Science Quotes
Most Famous Science Quotes of All Time!
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By serializing two novels in 'Analog,' the world's No. 1, best-selling science fiction magazine, I've had 200,000 words of fiction and three cover stories in that magazine. Quite an enviable record.
The general public still thinks that science fiction has nothing to do with their day-to-day lives.
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Science fiction should not be dismissed as escapism. It is a profound vehicle for talking about social and political issues.
One of the things that science fiction gets to do is thought experiments about the human condition that would be impractical or unethical to conduct in real life.
When I started publishing - my first novel came out in 1990 - there were no options for publishing science fiction in Canada. There were no small presses, and the large presses simply would not touch it at all.
Social progress is a big thing for me. Although science fiction is traditionally concerned with the hard sciences, which is chemistry, physics, and, some might argue, biology, my father was and still is a social scientist at the University of...
Science fiction has always used metaphors and disguises, talking about alien civilizations or the future.
A lot of people forget that the origin of science fiction in the U.S. was in the post-First World War period when there was a real interest to get people into technical careers.
Science fiction is about things that plausibly might happen. Grounding my work in the real world helps make that clear.
Science fiction has always been a means for political comment. H.G. Wells' 'The War of the Worlds' wasn't about a Martian invasion - it was a critique of British colonialism, and... 'The Time Machine' is really an indictment of the...
We absolutely do some of the best science in the world in Canada, across a broad spectrum of disciplines: quantum computing in Waterloo, paleontology in Alberta, neuroscience at the Djavad Mowafaghian Centre for Brain Health in Vancouver, and many more.
Science fiction is about extrapolation, looking back through history, spotting a trend, and predicting where it will go.
One of the standard story-generating engines for science fiction is to take something we normally think of as metaphoric and treat it as if it were literal.
There were four major 20th-century science fiction writers: Arthur C. Clarke, Isaac Asimov, Robert A. Heinlein and Ray Bradbury. Of those four, the first three were all published principally in science-fiction magazines. They were preaching to the converted.
Bradbury was the one guy who was published in places like the 'Saturday Evening Post.' He was the guy who brought science fiction to the masses. If he hadn't existed, science fiction would have been a well-kept secret in literature...
I think there's always been, to some degree, a misunderstanding about what science fiction is all about, in that it has been judged by the general public as being literature of prediction, and it isn't.
Science fiction has never been about the future; it's always been about the present day whether it's Victorian England that Wells was writing about or the post-9/11 era that I'm writing about.
Regrettably, with '2001' having a title that had a year in it, science fiction essentially set itself up in the public's imagination as saying, 'Here's what you get if you wait to that year.' Well, we all waited till that...
When the state was going to tell you what your future would be, science fiction was irrelevant.
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