Myself Quotes
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I'd never watch a horror film, but after I found out I was going to be in one, I watched, like, four of them, including The Shining, I was terrified - I couldn't sleep for days. But I wanted to get myself used to things I was going to see on the set.
I knew that if-God forbid-anything ever happened in my life, I needed to know how to take care of myself.
I wasn't a woman who stayed tiny like I thought I would. I definitely gave myself the freedom to eat what I wanted.
What is it about the blank page that makes me want to hurl myself into a game of solitaire? I ask myself these kinds of questions while I'm playing solitaire.
I'm always trying to convince myself there's something important about what I do. But some peoples' lives are really altered by a night at the theater.
Somewhere during the 'Next to Normal' Broadway run, I found myself learning more about myself onstage than in real life, and I truly realized the beautiful, tremendous, extraordinary gift that is performing.
I distanced myself, relatively, from my parents for a year or so in my late twenties. It was necessary for me to feel my autonomy. Other than that brief gap, we have always been a very close family.
For many years, taking care of myself consisted of showering and showing up to work on time. Sleeping and eating were inconveniences at best.
Most times, at the movies, my stress levels are ratcheted up so high that I can barely sit through the full production without excusing myself, clutching people next to me or crawling out of my seat, incapacitated by the unknown.
The more films and TV shows I spoil for myself, the more I am convinced that truly interesting stories can't be ruined - the plot thickens with the viewing like a rich sauce.
'Drag Race' has taught me a lot about how to form community, to take myself less seriously and lose some ego.
I had no choice but to work hard. I was a straight-A student, went to college, and I loved business. I never thought I was going to be a singer myself.
I'm just being myself. To me, that people are interested in Jenni, not necessarily the artist, but the woman... it amazes me still.
I had no choice but to work hard. I was a straight-A student, went to college, and I loved business. I never thought I was going to be a singer myself. It came accidentally.
I try to not be too hard on myself regarding my diet. I've always been a workout-to-eat kind of a girl.
I have to pick myself up every day and say, 'The show must go on,' meaning life as I know it must go on, whatever the obstacle is, I know I can handle it, and I can get through it.
I'm just taking care of myself: Eating less, exercising more, drinking a lot of coconut water.
My goal was simply to be a working actress. I never imagined myself on Broadway.
My goal is to be able to provide for myself and not have to worry about the daily expenses. I do want to be able to benefit from my work and make a good living, but I love it so much that I would do it for free.
Twitter and Facebook are such amazing networks for me to introduce myself to the world and for fans around the world to introduce themselves to me.
I'm not the kind of person who sits off by myself and ignores everyone. I like to be happy!
I don't think of myself as a policy expert. I think education is the most important thing.
I realized that if you try to be the perfect mom, perfect wife, perfect actress, you start to feel overwhelmed. You shut down. I got that really fast... I was running back and forth from breast-feeding to filming a scene, overextending myself on every level. I realized I have to make priorities, and my family is number one no matter what.
You have to be fulfilled in order for everyone else to be fulfilled. I'm a way happier, more pleasant person to be around when I take time for myself.
It was the most pleasurable thing I've ever done, playing this character, and I just remember feeling so at home and so - I don't know, I was just happy - and it just wasn't ever work! It was like a sandbox for me, and I would crack myself up rehearsing.
When I'm writing my blog, I think of myself at 13 years old, back in St. Louis, daydreaming about Hollywood.
I think that there is a tragic misfit at the core of me, and I've just done a lot of work on myself. I love a good self-help book; I've read a ton of them. I love self-help seminars and therapy and all that.
Life is a balance, and as much effort as I put into my fitness journey, I needed to put into my own mind journey, my brain is just as important, and loving myself is just as important as loving my body.
I think the dance world is really hard, we put a lot of pressure on ourselves to look a certain way, and so that was a battle that I had to figure out for myself.
I was constantly comparing myself to others in my workplace, others in life, others on social media, and I was so focused on others that I fell out of touch with myself.
I had a hard time admitting to myself that I was addicted to sweets. Once I finally realized that was my vice, I completely cut it out for 30 days to try and clean myself of all processed sugar. After that, I slowly incorporated moderate amounts of sugar into my everyday lifestyle.
Working out early in the morning is a form of meditation for me. It's practically the only hour to myself and I get to shut off and just sweat it all out.
What I get to do is have fun in my house, by myself, and put it on the Internet.
I actually like, love, and respect myself, and I try not to take anything too seriously.
I never pictured myself as a telenovela galan - never imagined I'd be in a soap opera.
My job is to help the functioning of the story, not to draw attention to myself, but to make my characters function within the story, to work for the benefit of the story, to make the whole thing work.
If I were to describe myself as any particular type of owner, it would be a fans' owner because you really get great satisfaction when you can go out on the streets and scream you're No. 1 and you're world champions.
In all the time I was with L.T.D., I was never allowed to do an interview by myself. I wasn't even allowed to talk on stage between songs. I couldn't get a publishing agreement or a production deal because everyone had their own little role to play in the group... and the money, well, anything split 10 ways can't be much.
I've always been active in working out and taking care of myself. I've been running two miles a day since I was 18.
I've never actually participated in role-playing games myself, except on one occasion when a coworker of mine came to my house and introduced my two brothers and me to a single game of 'Dungeons & Dragons.'
I learnt a lot about myself, I learnt a lot about other people and the problems they have. If I was lucky enough to live to a hundred, how I will feel about two per cent of my life being that way, I don't know.
At 21 years old, I found myself in Vancouver, and that's where I got the part for my first movie. I was sitting in a restaurant, and the director came up to me and asked me to read for his film. I really took it with a grain of salt. It was the creepiest casting situation, probably. It turned out that it wasn't.
I am an 'other.' As a queer, biracial man who occupies and embodies many different intersections of 'otherness,' I've spent my entire life seeking reflections of myself in the world around me to connect and relate to.
People often ask me why I choose to primarily play queer characters, and my answer is that as a queer man, I choose to align myself with projects in which I can be of service for a purpose greater than myself: to be for an audience of queer people of color, something I didn't have the privilege of seeing as a young man.
Coming of age as a young queer man of color, it was a rarity to see any reflections of myself portrayed in mainstream media. Turning on the television or going to the movies was an escape into the imagination, yet it did not allow me a place of true connection to what I was viewing on the screen in front of me.
Each time I turn on my own television screen and see reflections of myself in other courageous young LGBTQ-identifying actors and artists, I know that the dream is expanding. That would not be possible without LGBTQ Pride. Celebrate yourself, and the world will catch up.
My books should feel like you're getting a peek into a private world: a diary no one was meant to read. As soon as I start thinking, 'This book is going to be published,' my drawing becomes calculated and deliberate. It's one of the ways I trick myself.
Alan Moore's first choice to be the Comedian... was Burt Reynolds. But I never saw myself as Burt Reynolds; I saw myself as Edward Blake.
When I wrote The Virgin Suicides, I gave myself very strict rules about the narrative voice: the boys would only be able to report what they had seen or found or what had been told to them.
That's the way I will write characters, put a fair amount of myself in them, and then everyone else who was like that person, I will pick and choose.
What I do when I create a character is put in details from all the people I know who might be like that person, and then put in a huge amount of myself.
I'm not really an autobiographical writer, though I use lots of stuff from my life to make my stories seem real. But when I actually write about myself, I get very confused.
I consider myself a frequent flyer, flying roughly 200 times a year on mostly mainstream airlines.
Even when I don't think I'm writing, I'm writing. There's some part of my brain geared toward making songs up, and I know it's collecting things and I know when I get a moment to be by myself, that's when they come out.
I have always thought it was important to maintain some connection for myself to what it takes to make a song work by myself, to put a song across to an audience by myself.
The music I listen to while writing is really scene-specific. It's just a great motivator, a way to put myself in the mood.
There was a lot of playing by myself, wearing last year's Halloween costume and wandering around the yard talking to myself - which may account for my fondness for doing different voices.
I used to be really shy, and I think something happened in my brain where I was like, 'All right, I don't care anymore. I'm just going to be myself.' So I went to school wearing eyeliner and eye shadow, and they called my mom, telling her it was a distraction. My mom fought the school, and I got to wear makeup every day.
Some people, like myself, rock colored contacts, crazy hair, and black all year round.
I started in comics in 2005, ten years ago, and at that time, I didn't have a cell phone. I don't even think I had a computer myself, you know. And just in those ten years, how much technology has changed.
I have always been drawn to young characters and seeing big tapestries through the eyes of a child. It probably comes from being a father myself and having a young son and seeing the world through his eyes. I write stories that are sort of the exaggerated version of that.
At the end of the day I have to please myself. And I've made a record to please myself.
When you use the word 'filibuster,' most of us in America - and I count myself among them - envision it as the ability to hold the floor on rare occasions to speak at length and make your point emphatically and even delay progress by taking hours.
I think plot is very overrated. Plot is obviously necessary, but what I really care about is emotionally affecting the audience. Having a thought myself and then an emotional experience myself, somehow transferring that to the audience.
After immersing myself in the mysteries of the Electoral College for a novel I wrote in the '90s, I came away believing that the case for scrapping it is less obvious than I originally thought.
After my extended hiatus I found myself at the age of 36 and knew the TV route could get me back out there with the biggest splash.
I've had a record deal before and I was willing to do whatever they wanted me to do and I thought that would be it. By the end of it, you know, I hated myself.
Once I established myself doing crazy things and being extreme, people want to see it all the time.
My office doubles as a karaoke den for the neighborhood. There are strobe lights and Rock Band plastic guitars, a disco ball and a fog machine and some other things. I have a really long work day, and you might find me doing karaoke by myself late at night.
The intention that naturally exists: 'My intention is to get done with this commute.' So I've just doomed myself to an hour of discomfort, because my intention will not be met until I get out of the car.
If I physically made every work myself, I would get only one or two paintings done a year, if that.
I'm in deep in everything, every moment of the day. I create the systems and oversee every aspect of the execution. Every mark on a sculpture and every brush-stroke on a painting is in a controlled situation, exactly as they'd be if I'd have done them myself.
Every day I wake up and I really try to pinch myself to take advantage of today and to use that freedom of gesture to do what I really like to do.
When I was eight years old, I got a dummy for Christmas and started teaching myself. I got books and records and sat in front of the bathroom mirror, practising. I did my first show in the third grade and just kept going; there was no reason to quit.
When I was in third grade I taught myself ventriloquism... What's hard is to learn to be an entertainer and make people laugh. I was a few years out of college before I felt I had enough material. Then in 1988 I moved to L.A. and started to do some shows at comedy clubs.
I taught myself computer. Then Macintosh came along, and it became a really bad addiction. If I wasn't in show business, I'd have pocket protectors growing out of my chest. I do everything on it. It's kinda sick.
I am interested in all aspects of filmmaking, so I have an opinion on every aspect, so sound design, score, cinematography, editing - all that stuff I have experience doing myself, so I had a very strong idea of what I wanted, and I got, for the most part, people that were able to articulate that idea, which was nice.
I was a normal guy with a job at Costco, thinking about going back to school. I played sports; I hung out with my friends. I wanted to make something of myself, but I didn't know what.
I consider myself really lucky every single day. To the point where I feel guilty a lot because I have so much and so many other people don't have what I have.
I got myself into trouble. I was drinking and partying a lot and it caught up with me.
I don't drink and I don't party. And I take care of myself mentally, and that's huge.
I'm not committed to putting myself up for a blues guitarist, even though I love playing the blues.
When I came out of Stanford, I looked at my brilliant classmates, who were going into Wall Street high finance, Silicon Valley, advanced engineering, and I said to myself, 'Jeff, go into an industry where nobody can add.'
In my early shows, I wanted to put myself through a new childhood, disintegrating my whole identity to let the real one emerge.
So my mom really taught me to be fearless and I love her! She's just so much fun! She is completely the reason why I am a personality and a success to myself today.
I remember watching TV as a kid, and whenever there was some sort of jeopardy involving the hero, I could reassure myself that they were what I'd call a 'can't-die' character, so everything would be OK.
I honestly didn't always want kids - for a very long time, it just wasn't a path I saw myself on. I wasn't even sure I wanted to get married!
Farz' proved to be a flop for the first 10 weeks. I remember buying tickets worth Rs 5000 myself, just so the film would run in theatres longer. And in the 11th week the film miraculously picked up and ran for 50 weeks!
I gradually work myself into a frenzy as the shoot approaches, while we're choosing the costumes or working with the make-up artist. I'm not so much interested in my character as the film itself.
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