornings and go to jobs they absolutely hate. I don't think that's what life is about and I'm so fortunate that I actually love what I do.
I don't think I could have ever had a career as a pianist because I never ever wanted to play the notes the way they were written, I was too sloppy to learn them quite right.
I think it's real easy to be famous these days; it's not real easy to sustain success.
New Yorkers have their own way of speaking, their own tempo, and Texans are a lot like that. As much as you think Texas is one thing and New York is another, they're very much the same.
For me, I think that, certainly, the fact that Las Vegas has a gambling aspect to it is far overshadowed by the entertainment value, if you will, family appeal, that you have, the convention appeal. So it does not have disfavor with me, in my opinion, relative to being an NFL city.
You can go out feet first, and that's not my desire, or you can say, I think we've served with distinction, and this is the time to go home and seek a new challenge.
When you come to Christ as a real young person, I think when you become a teen-ager either you rebel or you search, doubt, and wonder.
We take what we think are the tools of spiritual transformation into our own hands and try to sculpt ourselves into robust Christlike specimens. But spiritual transformation is primarily the work of the Holy Spirit. He is the Master Sculptor.
Although, I think you look back and you try to learn from your mistakes.
I don't think religious groups should be allowed to apply for federal funds to start new ministries they have not been doing before the funding was available.
I don't think I know a Scientologist except when I see one or two of their actors on the Hollywood screen.
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