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Alessandro Michele Quotes

Most Famous Alessandro Michele Quotes of All Time!

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I'm obsessed with trompe l'oeil - the idea of something that is existing and is not existing.

I become mad when I work. It's like a fever that grows; I don't need to choose just one thing.

Creativity is not about the fame.

The idea that I'm 45 doesn't mean that I have no creativity. I'm like a student: it's the same - it's not a war!

My idea for Gucci was crazy, but that's the only idea I had. I was sure I'd be fired after the first show.

I just try to see what happens when you put your feet on the accelerator.

You have to be open to dreaming. It's a complicated language, but I'm obsessed with it.

Fashion is not about product; it's about an interesting idea that you can't resist buying into.

I'm a collector of everything.

I love taking prints, embroidery, appliques - precious things that seem to be from another time - and using them to create a contemporary, new story.

The only urgency I feel is to keep on, at a slow pace, with my journey.

Luxury means that you show the way you dress with eccentricity.

I've always been intrigued and fascinated by Gaga. She is a chameleon; she has the capability to fully express her individuality and her eclectic personality by simply being herself.

Fashion should be genderless; how people perceive the idea of beauty can vary from one to another.

In fashion, people are very focused on the future, but I really love to talk about the present.

The future is not so interesting for me because the future doesn't exist. I am really focused on the contemporary.

I love to mix everything together. It's really my way to see beauty.

I think if you work with different kinds of codes, attitudes, in the end you have a language. It's like within a person. You are not always the same.

We live in a world that is full of product. We have too much.

If you have rules, you let creativity sleep.

I love to give voice to things that are not very visible.

In L.A., I feel God more than I do in a church.

The obsession that you have to manage everything - it's really bad.

I hate to plan my life.

There should be no boundaries, no hierarchy, no violence. Men and women are equal.

It has been a marvellous experience and a great gift collaborating with Madonna. Now that I have had the chance to see her working, I truly understand why she is so grand! I believe she is a true artist, and I am crazy about her.

The fragments for the past, for me, are not without life.

Your memory is not my memory.

I am always connected with the Renaissance a lot; that's why I am connected with Pitti Palace.

I adore pink; it's very powerful. It makes you feel sweet and sexy, also if you are a man.

I adore the classical pieces of our culture. The Greek and Roman are still inside and everywhere; it's impossible to disconnect.

The very beginning of European aesthetics started from Florence. Everything here was beauty, money, and creativity, the power of the good money.

I love to come to L.A. because it's one of the most inspiring places because there are no rules.

Here in L.A., people really open their houses in an easy way, nothing too complicated. You can go in your flip-flops.

Snoopy was a philosopher in a way.

The only dream I have in my life is to be a little piece of my dad, because he was really happy.

This is the power of fashion: the capability of allowing people to express themselves.

It seems only natural to me to present my men's and women's collections together.

I love the English aesthetic; in a way, I feel it is close to my own, a beautiful chaos; it is a powerful mix of the past and the present.

The way you dress is an expression of your personality.

I'm not conscious of being a revolutionary. This is my life, looking through my glasses at my little world, but this world seems to be full of people who understand it.

I think a lot of people feel that they want something softer. Things are changing. It's about individuality, and in a way, it's romantic.

Westminster is a piece of this city's energy, something the contemporary world has forgotten.

I have a big passion for flowers and nature.

Trees and flowers are so important. The idea of blooming is the idea of becoming something different.

I always explain through images and characters what fashion means, and describing scent is almost the same. It can be very powerful. It can really change the perspective a person has of you.

I usually talk about clothes in terms of a story rather than a colour.

I've been an avid collector since I was a child.

The idea that a man should be wearing something different and more eccentric is obviously the oldest idea on earth.

I really don't consider Kim Kardashian sexy. She's like one of those primordial sculptures of fertility, like the Venus of Willendorf.

Some women are forced by men to look a certain way to be accepted by the general public, and I find that terrible.

I have the soul of a director.

I love just a stage.

For me, my way to think about everything in fashion is a very baroque way.

Clothes are endless possibilities for meaning because with every change or different association, you are a different person.

I am brazen. For me, creating means regurgitating, distorting, and assembling everything that has passed through me and continues to do so.

For me, reworking the past over and over again is a way not to trivialise the garments and not to obsess over hem lengths. What I am interested in, as a matter of fact, is telling a story and, if someone sees fragments of other stories in it, be my guest. I don't have to justify myself. What is urgent for me is what I want to say.

I grew up with a father who didn't wear a watch, and this has permanently marked my relationship with time.

I think we need to dream.

The way you dress is really the way you feel, the way you live, what you read, your choices. That's what I want to put into Gucci.

My apartment is full of antique pieces, but I put everything together like a modern installation.

I love couture, but the other side of me loves the street, and I think the mix of these two can create something new.

Beauty has no boundaries, no rules, no colors. Beauty is like a religion. You can include everything inside it.

To be against something or someone, it's a dangerous thing.

I'm very curious. I feel more comfortable surrounded by people not like me.

The more you are different, the more interesting. The more you are not like me, the more I want to get to know more about you.

There is something in Shanghai that is very exciting and alive - the idea of a city with two different souls, one from today and another from a long time ago, is amazing.

My mum was obsessed with dress... so, in my house, there was always the obsession about aesthetics. She was obsessed with the idea that a beautiful movie is the one where you're so involved you won't go to the toilet during it, or you'll fall asleep with your make-up on after.

There is something special about the beauty in the unclear, the ambiguity, the in-between that you can't totally recognise.

The idea of my fashion shows is that you can't understand where you are; it's something surreal.

Fashion is the most beautiful illusion you can have.

I think that there is not really a difference between a 'Peanuts' and a beautiful Renaissance painting. There is something very romantic in the 'Peanuts' - it's at the same level of a novel or a Jane Austen story or a beautiful embroidered rose fabric. It is a piece of romanticism.

I had two different kind of parents. My mother was obsessive with movie stars and cinema and Hollywood because she worked in movies. And my father was obsessed with beauty everywhere - in art, in nature, animals.

My life - it's a piece of work. And my work is a piece of life.

I think that fashion, for a long time, has been in a prison. Without freedom. I think that without freedom, with rules, it's impossible to create a new story.

For me, nothing is old. I don't know why. If a dress is beautiful, and it's very personal, I think it can live forever.

Sometimes when people talk about me in fashion, I feel - I don't want to say uncomfortable, but I still don't believe that I'm in 'fashion.'

My father was a shaman. He told me that time doesn't exist. He didn't use a clock. He didn't know when my birthday was.

I am obsessed with fashion, like my mother, and I am obsessed with art, like my father.

I have something inside of me that every day tells me that nature and beauty is the soul, the meaning, of our life. And I also love Hollywood and cinema.

I don't have a problem to say I am a good merchandiser, because I love objects.

I spend a lot of time in Paris, in Milan, and in New York, and Rome is a little bit different. There is something in Rome, incredible, like in a Fellini movie. Everybody's screaming and laughing very loud. It's something that can give me more energy in terms of freedom.

My way to think about creation is like the end of the world. I love confusion. So music and image, picture, fabrics, people, person, talk: That's my way to work. And food. And perfumes. I love perfumes. And flowers and plants, and dresses and vintage.

I always lose every single pencil I ever had. So I can draw with everything. With pencil, with pen.

I am a collector of jewels, old jewels.

I understand that people want to see just the posh side of fashion, but fashion is a lot of work.

When I started to work at Gucci, I tried literally to destroy everything.

I never wanted to be a creative director.

For me, fashion is something that makes you feel alive, that expresses something of you: if you are sad, if you are happy.

I have a lot of suits, but I'm not the kind of person who looks good in a suit. Suits are too serious for me. They are better if you can break the rules, so that's why I always try to add something crazy to them.

All of us, we are not one thing: we're always between two worlds, and the idea of not being sure is very appealing to me.

I'm not scared of beauty, but if you fall in love with a beautiful man, it's not easy. It's easier to be in love with an ugly man. Beauty has a kind of power.

With a brand like Gucci, you have to give something that belongs to beautiful Italian culture in terms of craftsmanship and materials.

Vintage is my vocabulary... like the notes of a musician.

I never want to go out wearing something sad.

Gender and sex are about rules which we have invented, but we are animals; we belong to nature.

I don't feel the pressure of the market - otherwise, I wouldn't be able to work.

I like it when I see people dressed on the street, and it looks like Gucci, but it's not. It means you are doing something right.

I feel happy when I work. I don't care if tomorrow I will be fired.

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