Phyllida Lloyd Quotes

Most Famous Phyllida Lloyd Quotes of All Time!

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Opera is too obsessed with buildings.

To be invited to the Park - the greatest free Shakespeare festival in the world - is a great honor, and I don't take it lightly.

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As a woman, I think Margaret Thatcher felt she had to be ten times more prepared than the men.

Margaret Thatcher was pro-choice. She voted to decriminalize homosexuality. Was not profoundly religious. She was very liberal on social issues.

I think I wanted to do something that retained the improvised chaos of 'Mamma Mia' the theatre show which set it apart from all the slick packaged productions.

Margaret Thatcher always felt like an outsider in her party.

Directing is quite a nuts-and-bolts thing. It's a mixture of creating an atmosphere in which actors can feel safe enough to be dangerous.

Art is all about giving yourself these terrifying challenges, these peaks to climb. You're at the bottom of the mountain at the start of every new project thinking, 'Am I going to make it?'

Movie-making is an extreme sport on many levels. It requires stamina such as I had never imagined.

In Europe, it is not so unusual for directors to move between opera, theatre, and film, and I have at least three girlfriends I can think of who have directed in all three genres.

In the theatre in the U.K., women are at the very top of the tree as freelance directors.

I have been very lucky, and I think it all goes back to state subsidy for the arts. I gained my training and confidence and credentials in the not-for-profit world, and in England, that does not mean on the fringe...

In the not-for-profit world, I never felt that being female was an impediment. I was, however, given my break into commercial theatre by a female producer, Judy Craymer, and women - in particular, Donna Langley, president of production at Universal...

If you're an actor, you have to look spiffing. But as the director, you don't need to look so glamorous.

I didn't really realize I was a woman director until I walked onto the set at Pinewood Studios when I did 'Mamma Mia!' and everybody was calling each other 'Governor' and 'Sir'... and then, looking at me, 'Well... good morning!'

'The Handmaid's Tale' is a horrifying and horrifyingly possible vision of the future.

One is always attracted to pieces of theatre with great roles for women.

In London, it's quite a rarefied activity to be on an analyst's couch.

I realized that I didn't think I could stand the psychological battering that actors have to withstand. I just felt I wasn't cut out for that kind of self-promotion.

If you have bad hair and you bite your nails, nobody expects that you can't direct plays.

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