Phyllida Lloyd Quotes

Most Famous Phyllida Lloyd Quotes of All Time!

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Onstage, there's a separation between character and audience; onscreen, you can go to a deeper place.

The power of a close-up can be extraordinary, but you have to have actors who are able to reveal themselves.

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When I began to direct, I discovered that I was much more comfortable than I was acting.

It was extraordinary to experience 'Mamma Mia!' What an injection of good spirit and heart it was.

I think courage is commensurate with your fear - if you lack imagination and you're fearless, that's not courage to me.

You can't wait for someone to discover you; you have to just get on and do it. Have confidence that directing is a very suitable job for a woman - with our gift for collaboration, listening, and reading the nuance...

In a way, 'Mamma Mia!' was such a left-field thing for me.

In a way, the debate about Margaret Thatcher in Britain has just gotten fossilized in this notion that she is either this she-devil who wrecked the industrial base of the country and ruined the lives of millions, or she is...

I was given a mask of myself by Frances Barber when we opened 'Julius Caesar.' I looked much younger and prettier. Wearing it was certainly cheaper than Botox.

Do as much theatre as you can while you're at school.

I wanted to be an actress from about the age of five.

I was hellbent on going to drama school, but my mother, rightly, panicked and persuaded me to go to university on the grounds that a degree would be 'something to fall back on.' Whilst at college, I realised I wasn't...

There's something about doing Shakespeare with a single gender, whether it is all-male or all-female, that opens up certain possibilities. You are able to throw the behavior of the men into a particular relief and be playful within a slightly...

Shakespeare was writing about his time, and it was a time when women were beginning to demand a voice, demand a say in their lives for one reason or another, mainly to do with the economics of the time.

When I was asked to read a screenplay about Margaret Thatcher, I think I felt immediate apprehension.

I realised you could become fat and bald as a director and still remain employable.

I worked on live studio drama, which was one weird aberration in the 1980s. I worked on the 'Battle of Waterloo,' and my job was to reload the Brown Bess muskets - the only time the audience realised it was...

It's the job of the artist to take something that everybody thinks they know about, they've made a decision about, they will be immovable on, and to shine a light on it.

If you believe that how you do your work is as influential as the work you do, then a theatre rehearsal, which is a microcosm of the world, is the perfect place to model social change because if it doesn't...

In management terms, directing opera certainly prepares you for a film set: the magnitude of it, the experts in other fields that you have to call on. Both are massive ensemble jobs in which there's incredible pressure to get things...

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