Photography Quotes
Most Famous Photography Quotes of All Time!
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I wanted to be a scientist. I did a thesis on lions. But I realised photography can show things writing can't. Lions were my professor of photography.
In my photography, color and composition are inseparable. I see in color.
It's the first time that I've ever had an art show based on a film, but it's a photography collage.
Most things in life are moments of pleasure and a lifetime of embarrassment; photography is a moment of embarrassment and a lifetime of pleasure.
As an avid photographer, I also took advantage of the latest technology in photography - digital photography - to post photos on my website on a daily basis.
One of the difficulties of photography is that it is much better at being explicit than at being reticent.
When we started in the early '60s, football had a little bit of a tradition. But, they didn't have a mythology. And NFL Films, through our music and our scripts and our photography, created a mythology for the sport.
The other great development has been in photography, but that too was influenced by Conceptual art.
I am a former economist. I never went to photography school to learn photography.
I was writing when I was very young, and then I became interested in everything - I wanted to do photography. I wanted to act. I wanted to write plays, and then I wanted to film and to paint, but I felt that film had a condition that reunites everything.
I was really into writing short fiction and also photography when I was a kid.
Photography is about finding things. And painting is different - it's about making something.
Archaeologists have used aerial photographs to map archaeological sites since the 1920s, while the use of infrared photography started in the 1960s, and satellite imagery was first used in the 1970s.
I love history, cultural and religious studies, philosophy, photography and traveling.
A new era in the physiological investigation of linguistic sounds was opened up by X-ray photography.
Photography has always been a passion of mine, but I began to study light field photography when I was in the Ph.D. program at Stanford University.
First you study photography, then you practice photography, then you serve photography, and finally one becomes photography.
Moreover, photography has made it possible to fix these images and now provides us with a permanent record of each observed spectrum, which can be measured out at any time.
My interest in architecture has always been sculptural. Most of my photography is of architecture.
I went to university in Colorado and studied art history. I did some photography classes there, although it felt really pretentious.
I did photography, painting, and drawing, but I prefer sculpture. I like it because it's very physical.
I'm constantly working on these edges of photography, either to employ so much information or reduce information to the point of collapse.
I worked a little as a messenger on a bicycle and then decided to study photography and film.
Photography started as a means of getting reference material for my paintings of nature subjects.
I have a reverence for great photography, but I don't consider myself in that league.
I've always been super into photography and the visuals that support my music.
For example, Michael Mann's film Collateral - there is certain kinds of stories that lend themselves to digital photography. Some things are very raw stories that digital photography kind of lends itself to.
I don't think that digital photography is romantic yet. It's not sympathetic the way that film is.
Ultimately, I made my range wider because I wanted to suit each publication that I worked for. Talk about reinvention - I'm like the Madonna of photography.
Why are all the artists so dead-set on distorting? It seems to be a reaction against photography, but I'm not sure.
I never went to school for photography and started when I was pretty young. I was somewhere around 12 or 13. I started photographing as a hobby and carried that hobby through high school and university.
One advantage of photography is that it's visual and can transcend language.
I just wanted to be creative, so I did photography, and that led me ultimately to music.
My photography is often a sociological look at American culture, and it's been very well published in the U.K.
I'm a Banksy fan. I'm also a fan of Chris Hobe, Mister Totem, Drew Wootten, Mad Clout, Hense and Sever, in visual and street art. And Jonathan Mannion and Shane Nash in photography.
I would say, if I had any hobbies, I love photography. I love taking photographs.
I am someone who takes pleasure in exploring the full scale of the medium photography. I am a photographer.
Over the last few millennia we've invented a series of technologies - from the alphabet to the scroll to the codex, the printing press, photography, the computer, the smartphone - that have made it progressively easier and easier for us to externalize our memories, for us to essentially outsource this fundamental human capacity.
For me the printing process is part of the magic of photography. It's that magic that can be exciting, disappointing, rewarding and frustrating all in the same few moments in the darkroom.
He was a very generous soul and was exceptionally dedicated to the medium of photography.
Photography brought a lot to painting because it forced artists to think about what painting could do that photography couldn't.
I could never figure out why photography and art had separate histories. So I decided to explore both.
I played in bands very very young. I painted; I did photography, all kinds of things.
You take 35 degrees out of 360 degrees and call it a photo. No individual photo explains anything. That's what makes photography such a wonderful and problematic medium.
Technology has eliminated the basement darkroom and the whole notion of photography as an intense labor of love for obsessives and replaced them with a sense of immediacy and instant gratification.
I like the idea of infinite human potential, and a lot of my photography and filmmaking has been focused on that.
If I had to start over, I'd pursue photography - probably to the exclusion of acting.
I was a dog groomer. I delivered radiators; I was a photography producer. I typed classified ads for many years. It was my longest term job - years of typing classified ads while I was in bands.
Actually, when I first started dabbling in photography, I was still working for my parents as a salesman.
Generally, the French highly promote culture and the arts, and photography is in their blood.
Speaking of photography, while the Apollo 8 crew shot hundreds of photos, there was one that got everybody's attention: a blue-and-white Earth rising over a gray moonscape.
To me, photography is the simultaneous recognition, in a fraction of a second, of the significance of an event.
Actually, I'm not all that interested in the subject of photography. Once the picture is in the box, I'm not all that interested in what happens next. Hunters, after all, aren't cooks.
Photography is always a kind of stealing. A theft from the subject. Artists are assaulters in a lot of ways, and the viewer is complicit in that assault.
I have always found photography magical, and became more taken with it whilst modeling.
I was obsessed from the moment I took my first photograph. I wanted to make photography my career.
I've always considered myself a poet in everything that I do, whether it's photography or movie-making.
There is no question that photography has played a major role in the environmental movement.
The problem of direct colour photography has been facing us since the turn of the last century.
I wanted to be a director of photography for a while, because I'm fascinated by what they do. You're made to look good by them and you can learn so much from talking to them.
Look at lots of exhibitions and books, and don't get hung up on cameras and technical things. Photography is about images.
I tried my hand at photography and worked with a studio for six months.
Somehow Photoshop and the ease with which one can produce an image has degraded the quality of photography in general.
The mission of photography is to explain man to man and each to himself. And that is the most complicated thing on earth.
Photography deals exquisitely with appearances, but nothing is what it appears to be.
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