Painting Quotes
Most Famous Painting Quotes of All Time!
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At Sarah Lawrence, I realized that everybody was already what they were going to be. The painters were painting, the writers writing, the dancers dancing. And nobody wore any makeup. The art was uppermost.
I won a competition in primary school for my painting of Nottingham's Goose Fair; it was a riot of colour with glitter and sequins.
My husband and I went to Japan for our honeymoon, and you look at, like, the presentation of the food, and it's ridiculous. It looks like a Mondrian painting or something. Everything looks like a bunch of little Hello Kitty erasers when you eat a little bento box in Japan. It's so precise and beautiful and processed and neat.
I hope to be painting more and travelling. Maybe fall in love. Have a dog one day. You know, all the good things.
It's Frank's painting on the cover. We were originally going to use a Salvador Dali painting that we got permission from Salvador Dali to use, and Frank found this one, and it really did fit the music much more.
I was dishwasher, then promoted to chef in a local kitchen in a restaurant in Seattle, and I was working on a building site as well, putting in insulation and painting houses, and then doing some classes at a community college nearby.
Any promising young white man rich enough to theoretically afford a giant oil painting of himself gets to remain young and innocent forever, and none of his actions have any consequences, whether there is magic involved or not.
I've certainly always had a very high regard for Botswana and so I paint a very good picture of the country and I've never pretended to be painting an entirely realistic picture.
I enjoyed art in school. I've always done little drawings and stuff like that. I don't really know what I'm doing with the painting, but I experiment.
I think that there is not really a difference between a 'Peanuts' and a beautiful Renaissance painting. There is something very romantic in the 'Peanuts' - it's at the same level of a novel or a Jane Austen story or a beautiful embroidered rose fabric. It is a piece of romanticism.
And since geometry is the right foundation of all painting, I have decided to teach its rudiments and principles to all youngsters eager for art.
Egon Schiele is my favorite painter. There's just something about art - photography, painting, music, plays - whatever you see, sometimes there's a gut reaction that's more important or more visceral than what your brain is thinking about. You can't explain that reaction. It's like what happens when you fall in love.
I started playing piano when I was 6. And I knew that wanted to be involved in that form of expression, whether it was through music, or acting, or dancing, or painting, or writing.
I had an artistic streak and was good at painting and drawing and also very good at English, but I did want to be a scientist. The education system means you have to choose physics or Shakespeare. It can't be both.
I wanted to study painting and become a painter, but I had a huge flip-over in my life when I was about 18 or 19. I was part of a criminal environment; I got arrested and convicted, and I had to start thinking in a new way.
It is no use painting the foot of the tree white, the strength of the bark cries out from beneath the paint.
Ah, lives of men! When prosperous they glitter - Like a fair picture; when misfortune comes - A wet sponge at one blow has blurred the painting.
Really, my biggest risk was just the initial step to quit my day job to do music. I was packaging and shipping for an art gallery in Manhattan; I went to school for painting, so I always wanted to work around artwork, even though I wasn't really contributing anything to the scene.
People who look at my painting say that it makes them happy, like the feeling when you wake up in the morning. And happiness is the goal, isn't it?
You can't make a perfect painting. We can see perfection in our minds. But we can't make a perfect painting.
Painting, music, photography, and visual art have been creative forms of expression for me for decades.
I've been painting and drawing fish since I was very young. My mom found old pictures I did when I was around 6 or 7 of all these sharks and scuba diver looking back, a big ship, throwing a harpoon. There was already a message within what I saw.
Even if you can't afford to buy a painting, you can experience it. You can go see the Mona Lisa and be transported. You can see the discipline and suffering in a van Gogh.
When I work, I'm thinking in terms of purely visual effects and relations, and any verbal equivalent is something that comes afterwards. But it's inconceivable to me that I could experience things and not have them enter into my painting.
I've been honestly sitting in the living room every day doing little DIY projects. Painting and making stuff and all that stuff. That's been kind of cool. I got to find out I apparently have a passion for that.
I taught a lot of art history, especially Chinese, Japanese, and Indian. But the painting classes came back. The nudes came back. Not so much the still lifes. So now our department is the worst department, partly because it has the worst facilities.
If some student came up and wanted to know where to study painting, you'd want to suggest someplace, but there's no place. I wouldn't know where to send a student to study.
Sometimes you've got to tip your cap when they're painting stuff on the corner. But you can't give up, got to keep battling and make some adjustments.
You learn different things through fiction. Historians are always making a plot about how certain things came to happen. Whereas a novelist looks at tiny little things and builds up a sort of map, like a painting, so that you see the shapes of things.
I like to write about painting because I think visually. I see my writing as blocks of color before it forms itself. I think I also care about painting because I'm not musical. Painting to me is not a metaphor for writing, but something people do that can never be reduced to words.
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