Music Quotes
Most Famous Music Quotes of All Time!
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You know the 80s music is something that no one wants to admit liking, but once then start playing everyone is into it.
You know, as you compose music, you're just off in your own world. You have no idea where reality is, so to have an idea of what people think is pretty hard.
First and foremost, I am most proud of how 'Hee Haw' did its part to help pave the way for country music to burst from its regional roots to remarkable worldwide popularity.
Music was my salvation, the thing I loved most and did best. Whatever was fun, I'd go do that.
In essence, String Theory describes space and time, matter and energy, gravity and light, indeed all of God's creation... as music.
I wanted to modernize music, but more than that, to completely modernize people's attitudes towards life in general.
As a really young child, I was listening to the echoes of the age before, music hall and stuff like that, as well as classical bits on the radio.
Every song has a bouquet, which is the music. If you can put words with something that is really apt, then you've done it.
Television made a lot of difference in country music. It's progress. I believe in progress.
I don't think I'm really so unique. If every black person looked at their life they would quickly discover that they have been influenced by every type of music prevalent in America.
Most artists have contracts directly with the record company, and when they do music, all of their music is owned by the record company. But I did mine through a production company.
People are always defining and re-defining music. My style of playing has been characterized as smooth jazz and acid jazz. I listen as I play; I'm not caught up in defining the type of music I play.
People in England were coming up to me, saying, My mother and father turned me on to your music. This happened to me 20 years ago. When I was 40 they were saying that.
The true beauty of music is that it connects people. It carries a message, and we, the musicians, are the messengers.
Whatever you are making, whether it's a song, an album, a painting, a film, you're connecting with a tradition, and I do feel connected to New York music.
The best music to dance to is my music! Haha! I say anything that speaks to you. I personally enjoy dancing to hip-hop, R&B music, EDM/trap music.
I like the purity of telling stories now because not a lot of people are telling stories in their music. I wanna tell my specific story: what I see right now.
I got 'Power' on my own through my agent and my team. I didn't know 50 until I got on the show. Because my character is so close to his, we spent a lot of time as friends. But even in that, I didn't really bring up music to him because I saw how everybody else was bringing up music to him.
'Power' came in August. February 2014, 'Empire' ended. That whole time, I was like, 'You know what, let me just take a break from this and focus on music' so in that time period, I did my whole EP. Got the single 'Lotto.'
I've been chasing my music dream for a very long time and the acting dream just came up. But there are musical things I want to show the world, so that's my next step.
I started playing drums at about seven or eight. My mom used to let me play with the pots and pans, and instead of telling me to stop like most moms would, she just let me do it. So the noise kind of turned into music. From that point on, musically, that's what I want to do: start creating beats.
I decided to start professionally making music at about 11. I was like, 'Okay, this is something I really want to do.'
When I write songs, it's very random. I get influenced by the most random things! Sometimes it just comes to me in my sleep or just hanging out in a restaurant or something. Music just comes to me, and I'll start writing from there.
I love music and musicians. And seeing great artists dropped from labels was really frustrating and sad to me.
I've always been interested in music. In high school, I did a lot of musical theater, and I loved it.
I like to make music that feels good, that I can listen to with my mom and dad. I don't think you'll see me swinging on a wrecking ball any time soon! But if I do, that will be a day! My dad might have a heart attack.
I've always been interested in shaping music in odd ways, with odd riffs and that's been probably something that I've continued on with my studies with improvisation as I'm working with people.
I'm approaching a period in my life though where I'd like to be totally absorbed into music, doing concerts, writing something. Basically, that IS what I am doing.
What I try to impart to a musician is to really try to practice the instrument in a really sincere way. Learn as much about music as you possibly can. Learn composition. Study to try to create compositions of your own and put your own personal touch on your music.
I'm trying to learn to really use space. My philosophy is that every time you interrupt space in a very confident, secure manner, then music happens.
What I'm after is a composed music that will sound like improvised music when improvisors play it. You shouldn't be able to tell what parts are being improvised and what parts were written out beforehand; it should sound like the same music.
I feel that in order to learn as much about music as I would like to learn, I would need more than one lifetime.
I'm into something that definitely does require your attention, and with that, you're not going to run out of things to do. You're never going to be the master of music.
I say if you can find somebody you can make music with, that's a special thing, so you should try to keep it going.
I love music, and I once thought about doing a choral scholarship, but the people put me off.
I love A Day to Remember. They really had that style down of doing heavy songs mixed with pop songs when nobody was doing that style of music.
I don't think many people get second chances when it comes to the music scene.
I pretty much do whatever I want when it comes to music and nothing is off limits to me.
Well, first of all, they're all about the music and all I care about in my professional career is the music.
I think Behind the Music is good for people like Leif Garrett and Motley Crue.
There's a basic rule which runs through all kinds of music, kind of an unwritten rule. I don't know what it is. But I've got it.
When I first started all this, it was mostly music fans that came along, Stones fans. But now, I'm being taken seriously. I've got highfalutin' art collectors and everything!
It's taken folk a while to come around, hasn't it? Even the boys in the band weren't too sure about the whole art thing. They just wanted me to concentrate on the music. But they respect it now.
I think that's the great thing about music: It can communicate emotionally. And you don't have to necessarily get all of the words. I mean you have to know what is being said, but didn't you find even if you didn't get all of the words, you certainly get the emotion?
Many old music hall fans were present at the funeral today of Fred 'Chuckles' Jenkins, Britain's oldest and unfunniest comedian. In tribute, the vicar read out one of Fred's jokes, and the congregation had two minutes silence.
I went to 13 schools in 12 years. We moved all over the place. Music was the only thing that I could get behind... I wasn't that good at socializing. I'm still not.
My father was an aspiring country singer and songwriter. He just didn't get that off that ground. I was afraid, very tentative to do anything with music for years. I didn't tell him I was playing in bands when I was away from home, because it had been such an unpleasant experience and a letdown for him.
People ask you all the time, 'Why do you do this? Why don't you quit, man, take your money and go home?' I just do it because I love making music.
During college I realized I had a music predisposition and really got involved in it. I started playing bass guitar. That was how I began to fit in.
The music has to drive you. That's just it. You follow it. You follow the songs.
'The bigtime for you is just around the corner.' They told me that first in 1952 - boy, it's been a long corner. If I don't hit the bigtime in the next 25 or 30 years, I'm gonna pack in the music business and become a full-time gigolo.
Music, Rock and Roll music especially, is such a generational thing. Each generation must have their own music, I had my own in my generation, you have yours, everyone I know has their own generation.
It's great to have all this stuff at home. But when you want to make it for real, there's still nothing like making music with a bunch of other great musicians in the same room. That's one thing that'll never change.
When I'm with my wife, I know she's a beautiful woman. I know that, and more than that, it's what she is inside. She's beautiful inside; she loves music like I do. That's the thing that brought us together and probably keeps us together.
I had 12 years of classical music as a child, playing piano competitions as a teenager, playing in blues bands and rock 'n' roll bands, country and jazz bands. I played in about any situation.
Now is now, and I live everything one day at a time. The fact that I'm still on the planet and able to still make music is such a miracle.
For a long time, I was shy about recording gospel music, because I didn't necessarily want to show the inside of my soul, Milsap revealed. But now, the spiritual side of me is really shining through.
I am very aware now that music is a business, but there is also a way to go about making music that is true to yourself as opposed to doing, you know, just going through the motions and making things that would just be commercially successful.
It was very satisfying knowing I could come in not really knowing what I was going to do, and at the end of the session feeling that I'd really done interesting guitar work and knowing that I'd really contributed to the music.
Music plays a very important role in my life. I'm a frustrated musician. I play the drums.
I think that people will always want music; I think that the form that they will get it in, or distributed to them from, and the price they pay for it is what's up in question.
I am passionate about music - and people think because I go to places where I can enjoy music I have to be partying. It isn't true.
I grew up in a house that was always happy, and my family was always music, music. I started playing percussion very young, because I had some uncles who were musicians and all my aunts were singers.
The places I visit in any given week are my home, so when I'm somewhere that feels good to me, it's a real game changer. If a place causes me to have a strong reaction, be it positive or negative, it'll often find its way into my music.
I think it's funny how excited people can get about things I say that don't have anything to do with music. I made a disparaging comment about McDonald's on Twitter once and people flipped out on me.
I grew up with music hall and revue and was used to filling in the little gaps here and there to get bigger audience reaction.
There is no singular 'reason' why Africans use fractals, any more than a singular reason why Americans like rock music. Such enormous cultural practices just cover too much social terrain.
Beale Street is a very famous street in the history of America. You know, American music in particular. From the blues to jazz, it's a connecting city from New Orleans that goes all the way up to Buffalo through New York.
I learned a lot about American history though jazz, and that's why I loved American history when I was in high school. I could hear different stories - the story that they would tell in school, and then the story that I would hear in the music.
My daughter gets a lot of her natural music ability from her mother because she's a world-class singer, also.
My parents are super westernized. My mom listens to western music, my dad was like a pub landlord so he properly embraced English life. But the truth is they both came from tiny villages in Sri Lanka.
My experience in the music industry made me very thick-skinned. Your art is something very personal and there's never a shortage of critics when it comes to art.
Music is a very integral part of the film, but it will not be as full of music as a Bollywood film.
A lot of young people have been raised on our music, or rather had it forced upon them by their parents.
Good, effective pop music isn't just verbal language. It takes a good physical beat to make you feel something.
My father's music was about revolution and changing the hearts and minds of people through love and the deliverance of everyone. We hope our brothers and sisters will follow our path and really start to consider ecology and utilizing material that benefits not only yourself but the people.
When you're the voice who represents our music and our family, it's an amazing, and a huge, responsibility. I am able to not only be an ambassador for my own family but for everyone.
When you pick up a House of Marley product, it's not just about the music; it's also about how it's created.
Music is obviously a huge part of the Marley family identity. But that music is part of a larger idea - love.
I want to be the one to make a change, like when my father started his music. It's about the message. Coffee is a vehicle to create change.
I always dreamed of playing music with my father. But my voice is so scratchy, I only sing in the shower.
I met my wife when we were both 19 or 20, at a music school where she was taking voice and piano lessons and I was doing classes in music theory and composition.
I was surrounded by music in my family, surrounded by people who sang songs - every single person I knew as a child growing up had one, two, three songs they knew from start to finish.
On 'Overpowered,' there was a nostalgia for disco and early house music. But I'm a modernist and futurist as well. I do believe - and this is going to sound really pretentious, I know - that humanity will figure it out, so I'm optimistic about the future.
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