Painting Quotes
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The painting develops before my eyes, unfolding its surprises as it progresses. It is this which gives me the sense of complete liberty, and for this reason I am incapable of forming a plan or making a sketch beforehand.
My grandmother was fond of painting and playing the piano. She had been given lessons by Emmanuel Chabrier, who used to spend the summer months in nearby Membrolle.
Painting bodies with the patterns of Kusama's hallucinations obliterated their individual selves and returned them to the infinite universe.
My horizon on humanity is enlarged by reading the writers of poems, seeing a painting, listening to some music, some opera, which has nothing at all to do with a volatile human condition or struggle or whatever. It enriches me as a human being.
Do not think that I have stopped painting, for at any moment, I am liable to paint a good picture.
If it weren't for painting, I wouldn't live; I couldn't bear the extra strain of things.
I'm just a landscape painter. I look out the window and I see what's going on, and I paint it. While I'm painting it, I also write thoughts about what I see going on out there.
I've been attracted to imagery and occasionally I've drawn from it, but I never thought I'd be painting these paintings. I didn't have any desire to. I didn't think there was any reason to.
On occasion I have drawn as a release from painting. The economy in using paper, pencil, charcoal and crayon can help towards a greater gamble and higher rewards. I also find that drawing can generate ideas more rapidly than painting.
I no longer worry whether a painting is about something or not. I am only concerned with the expectation, from a flat surface, of an illusion.
Every painting I do is related to the last one: it may be a continuation of a previous painting or it may be a reaction against it.
I don't believe in making pencil sketches and then painting landscape in your studio. You must be right under the sky.
I have generally found that persons who had studied painting least were the best judges of it.
When I first started painting candyland imagery, I was looking for the best possible metaphor for everything that is pleasure, desire and insatiability.
There's something of a painting of a woman that represents all women - and by extension, all of humanity - that I just find very exciting. It's a nice distillation, I think, of what it means to be alive.
By attracting attention to yourself, you distract people from the movie. Ideally, you like a movie to speak for itself. You don't describe a song before you sing it or tell about a painting before you show it. You don't reveal the recipe before you serve the dish. You taste it.
Let us together create the new building of the future, which will be everything in one form: architecture and sculpture and painting.
The mere drawing and painting world of the pattern designer and the applied artist must become a world that builds again.
Together let us desire, conceive, and create the new structure of the future, which will embrace architecture and sculpture and painting in one unity and which will one day rise toward Heaven from the hands of a million workers like the crystal symbol of a new faith.
The Bauhaus strives to bring together all creative effort into one whole, to reunify all the disciplines of practical art - sculpture, painting, handicrafts, and crafts - as inseparable components of a new architecture.
Turning one's novel into a movie script is rather like making a series of sketches for a painting that has long ago been finished and framed.
I've had a fan who made a painting of my face with her fingers. I have put it up in my room. It was sweet and very different.
I stopped painting in 1990 at the peak of my success just to deny people my beautiful paintings, and I did it out of spite.
If I say 'Find me an interesting painting' to Google, someday a robot could go around the Picasso museum and take a picture for me.
In a movie, you're raw material, just a hue of some color and the director makes the painting.
I started formal piano training when I was 4. From there I had little violas, and I had dancing lessons of every sort and description, and painting lessons. I had German. And shorthand.
Also, painting and animation are really solitary pursuits, so the collaborative aspects of music making and acting are pretty welcome sometimes.
I've come up through art school, through painting, through graphic design, through advertising, through TV commercials and music video. I've designed books, built billboards, matchbooks, corporate identities. I continuously paint, I've done conceptual art pictures.
It is not hard to understand modern art. If it hangs on a wall it's a painting, and if you can walk around it it's a sculpture.
Exercise your creative muscles all the time, either through classes or through other artistic avenues like painting or dancing or even gardening, staying active and being creative so that when opportunities do come up, you are in a position to take advantage of them.
For the general public, my work is sometimes easier than a painting because there is someone addressing you; it can actually be a relief. What's interesting is the idea of a tourist randomly coming in and the experience they'll have.
You don't eat a painting of an apple; you don't find it morally good. Instead, it tells you something strange about apples in themselves.
I went to a school in N.Y. that is conceptual and interdisciplinary and modeled after Cal Arts. It is not just painting or sculpture; it was everything mixed together.
The worlds I paint leave a lot to engage the imagination by hinting at what lies beyond the four edges of the painting. I think getting beyond the four edges of an opportunity or challenge is one of the basic skills you need in business.
As a kid, I wanted to be a sportscaster. On the radio. I loved the idea of painting a picture. I didn't want to be on TV. I wanted to be Jon Miller, who called all the Orioles games.
Painting directly from nature is difficult as things do not remain the same; the camera helps to retain the picture in your mind.
I remember Wrestlemania VI, being in my locker room painting my face, about halfway done, and the production guys came, and they knocked on the door, and they came in. I was looking in the mirror at them, and they said, 'Hey, Warrior, we've got a cart to take you to the ring.' I just looked at them, and I said, 'I'm running to the ring.'
The beauty of working on a show like 'Westworld' is we're painting a not-too-distant future and talking about an aspirational sense of what power looks like in the future.
My working habit is to separate my aims as a painting from my aims as a poet. They come from very different places and ultimately lead me to very different places... I'll leave what I mean by 'places' ambiguous.
We look at the Mona Lisa and say we're going to do our version of the Mona Lisa. We mirror it. But exaptation would say that painting the Mona Lisa would lead to a whole new place... Bugs Bunny.
Most people don't really like to pose. It is difficult to get them to be present and relaxed under this kind of molecular scrutiny. I want them to understand I'm not simply painting them: I am painting them within a precise moment in time, as a shadow moves across their eyebrows. Then it is gone. The moment is over.
To make money, I did portraits . The truth is so bizarre! I'm kind of embarrassed. I was like a 19th-century pirate painter. I'd say, 'Your mom would love a painting of you!' A salesman! I'd hawk paintings.
My latest decorating obsession is dipping - like painting the bottom of things. I've done it to almost every terra-cotta pot in my house. Every African vase I have is painted gold on the bottom. It's so fun and easy, and it instantly livens up a piece. You feel like you've really accomplished something.
I'm quite a precious painter; my style is a messy fine art - sort of impressionist. I do portraits, I love painting other artists, but recently, I've been playing around with self portraits, putting on different characters.
I still have agents in France, Los Angeles and Amsterdam who call and suggest parts. I'd love to keep on doing both painting and acting until the end of my days.
I mean, certainly writing, painting, photography, dance, architecture, there is an aspect of almost every art form that is useful and that merges into film in some way.
The idea of being close to where pigments were mined - that's the first thing in making a painting, getting the material. And what's the last thing you do in making a painting? You put a frame around it.
It was only after I began to write fiction that I found a way to connect with painting.
To feel the grace of God in a painting of the dear, quiet commonness of a domestic interior, or in a landscape, seascape, cityscape, trains us to feel the grace of God in the thing itself in situ.
Painting keeps me occupied in those moments when travel can be aimless and even disorienting. Mainly it is a way to register at least some of the new impressions of a foreign place, when its thrilling barrage can sometimes overwhelm you.
Writing is an art, just like any other creative exercise - painting a picture, singing a song or dancing. It is an expression of your feelings.
I didn't do so well in the academic world, so I think the only way I could express myself was through visual art - anything I could get my hands on, whether it was glassblowing, sculpture, painting, or photography. I always wanted to be a painter. Or a farmer.
I think it's a bit like saying a painter does a painting everyone loves and it's 40% blue paint, so from now on you have to paint paintings that are 40% blue. That's the film industry at its most blunt, which is why it's constantly bats and spiders and superheroes.
Painting is just a hobby. I really don't think of it much more than that. But writing music and writing words... my life would feel as if it had a big hole if I took those away.
I love my painting - it fills me with passion. But it's not something I expect anyone else to love.
We took our Catholicism very seriously. We never missed Mass; our father was a lector, and both our parents taught catechism. At 3 in the afternoon on Good Friday, we gathered in the living room for 10 minutes of silence in front of a painting of the Crucifixion.
When you drive, you are doing several things at once. You are using your eyes, ears, hands, your mind. If you have meditated for many years and have reached a lofty height in your meditation, as I have, you can meditate while running and cycling and painting.
Because I was traveling a lot during the '70s, the only thing I could do on the road was take photographs, so there wasn't much painting during those years.
When I'm hard at work, when I'm deep in it, there is no other feeling. For me, my work is at all times building a nation out of thin air. It is manning the troops. It is painting a canvas. It is hitting every high note. It is running a marathon. It is being Beyonce. And it is all of those things at the same time.
You know, when I was younger I was into all kinds of art - drawing, painting, all that stuff. But I played drums, played piano forever.
I've always been a creative person, and I'd always wanted to paint, so I went to art school and began painting and sculpting.
The detail adds an element of unexpected something. All fiction is false; what makes it convincing is that it runs alongside the truth. The real world has lots of incidental details, so a painting also has to have that element of imperfection and irregularity, those incidental details.
Illustrating is more about communicating specific ideas to a reader. Painting is more like pure science, more about the act of painting.
For me, acting is about the art of it and it's about being on a film set and doing your thing, painting a blank canvas.
In the end, the gesture of painting becomes almost meditative, like a ritual.
My whole purpose of taking on miniature painting was to break the tradition, to experiment with it, to find new ways of making meaning, to question the relevance of it.
It's the idea of a multi-sensory experience stemming from music that opened my interest into painting, to be honest.
I was always artistic - right from childhood - but my love of painting came a bit later. It followed my love of music.
Painting is profoundly emotional. When I finish a painting, I'm usually extremely sad.
Photography is about finding things. And painting is different - it's about making something.
As a teenager, I was really interested in drama and art. I did painting and drawing. I did some acting and loved theater.
The day the producers aren't minting money, or the fans are done with me and, most of all, I as a person get bored of acting, I will stop and pursue my other interests. There is a lot to do: painting, writing, direction.
When children draw or do rudimentary painting, the whole human being develops an interest in what is being done. This is why we should allow writing to develop from drawing.
Because fashion essentially is art, and as an artist and someone who is also a musician and an artist in regards to drawing and painting, anything I can do that expresses my feelings is something I'm really drawn to.
Pop Art looks out into the world. It doesn't look like a painting of something, it looks like the thing itself.
But when I worked on a painting I would do it from a drawing but I would put certain things I was fairly sure I wanted in the painting, and then collage on the painting with printed dots or painted paper or something before I really committed it.
I kind of do the drawing with the painting in mind, but it's very hard to guess at a size or a color and all the colors around it and what it will really look like.
Yes, you know sometimes, we started out thinking out how strange our painting was next to normal painting, which was anything expressionist. You forget that this has been thirty five years now and people don't look at it as if it were some kind of oddity.
When I have used cartoon images, I've used them ironically to raise the question, 'Why would anyone want to do this with modern painting?'
Everybody has called Pop Art 'American' painting, but it's actually industrial painting.
When I started to do these Pop paintings seriously, I used all these other paintings - the abstract ones - as mats. I was painting in the bedroom, and I put them on the floor so I wouldn't get paint on the floor. They got destroyed.
Making something good and saying something brilliant are not two things. When you make your own statement, there is a higher energy level, and you do better painting.
Whatever you are making, whether it's a song, an album, a painting, a film, you're connecting with a tradition, and I do feel connected to New York music.
I see my studio like a laboratory, where I work like an investigator - it's almost forensic. I love the discovery process in painting.
I am like a security camera ever on the watch. The furtive quality of vision feels to me like an incredibly valuable weapon. Everything I see gets transformed into a private sketch or painting in my mind, stored away for future reference, future evidence, future ammunition.
Being in the studio is like painting, you know, you can really take your time, and try different things, and kind of go deep into it.
I much prefer playing the bad guys. I think they are always the most interesting characters. I liken it to painting: if you're playing the good guy, you get three colors: red, white and blue. But if you're the bad guy, you get the whole palette.
I'd always loved writing, in the same way that I'd loved painting. I wouldn't have seen it as a career.
Well, I've been painting for years. I just started doing a lot more in the last couple.
I wasn't artistic in drawing or painting, but I think I am artistic in sport. I think I'm always looking for the ultimate, the maximum. It's a challenge that excites me.
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