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I'm always astonished to see how badly people can behave when they think no one is noticing.
When a hurricane thrashes the mid-Atlantic, my hilly town often reaps the fringe of the storm. The rain starts blowing sideways, and sometimes we see hail the size of purie marbles.
I really believe there are things nobody would see if I didn't photograph them.
When you grow up your mother says, 'Wear rubbers or you'll catch cold.' When you become an adult you discover that you have the right not to wear rubbers and to see if you catch cold or not. It's something like that.
You see someone on the street, and essentially what you notice about them is the flaw.
I don't work in a straight line. I don't write with an outline. I write where I can see things happen, and then things get glued together.
I'm a complete addict of The 'X Factor,' so I can see why everyone gets so inspired. But there's a downside to celebrity: your life is up for grabs, your career is much more disposable, and you are therefore vulnerable. It's a high price to pay.
I wouldn't like to see a female Bond, because we wouldn't want to lose the Bond girls. But we could have a lesbian Bond - why not?
When I played Hope in 'Booksmart,' I was like, 'I could see myself with a woman.' Because, literally, I was seeing myself with a woman.
I don't have to think much when I take a photo on my iPhone. I sort of see the iPhone medium as instant gratification, whereas with film, you have to think about it because it's expensive.
'Sunshine' is really an experiment for me to see if I am a filmmaker beyond having my own stories to tell.
There is no such thing as a Bollywood hero or Hollywood hero. All you see on the screen is the lead actor's interpretation of the role that has been conceived by the writer.
The screenplay has to be gripping. That's when the film will work. Then, I see how much I can relate to the character I'm playing.
In Tamil and Telugu, I have to do mainstream commercial films. Irrespective of what I want to do, the audience wants to see me in that 'mass' space.
I had gone to the bookstore, and while I hadn't bought any books on how to write a screenplay, I'd bought a couple of scripts so I could see how the formatting works. I just needed to know how a Hollywood screenplay looked on the page, which was something I was totally unfamiliar with.
I think Phoenix is a place where people see the potential. They see the young core that we have. They see the fan base, the wonderful city.
Stanford just stood out, not even close to the other schools. I was going to wait, see what else comes into play, but when I got there, I knew I wanted to be there.
For instance, when I go to the premiere on Tuesday I probably won't watch the film at all - I'll be watching the audience just to see their reaction to different moments, what I'm doing right and what I'm doing wrong, stuff like that.
I like to write songs about what's happening, what I see around me and what I hear.
Children are a wonderful gift. They have an extraordinary capacity to see into the heart of things and to expose sham and humbug for what they are.
God is patient with us to become the God's children he wants us to be but you really can see him weeping.
The way it works for me is my sight and sound senses are combined. Every sound I associate with a color and every color I associate with a sound... The way I see things is constant streamers across the room, bouncing off from every touch and every sound. Over the years, I've learned what color palates I love most.
I see no kind of reason to not just try everything. I mean, I feel like we all have such varied tastes, and to not just try our tastes is a crime.
Anybody great, we're all interested in the relics. If you found an unfinished Gauguin, you'd still want to see it.
Glenn Close is my favourite actress and she came to see the show in London once which was giddying.
All I see is that grass and open field, and I just run like there's no tomorrow.
I want the people to be able to see me and be able to see a great performance.
In fact it's quite gratifying for me to see some of the people who really objected to this method of working now being quite so profligate in their use of it.
Making a film is like making a mixtape. You're collecting all this stuff and putting your favorite stuff into it: you have actors that you like, characters that you're interested in, moments you want to explore, themes you want to deal with, music that you want to put in. It's a pastiche of all these things that deal with how you see the world.
I'd like to get a degree. You ever see the movie 'Back to School?' I'll go back with my kids.
I want what's mine. I see other actors who are doing very interesting roles, and I just want to continue to do things that are interesting, and things that people will go see in theaters.
Our continued investment in productivity will add to our margins, and you'll see that reflected in the bottom line earnings.
We see the Super Hornet as an opportunity... to tie directly into the 'Make in India' strategy.
We continue to see acquisitions as an opportunity area for us. It's one of the tools that we use to grow.
We're not going to see an exclusively robotic factory, but we will see the optimum use of robots and people.
To me the biggest breakthrough was when we did Terminator 2 that just opened the door for Jurassic and all of the others and that was as big as when we did motion control on Star Wars. But I don't see another big thing coming.
I see the tool set being the same and maybe doing virtual movies and that's fine for some stories but not for others. And maybe make all CG movies but they are already doing it.
So I wouldn't see Wings as a band that would go into the Hall of Fame, to be honest.
I knew Paul when he was in the Beatles. We did the second Beatles British tour with the Moody Blues. And we became friends. I went to a couple of the sessions for the 'Sgt. Pepper' album, we went to parties together, we went to see Jimi Hendrix together.
The Beatles are here, and if you could see me my hand is on the ceiling. Styx is here, and my hand is in the basement.
I don't see how 'Hunchback' could ever appeal to children. It's a very adult story that deals with repressed sexuality.
This face is nothing to brag about. I don't know what it is that these people see in my face.
I would love a combination of action/adventure and... love. And stories told with heart. I would like people to be invigorated as well as moved. People to see the movie and see that. I love to play, y'know, well-rounded characters.
I look at Facebook a fair bit. I see what's posted. I see the travesties and illegalities of what police forces do. And I also see and understand that it is sanctioned by the general public - or we would do something.
I changed to Republican when Reagan became president because I wanted to see a change to years of Democrat-run Senate. And I voted Republican until Obama. I think he's terrific.
I never went to school for directing. I studied theater with a director. I followed plays to see how a director would talk to the actors. I tried to make my own school.
Life is the movie you see through your own eyes. It makes little difference what's happening out there. It's how you take it that counts.
Spoiling my ballot paper is the only way I can see of stripping the system of legitimacy, shaking it up, and reforming it so that it favours citizens.
As is often the case when things are complicated, extreme views have superficial appeal. On the one extreme, some see China as an inevitable enemy that must be contained; on the other hand, there are those who see China as a slowly developing democracy that can be embraced.
Southeast Asia is an area in which there is a form of Islam which is both devout and progressive, and therefore to be supported. It's an area in which I see a congruence of American interests and local interests: to have tolerant societies and become more prosperous.
When our thousands of Chinese students abroad return home, you will see how China will transform itself.
Our observation of nature must be diligent, our reflection profound, and our experiments exact. We rarely see these three means combined; and for this reason, creative geniuses are not common.
I remember hitting the ball, and I didn't even realise where it went, and then I turned over, and I see the official bending down holding his eye.
You see, I was born in the slums, that was before the ghetto. The ghetto was kind of refined; the slums was right there on the ground.
We have made people in the industry and the people that see us aware that God loves them.
I don't see how I possibly could have come from where I entered the planet to where I am now if there had not been angels along the way.
I admired my father very much... at the age of sixteen. But now I see that he was a brutal and cruel man, - but not without remorse, and that was what tortured us, his alternations.
I wrapped my Christmas presents early this year, but I used the wrong paper. See, the paper I used said 'Happy Birthday' on it. I didn't want to waste it so I just wrote 'Jesus' on it.
I worked a full-time job at a place call Caraustar. We recycle paper, then through recycled paper, we take it and we make V board out of it. If you buy a TV, a new couch, you see these little V boards that make like a V.
Obviously I'd love to see Demetrious Johnson, you know, 'Demetrious Johnson $500,000 payout baby,' absolutely.
That's kind of how I see my workmanship: it's how many hours I put in that makes me better.
And Clinton was like that - he saw the whole playing field. He didn't just see the event that he was at or the circumstances of that week or that month. He saw the whole playing field all the time.
I grew up in Nashville in a white suburb. We lived next to a Klan member. We didn't see hoods, but my dad knew that guy was a Grand Dragon.
If insurance companies paid for lifestyle-management classes, they would save huge sums of money. We need to see that alternative medicine is now mainstream.
The highest levels of performance come to people who are centered, intuitive, creative, and reflective - people who know to see a problem as an opportunity.
When I concentrate, my face is deadpan and I can see there is a coldness there - when I'm making business decisions I know I can be quite dispassionate.
We all know we are unique individuals, but we tend to see others as representatives of groups.
There's no doubt that the search for planets is motivated by the search for life. Humans are interested in whether or not life evolves on other planets. We'd especially like to find communicating, technological life, and we look around our own solar system, and we see that of all the planets, there's only one that's inhabited.
Once we see stars with three times the metal content of our sun, the planet detection rate goes up to 20 per cent.
Festivals are where I see other peoples' films, where we talk, where I get to learn what was working about the film, I get to have a discussion with viewers... and people who enjoy reading films - I enjoy reading other peoples' films, and what discussions can come of that.
It's risky to show poor Americans. People see it as a downer. But I really wanted to make a tightly wound piece of storytelling that also happened to explode the myth of American affluence.
It's been a pleasure to see female comedians be prominent and flourish - like Kate McKinnon's Rudy Giuliani impressions, which are uncanny in their precision.
I get very caught up in the day-to-day and immersed in the scenes as they unfold. It's harder for me, as I'm filming, to see the larger story.
Diversity on the bench is critical. As practitioners, you need judges who 'get it!' We need judges who understand what discrimination feels like. We need judges who understand what inequality feels like. We need judges who understand the subtleties of unfair treatment and who are willing to call it out when they see it!
Here's what I see: a complacency among the generation of young women whose entire lives have been lived after Roe v. Wade was decided.
I work with kids, and I see certain things, so I realize now why my mother was so horrified and overprotective of everything that I watched.
I've got this thing with skating and school - to see how much I can accomplish.
People see that I have my own voice, my own opinion, my own likes. The album really reflects that.
I actually never wanted to sing, and I thought that I was never going to sing, but I see that God had other plans.
Among my favorite half-dozen topics is the field of Victorian female explorers, the intrepid women who packed up their parasols and petticoats and roamed the world in search of adventure. Some were scientists, some artists, some unabashed curiosity-seekers who simply went out to see what they could see.
All of us create our own versions of an event, of our lives, even, not because we're liars, necessarily, but because we can only see and understand the truth from our own viewpoint, and a shifting viewpoint at that.
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