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I don't have keepsakes from shows, really. It's in the work. It's all there.
There are really only so many foods and so many ways you can prepare them.
It's so funny: I sort of fell into genre roles, but I'm not really a genre guy.
You know, I'm really not that competent at describing things musically.
I'm not really a Sundance baby, but they helped me so much I feel I have to acknowledge it.
As a young footballer at United, Steve Bruce was one of the senior pros I really admired.
The enthusiasm, the adulation for us as jazz artists, in Kiev and Odessa was really heartwarming.
We never really know what stupidity is until we have experimented on ourselves.
I'll have a chorus pedal or a flanger or an echo, that kind of thing. But as far as specific pedals, the one that's really been a mainstay is the TC Electronic MojoMojo.
I played football in college and what I really wanted to do was be a football coach.
For 'Barnyard,' I did the voice of a 'chick,' which was really a blast because I had to manipulate my voice to another pitch.
Playing the scout-team quarterback in practice really helped develop my game.
I really don't have an ear for pitch. I can't sing at all, I can't hum melodies and I can't write riffs.
I've stayed in enough hotels so I really know what works and what doesn't design-wise.
I never really felt pushed at school or that I was struggling; it came naturally.
I wasn't really conscious about 'The 39 Clues' movie when I wrote 'The Black Circle.'
When I do my shows, it's really cross-generational. Sometimes there's three generations there.
Wrestling-wise, I've wrestled a lot of the girls that I've really wanted to, like Natalya and Emma.
I wanted to be a stuntman. I didn't really want to be an actor. I took classes when I was younger, but I really sucked.
Actors don't really get into their stride until they're in their late 30s and 40s.
When I was filming 'Ouija,' there were some elements in that that really creeped me out.
I really liked the atmosphere at Wembley, and I would like to box there, too.
I'm going to do an adaptation of the Italian film, Bread and Tulips. I really like that film.
I really like Pietermaritzburg: it is really a course for me - really technical.
I'm a really good shooter, three-point shooter. I'm good at defense. Dribbling, not so much.
Acting is the only thing I ever really wanted to do, and I'm really ill-prepared to do anything else.
I've never really understood the term 'Post-Impressionism' as more than a label for Cezanne, Gauguin and van Gogh.
For years, I never really pondered how I came to be a writer from where I came from.
I have a wonderfully hedonistic appetite, and if I wasn't really strict with myself, I'd weigh 300 pounds. I'm not good with moderation.
It really is quite remarkable that Darfur has become a household name. I am gratified that's the case.
Aristotle wrote the 'Poetics' 2,400 years ago. It's really an instruction manual for aspiring filmmakers. It's as valid today as it was then.
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