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A general charge of crony capitalism is easy to make. But dividing the 'bad' crony capitalists from the 'good' innovative entrepreneurs is much harder to do. And sorting them out without creating a new group of crony capitalists may be the hardest thing of all.
When I came to the Senate in 1997, the world was being redefined by forces no single country controlled or understood. The implosion of the Soviet Union and a historic diffusion of economic and geopolitical power created new influences and established new global power centers - and new threats.
There aren't many sites like 4chan where you can pop in every hour and see all new stuff.
Horror films are the ones that pay the bills, and historically, they have shown that they are good investments. They helped Universal survive with that initial splash of horror films in the 1930s and '40s. And horror films kept New Line alive with the 'A Nightmare on Elm Street' series.
A child's appetite for new toys appeal to the desire for ownership and appropriation: the appeal of toys comes to lie not in their use but in their status as possessions.
Adherents of the new religious right reject the separation of politics and religion, but they bring no spiritual insights to politics.
In our society, daily experience teaches the individual to want and need a never-ending supply of new toys and drugs.
Liberals subscribe to the new flexible, pluralistic definition of the family; their defense of families carries no conviction.
Make it new is the message not just of modern art but of modern consumerism, of which modern art is largely a mirror image.
Progressive rhetoric has the effect of concealing social crisis and moral breakdown by presenting them as the birth pangs of a new order.
The left dismisses talk about the collapse of family life and talks instead about the emergence of the growing new diversity of family types.
The news appeals to the same jaded appetite that makes a child tire of a toy as soon as it becomes familiar and demand a new one in its place.
A whole new career opened up for me when I was in 'Lord Of The Rings' and 'Star Wars.'
I was already committed to a play back in New York about Hans Christian Andersen, where Colleen Dewhurst was going to play my mother. I was excited about that, and I got this script called 'Back to the Future,' and I thumbed through it. Didn't pay a hell of a lot of attention.
The time and preparation before a play is something I really value, and it's something I learned in New York.
I'm persistent. In the early '60s, when I first started making the rounds in New York for theater work, I became more and more enraged every time I had an interview or audition that went nowhere, and became more determined. I haven't lost that.
In New York theater, you always talk about wanting a great ensemble of actors.
I had kind of an attitude, which was not uncommon in New York. Theater people who went to Hollywood to do sitcoms were selling out. That was the attitude. And I didn't really relish the idea of being cast in a sitcom, because I shared that attitude.
I wanted to do film. I was living in New York and working in theater, but I always wanted to do film.
I don't think I would want to do an animated movie because I've already made so many hours of animation that what's the point? I'd want something new and weird to challenge me in a different way.
I'm lucky enough to say my day job is acting. I cut my teeth as a theater actor and playwright in New York.
One of the first times I came to New York was for a modeling and talent competition, IMTA, which I won. I came with a group, like a modeling school from Fresno.
I was an extra on 'New York Undercover.' I played a person at a homeless shelter.
But now, today, we don't know if Over the River is truly the next project to be realized, because something very nice happened to our life in November in New York.
Therefore we have to go over the fact that all human beings are afraid by what is new. It is our work to convince them that they will enjoy it, and even if they don't, to allow us just for 14 days to create that work of art.
Therefore, when we arrive in a place and talk to new people about a new image, it is very hard for them to visualize it. That's where the drawings are very important, because at least we can show a projection of what we believe it will look like.
I take praise as not just a reward and a result but also as the beginning of a new process.
When a new book comes out or becomes accessible in whatever form, I get it and I read it.
I know from my experience in theater that the crowd is different every night; the reactions, the tension. But it's true for film as well, going from country to country and culture to culture. The difference between California and New York responses, for example. It's really fascinating.
Once I realized I wanted live in New York, I saved enough money that I wouldn't have to get a job right away. That was important to me, to focus on acting; I didn't want to come here and just fall into the mix.
A new idea is like carbonated liquid in a bottle. You just sort of shake it until the cork pops, then you write and write.
I propose to construct a new chart for navigating, on which I shall delineate all the sea and lands of the Ocean in their proper positions under their bearings; and further, I propose to prepare a book, and to put down all as it were in a picture, by latitude from the equator, and western longitude.
American literature has never been content to be just one among the many literatures of the Western World. It has always aspired to be the literature not only of a new continent but of a New World.
And so, today, if the state can no longer appeal to the old moral principles that belong to the Christian tradition, it will be forced to create a new official faith and new moral principles which will be binding on its citizens.
I will never be able to create a budget from scratch with the amount of time that I have, but my instructions remain the same: Give me a budget that has no new revenue.
Like most New Yorkers I was shell-shocked immediately after 9/11 and couldn't put into words what I was feeling.
So I'm working on another historical novel. This one's a Franco-New Zealand novel, and it takes place at the time of the Rainbow Warrior bombing in New Zealand.
I'm rather old-fashioned about this video business. It's all relatively new. We really don't do videos, Fleetwood Mac. We've only done two.
I think it's really important to realize that small businesses are often the portal for immigrants into the New York City economy. I think we have something like 40,000 small businesses that are immigrant-run in New York.
Am I pushy? Yep. Do I like taking 'no' for an answer when 'no' means New Yorkers aren't going to get something they need? No. Do I push back and crack some eggs? Absolutely.
I'm going to do whatever I have to do to help a New Yorker, whether it's a girl on the street or a tenant in a housing development.
New Yorkers have real issues, and they deserve to have a mayor that is prepared to work with them to solve the challenges they have, reduce the problems that they have, and they deserve to have a mayor's race that is focused on them.
Chick-fil-A is not welcome in New York City as long as the company's president continues to uphold and promote his discriminatory views.
I think it's really important to realize that small businesses are often the portal for immigrants into the New York City economy.
I've already begun to put pilot programs in place that give CUNY grads opportunities to get good tech jobs. We should expand on that so that New Yorkers are getting those jobs, because those jobs are probably one of the biggest 21st Century pathways into the middle class.
Anybody that I can work with that will help improve the lives of New Yorkers, I will work with that person.
I have big emotions, and I care deeply about delivering for New Yorkers, and sometimes that means you got to push things forward - and I think New Yorkers know that.
I'm tough, and you know what? New Yorkers deserve that. They work head, they fight it out, they slug it out. And they deserve a mayor or a speaker who's going to do the same.
I'm just not gonna let up until I know I've done absolutely everything I can for New Yorkers.
I know New Yorkers are gonna vote for a candidate - me - who has the longest record of delivering for them. They want a mayor who can deliver for them. And I'm the only one - I don't care who gets in - who has that record.
It would be thrilling, obviously, to be able to have a woman and an openly LGBT person as the mayor of New York City.
It's not like I had big dreams to go to California and become an actor. I loved doing my shows at school and community theater, and I probably would have settled in New York because it was closer. I was going to go to NYU.
We have a new puppy and that's enough! Two babies and three dogs is enough.
As the former administrator of the Environmental Protection Agency and former governor of New Jersey, I have witnessed the impact of climate change firsthand.
I mostly read online - tech/VC blogs. I also enjoy the 'NY Times', 'Atlantic', 'New Yorker'.
I wasn't one to go out and buy a new car and stereo system and expensive clothes. My mom helped keep me grounded.
When I start a new novel and find myself diverted by domestic activities, many of which I genuinely enjoy, I panic that I will never write another word.
For more than a century, New York City has been home to a constellation of department stores whose openings, closings, and transformations have charted the fortunes and foibles of the city itself.
When I dine with CEOs at Michael's in New York or Spago in L.A., we score the best tables. On my own, I wind up seated near the kitchen doors.
Los Angeles traffic is just the worst thing in the world. It throws off timing so much. However, it's always warm and sunny. New Jersey has absolutely terrible weather, but the environment is really homey and chill.
New Orleans is a place where people are deliberately undereducated so that they can be a labour class - the economy there is tourism, and one of the only outlets that black males have traditionally been allowed is to play jazz music, y'know?
I live in New York, but I'm gone 310, 320 days a year. My apartment is storage.
The one thing that I've learned is that people don't change. Each new generation has the same stuff that the last one did. It's one of those things where jazz kind of works in five-year cycles.
That's how I started. I moved to New York City, and I was a makeup artist.
I'm just excited for the fresh start and the new opportunity and to be a part of the Brewers.
In emerging democracies like Russia, in authoritarian states like Iran or even Yugoslavia, journalists play a vital role in civil society. In fact, they form the very basis of those new democracies and civil societies.
We're the generation that says 60 is the new 30. We don't let the numbers shape us; we're reshaping the numbers.
I think of Chicago as a great entrepreneur city, a city that supports its own, that isn't as jaded as New York and L.A.
In my downtime, I love eating. It's pretty much my favorite hobby. Discovering new restaurants and revisiting consistent favorites is one of my top things to do when not filming.
To be given the opportunity to help shape new artists' careers and mentor them to see their dreams come to fruition is a task I welcome with open arms.
Upon the union of the male germ cell with the female egg cell, a new cell is created which almost immediately splits into two parts. One of these grows rapidly, creating the human body of the individual with all its organs, and dies only with the individual.
The free trade movement in the middle of the last century represents the first conscious recognition of these new circumstances and of the necessity to adapt to them.
I'm working on my final ball, my precision in front of goal, my one-on-one attacking ability, just new ways to beat defenders and help my team.
Our investigations were very fruitful. They led to the discovery of a new cell part, the lysosome, which received its name in 1955, and later of yet another organelle, the peroxisome.
I play rec softball sort of religiously. I'm a huge baseball fan. When I lived in New York City, I'd go to a Yankees game every week.
If I wasn't making a movie, I was trying to master a new musical instrument or trying to teach myself how to shave with a straight razor. I had to find the weirdest things just to increase my understanding of other cultures or other arts or intellectual pursuits.
It wasn't until 2013 that I even started working in film. It was always something I wanted to do from six, but I didn't know how to get there other than working really hard and going to New York and doing theater like I saw on the bios of some of my favorite actors.
Finding new books to read and relaxing is what I enjoy when I do have some time to spend on my own.
In a film you only get two hours to do this big arc and so you have to pick and choose your moments carefully, but with television you get to take your time and just take it episode by episode and discover new things.
My grandfather left Cuba when Castro came into power and literally left everything. He had two suitcases and two kids and showed up in New Jersey and waited for my uncle to meet up with him. Imagine - there were no cell phones back then!
I don't feel the need to have to break out of anything or prove that I'm 'edgy.' Been there, done that mentality. I'm just ready to tackle on new projects that are challenging and help me continue to grow as an artist.
I tweet from bed. I love it because it's so quick. And it's funny. But it also leaves a lot of room for error because new people don't sense the sarcasm - there's no sarcasm font.
It's not the Olympics. It's Concord, New Hampshire, and a homecoming should reflect the community I'm part of.
How many new rock stars have come around that have anything to say at all? Guys where you even want to know what they're thinking? Are they thinking? Where did it go astray?
Jokes rot. They're not like songs. I always envy singers - Sting is always going to sing 'Roxanne'. But people want to hear new jokes. I've written jokes as good as 'Roxanne', I believe. But I can't tell them again.
I'm severely overrated. I'm just above a hack. That should be the name of my new DVD: 'Chris Rock: Slightly Above Hack'.
In a way, that's always been Yes' history to a large extent! Quite a few occasions when we've had a new band member or change in members, then we've done a new album with new chops and refreshed the musical approach.
The way Yes works is when we have a new member come in, as in Jon Davison, it's appropriate that we see what differences we can get out of a new contributing member in order to keep Yes interesting.
I've always been a great believer that you have to keep producing new things in order to keep life interesting - not only for ourselves, but for the audience as well. That's really always been our principle and way of working.
Usually, when we go out, it's because we made a new studio album, and that becomes the focus of the tour throughout the world for a year or so.
There's been talk of YES possibly doing something on Broadway in New York. People have approached me with that idea, and there are discussions about that.
Rick Wakeman and Jon Anderson have rejoined and gone off again and rejoined, but I've been there the whole time, and even though Alan White is the 'new' drummer, he has been there since 1972, so he also deserves the credit for being around for 20 years.
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