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Growing up doing those Kiwanis Clubs, doing those Cub Scout banquets, doing those church shows, I learned to find that sensibility that most people could laugh at - that all ages and demographics could laugh at.

I try to make the majority of my audience laugh. That's my audience. They'll laugh at the dead terrorist.

I had a happy, dramafree youth, growing up in an upper-middle-class neighborhood in Dallas, Texas. The only thing that was slightly unusual compared to most of my friends was that I was an only child... I don't think that's why my parents gave me a dummy, at least they've never copped to it.

My mother and my father have always supported me. Now in their eighties, they actually clamor onto the tour bus with me once or twice a year so they can watch the performances and hear the crowds. Traveling with eighty-something-year-olds on a tour bus... there has to be some sort of reality show in that.

But the mechanics of learning to 'throw your voice' are pretty simple. Anyone with a tongue, an upper palate, teeth, and a normal speaking voice can learn ventriloquism.

The only way a ventriloquist speaks differently is that he forgoes using his or her lips, and learns to reproduce sounds using the tongue, upper palate, and teeth only. Those 'difficult' letters are B, F, M, P, V, W, and Y.

A lot of my best stuff is just ad libs on stage, and that's one thing that I've gotten back to at the live show.

Family time was very difficult when my girls were little, but I never missed a birthday; I was there for every major event.

I try to make the majority of my audience laugh.

My goal in any show is to make people laugh. That's the No. 1 thing. Everything else pales in comparison to that.

There are not that many ventriloquists out there who build their own characters. I love that because they are uniquely mine.

I'm guilty of being fascinated by gadgets and toys and technology, but any penny that I spend, I try to make it be a part of what I do for a living. Because then you are forwarding. You are forwarding that art, forwarding that career ahead.

I think maybe one reason why ventriloquists are looked down on is because it's very difficult to be funny. I think what happens is that people get a dummy, they learn the technique of ventriloquism, they memorize the script, they think they're in show business.

I think there's a lot of, unfortunately, unfunny ventriloquists out there, so they've got a bad rap. It came after Edgar Bergen because everybody had a little cheeky boy dummy like Charlie McCarthy, and everybody decided to become a ventriloquist because Bergen had popularized it. He brought it back from the doldrums of vaudeville.

I'm a pretty good ventriloquist, but it's the entertainment value and the laughs that keep people sitting there and wanting more.

I'm not trying to teach anybody anything, I'm not trying to say anything, I have no political motive whatsoever. My motive is just the big laugh.

Growing up, I thought it would be great if I could do big theaters. Now we're doing arenas.

It's amazing how these little guys can say things that a mortal human could never get away with. There's some sort of unspoken license... when outlandish things come out of an inanimate object, somehow it equals humor.

My parents never discouraged me. There were a couple times when my dad criticized a couple things that I did, but it was nothing. So through the bad shows, I never wanted to quit.

All through college, I was searching for characters that would make me unique and set me apart from the typical ventriloquist with the typical dummy that was the little boy, cheeky hard figure like Charlie McCarthy.

I'm a Macintosh nut. I got my PowerBook, so if I'm not writing jokes, I'm working on that.

I taught myself computer. Then Macintosh came along, and it became a really bad addiction. If I wasn't in show business, I'd have pocket protectors growing out of my chest. I do everything on it. It's kinda sick.

Math? Forget about it. If I add four plus eight plus six, I have to count on my fingers. I guess I'm hooked up differently.

It's a survival thing. I don't do anything to be artistic or just because I like it.

I was a shy little kid, and getting up in front of people and making them laugh and being able to carry on a dialogue rather than a monologue was something that was pretty interesting to me because you could set yourself up - you could ask a question and then answer it.

I'll come up with an idea for a character, and I'll write some jokes and make sure that that character is going to have some legs to it - that it's really going to work. If I can come up with jokes and material that I think will work, then I make a cheap version of the doll. Achmed started out just being this little plastic toy from the store.

There's some sort of unspoken license... when outlandish things come out of an inanimate object, somehow it equals humor.

I've never been truly hammered... Never. Not even in college. I was too busy driving or flying away on weekends doing shows around Texas and the country.

I honestly go back and forth in my head about using advanced and innovative technologies for creating my characters. There's something more 'real' and charming when the characters aren't perfect. It's the difference between anything that's built by a computer and machine versus the same thing being made by hand.

The magic in performing as an entertaining ventriloquist happens when the characters come to life and the interaction between the separate personalities on stage becomes 'real.' Then don't forget that the act has to be funny, and to me, being funny and entertaining any given audience is more important than anything.

I think all the garbage in the world is thanks to a very small handful of idiots.

What I do for a living is whimsical and fun and ridiculous. I'm supposed to make people laugh. We all have that child in us. For many people, that child gets pushed into a corner. But if you want to be creative, that little kid can never go away.

I've skewered whites, blacks, Hispanics, Christians, Jews, Muslims, gays, straights, rednecks, addicts, the elderly, and my wife. As a standup comic, it is my job to make sure the majority of people laugh, and I believe that comedy is the last true form of free speech.

When I was eight years old, I got a dummy for Christmas and started teaching myself. I got books and records and sat in front of the bathroom mirror, practising. I did my first show in the third grade and just kept going; there was no reason to quit.

Up until college age I was using the typical little-boy dummy that sits on the knee and makes woodpecker jokes. My first original character didn't happen until later, and that was Jose the Jalapeno on a Stick.

In 1980, when I graduated from high school, my goal was to be on 'The Tonight Show' with Johnny Carson at least once before our ten-year class reunion. Our class reunion was in June of 1990, and I was on 'The Tonight Show' in April 1990, so I made it by a few months.

As humans we like to laugh at our fears, we like to whistle in the dark.

It's strange because even in the vaudeville days, ventriloquists were never the main attraction. They were the guys brought out to stand in front of the curtain while sets were being changed. Ventriloquism wasn't even celebrated as an art until Edgar Bergen came along in the 1930s.

A comedian needs to have his own filters, needs to know his audience, how far he can push things.

I've always said that instead of watching a guy juggle seven things amazingly I would rather see a really bad juggler who's really funny.

We just got a tour bus. I didn't know tour buses could be this nice. It's just me, Brian Haner the guitar guy, the tour manager and a writer. We laugh ourselves silly. Apparently we're going to have a road dog, a miniature pincher. It's the smallest they've ever seen. How masculine am I going to look, working with dolls and a miniature dog?

The best place to find material is in real life. I've always maintained that it's not until the mid-20s that you have enough of a life to draw from. There's nothing better for a comic than to go through some bad stuff - and some good stuff, like getting married.

When I was in third grade I taught myself ventriloquism... What's hard is to learn to be an entertainer and make people laugh. I was a few years out of college before I felt I had enough material. Then in 1988 I moved to L.A. and started to do some shows at comedy clubs.

Stand-up comedy is tough right now. Anybody can come to a concert, tape you, and put you up on the Internet. You either fight it or embrace it.

I'm a geek to the bone.

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