Myself Quotes
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I just kind of like to feel myself into stuff by writing scenes and seeing what characters end up saying.
What he showed me was not what I had to get, but what I already have. I am just myself, and who I am is a lot.
The stubbornness I had as a child has been transmitted into perseverance. I can let go but I don't give up. I don't beat myself up about negative things.
What I love about being an actress is being able to really look into myself and understand another human being.
I was given a mask of myself by Frances Barber when we opened 'Julius Caesar.' I looked much younger and prettier. Wearing it was certainly cheaper than Botox.
I get scared as crap to perform but I push myself to do it. I don't know what I would be doing without it.
Cooking, to me, it's kind of therapeutic. It's completely different from music as well. I'm not amazing at it, but I can cook myself a good meal. And I'm not just saying this, but anytime I'm on the bus or at home, I'm watching Food Network or cooking on TV just 'cause it's interesting to me.
When I finally discovered the 'Sports Illustrated' swimsuit issue, I browsed through archives and saw a picture of an incredibly stunning model, Damaris Lewis. Her images inspired me, and I imagined being in the magazine myself. Never in a million years did I dream it would actually happen.
You cannot determine someone's health by the BMI alone. There are many factors that contribute to the health on an individual. If we're going to start using BMI to police straight size models, what's next? The plus size industry? To be honest, if it was down to BMI alone, most plus size models - including myself - wouldn't be working.
I think the main thing which boygenius and I talk about ad nauseum, is that I feel like I just apologise for myself less.
I wouldn't want to even try to begin to describe our customer, as I think she likes a certain amount of anonymity. I try to offer clothes that allow that. I myself do not like being defined so readily, so I imagine that she is similar?
If I could change one thing about myself I'd be less highly strung. I find my sensibility quite high maintenance.
Although some people think I am a romantic novelist I have always thought of myself as a rather gritty radical historian.
I like to smile when I am playing because I try to show people that I am enjoying myself, and I think Ronaldinho did the same.
I don't like to talk about myself. I don't want to talk about what I do, what I think I do. The position I play on the pitch, I am expected - and I expect - to create chances for my team-mates and score goals.
I have always tried and always believed in myself, so I went after it, to do my best, to achieve my dream, and I always thought I'd achieve my dream. And I always, always wanted to be a football player.
I'd rather not talk about myself in terms of stepping up a level or things like that because I prefer to do my work during the week and then show my best in the game.
Death frames the high wire. But I don't see myself as taking risks. I do all of the preparations that a non-death seeker would do.
Truly, from a very early age, I started distancing myself from other kids, not out of willingness, but just out of the nature of my energy. I liked to do things solely, and I already had a taste of the quest for perfection, which is unusual in a little kid.
I have been expelled from five different schools when I was a kid. And I learned basically all what I do by myself.
You know, for myself, my personal journey has been a very fortunate one and I would say to people it's like the stars lined up and the skies opened up and the sun shined and I met the right people - was at the right time. And, most importantly, you know I love what I do.
I have a fine level of recognition in the business and among the acting community now, so I consider myself one of the lucky ones. If I didn't think that, there would be something wrong with me. I'm grateful and thankful for what I've got.
I love sitting at my desk and facing a quiet day with a pen in my hand, and putting myself into a story. It's kind of weird, isn't it? I mean, to absent myself from real life and make up stories is strange, but I started doing this when I was ten years old. It was all I wanted to do.
If I weren't a writer, I think I might have thrown myself more enthusiastically into advertising. But, it's difficult to imagine being a diligent copywriter. It would be quite exasperating for me.
A lot of crime writing suffers from treading water. I feel an obligation to move the character on and not repeat myself. I try to fit him into a different period and a different agenda. That way, you learn slightly more about his personal history in the tradition of the unreliable narrator. It makes it more challenging to write.
When I feel I'm repeating myself, I'll probably pack it in. What will undoubtedly happen is I'll write one too many. The important thing is to recognize when you've written too many and stop there.
I call myself a traditionalist, although I have fought against tradition all my life.
Processionalism is primary - how you get from one place to another, the relationships and effects of spaces as you move about in them. That's worked out awfully well in the State Theater. I'm a 'straight-in' man myself; I'm too nervous, I like to know where I am. I also like to know where I'm going.
I used to dig in the garden, and there isn't anything fantastic or ultradimensional about crab grass... unless you are a SF writer, in which case, pretty soon you're viewing crabgrass with suspicion. What are its real motives? And who sent it in the first place? The question I always found myself asking was, 'What is it, really?'
You can't know the dedication it takes to win 16 world titles until you do it yourself. I didn't know what John Lowe had to do before me. I respected him because that's how I was brought up - but I respect him more now that I've done it myself.
I used to have to go to the board and hit three 180s before I'd allow myself to go to bed. Sometimes, I'd do it in five minutes but, on a bad night, it could take an hour.
Sometimes getting beaten isn't such a bad thing. It gives me a chance to look at myself in a new way.
I worked as an engineer before going into ceramics, making insulators. It was my job, so I got it done. But I also had a lot of pride in myself.
I didn't lead a very wise life, myself, but it was a full one and a grown-up one. You come of age very quickly through shipwreck and disaster.
It was so quiet that morning in Paris that the heels of my two companions and myself were loud on the deserted pavements. It was a city of shuttered shops, and barred windows, and deserted avenues.
My passion is coaching, and I see myself more as a head coach with a more continental approach, in charge of football, running the training programme, the players.
I came out with a few plaudits, and I don't really enjoy that because I am a team player. I don't shout about myself, and I've always been team-orientated, so maybe that is why I have always slipped under the radar throughout my career.
From facing a manager for the past 16 years to suddenly being the one person everyone is looking at is a daunting prospect. It's something I want to be prepared for. If I get the opportunity, I don't want to let myself down.
Every so often, I'll look at myself in the mirror and go, 'You're a bad mother,' you know? Like, 'You're a bad dude, man, and you're gonna show the world who you are when the time is right.'
Prior to stepping on stage, I prefer to continue being myself, whether that is making jokes with others, talking about other non-bodybuilding topics, or just sitting around listening to music.
When I first came back from Iraq, I of course found myself thinking a lot about it. Not just my experiences, but those of people I talked to, friends, and colleagues.
I don't consider myself enigmatic, but I don't spend a lot of time thinking about my public persona.
It has happened a few times that I've found myself in a surprise mid-tour recording session.
In 2002 I did a big tour of Europe, by train, by myself, on foot, all the time walking from train station to the venue, in a weird town, in a weird country. I'd brought an acoustic guitar with me but it got broken somehow in transit.
Even when I was calling myself the Microphones I only really ever played new songs... because I feel, like, a pretty strong connection to the song when I'm performing it.
I can't bring myself to release an instrumental album because I feel like I want some meat on the bone. Something to chew on, lyrically and content-wise.
I am not satisfied with the ending of 'Mount Eerie' the album, so maybe by calling myself that, I am attempting to elaborate on the ending.
I need some time to write songs and work on my thing, but I'm just living my life and doing family stuff and letting inspiration come when it comes. But I also don't feel a desperate need to keep pushing myself into people's faces to stay cool and relevant.
If I were to doubt myself, I wouldn't even have a chance to be competing for the NXT Women's Championship.
I love music. I love every kind of extreme sort of music, and many different genres, and if I were to have to dedicate myself to just one kind of genre, I would feel kind of gypped. I'd be like, man, I wish I could do this or that. And really all it takes is trying it out.
I wake up, and I'll just start reading and trying to brace myself for the rest of the day, and all the while I'm doing that, I'm kicking myself mentally.
It was one of those early mid-life crises, really. I started asking myself, 'What is it that I want from my life?' This question kept haunting me: 'Do I want to be a lawyer who always wanted to be a writer, or do I actually want to be a writer?
I see myself in public service in Zimbabwe. I would prefer an advisory role - cabinet secretary, minister of trade or the arts, or something like that. I don't want to be just a writer.
I consider myself endlessly lucky to have access to the Internet and technology. Through it, I've found myself and have been able to join a new discourse of females, young and old, who strive to change the way we look and treat ourselves.
I always had this feeling, what I wanted to do. I was trying to work out myself, my frustrations, my body. I couldn't really pinpoint. I started taking photos of my sister and her friends. I was 15, exploring what it meant to be a 15-year-old girl.
As much as I preach self-love, it's so hard for me to love myself. It's really hard, and it's just about building a good network of people and, in this case, a good network of artists. Trying to live your ideals as best as you can.
I'm going to try to put less pressure on myself, but I know how easy it is to say that rather than to feel it, but that's how it is.
I'm not really the kind of person that wanted this kind of big attention everywhere. But on the other side, I'm glad that children are picking up a racket and they have an idol in myself.
Now I don't have a coach; I'm just by myself. I'm enjoying this change, and I hope it will help my game.
In my attempt to defend myself, I was badly injured on my left hand. I am shaken but fortunate to be alive.
I've always been a person who likes to take care of myself, but there is so much to do behind the scenes, and I love to just focus on the tennis.
I still like sweets and sometimes treat myself but not often. I try to keep an eye on it, but it's not like I'm desperate to go and eat a whole chocolate cake! I do like a bit of vanilla ice cream, though.
To begin with myself, then, the utterances of men concerning me will differ widely, since in passing judgment almost every one is influenced not so much by truth as by preference, and good and evil report alike know no bounds.
The ward designs were co-created by myself and Lauren K. Cannon. She read how they were described in 'The Warded Man,' and we had long discussions about what sources to draw from for the symbols, drawing inspiration from Arabic, Japanese, Chinese and Sanskrit.
Tolkien is considered the grandfather of fantasy and, for me, I consider myself the grandson, with Terry Brooks as the kind of crazy uncle of fantasy, being the one who brought me into it.
When I made the decision to really get serious about my writing, I set myself a goal of 1,000 words a day for seven days. If I got to 7,000 words before Monday I could take a day off, but I had to get there. I had to do that every week.
I'd love to have another film to go on to. I'm in the mood to work. But I have to be patient, you know, to find that particular kind of project. Occasionally I'll write one myself if I can summon up the energy.
I can't be bought with money. If someone calls me and asks me to work for them for three or four years, and they'll pay me well to build their vacation home, I ask myself why I should work three or four years on something like that.
I call myself a grasshopper. I paint, I write poetry, and I'm in a band. When it comes to movies and TV, I like to work in everything and with everyone. I wanna do it all, beyond even the screen.
In everything I've written, the crime has always just been an occasion to write about other things. I don't have a picture of myself as writing crime novels. I like fairly strong narratives, but it's a way of getting a plot moving.
The only way to get better at stand-up is to do loads of gigs, and I don't know. I spread myself pretty thin to get the stage time. I'd love to do more, really.
There's a lot of things that go on when you're on tour that cannot be controlled. I'm not even talking about myself, but of course there's sexual activity and drugs, fighting and language; it is certainly not a place to raise a family.
I hate the human race. Of course, therefore, I hate myself the most, because I am the least of the human race.
I'm a 'specist.' I hate the human race. Of course, therefore, I hate myself the most, because I am the least of the human race. I'm the product of 6 million years of evolution? Come on, man.
It is very possible that I could have ended up on 80 acres of land by myself, and fallen in love at a distance with a gorgeous woman I could never have been with.
A mistake I've made is I have not worried sufficiently about the art world, really. I have not concerned myself with the other people in the art world. I've been a little too singular, and that's a mistake I've made. But everybody makes a mistake of some kind, and if that's my only mistake, I'm happy.
If you ask me to play myself, I will not know what to do. I do not know who or what I am.
When I am searching for a character, I leave myself open, as does a medium. And I think that sometimes you can be inhabited by the spirit of someone who lived at some time or who was a bit like the person you are doing. And maybe they come in and use you as a chance to relive again.
When I look at myself, I see a person who strangely lacks what I consider the ingredients of a personality.
I know that no one can really stop me but myself and that really no one can help me but myself.
I do not view myself as a psychedelic person but as a yogi. Although most link the Beatles with bringing awareness of yoga to the public, it was myself who actually brought yoga into the mainstream in the United States.
I don't sell anything. So, I have a personal image, but I think that's because I'm from an art background, and I'm an artist, and I think most artists do have personal images. I consider myself more in that category of the way an artist had a look.
I don't talk about myself in the third person. When I start doing that, you'll know I'm having an out-of-body experience.
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In high school, my English teacher Celeste McMenamin introduced me to the great novels and Shakespeare and taught me how...
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As you wake up this morning, may things fall into pleasant places for you, and may your ways be prosperous...
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