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I had fallen in love once with someone, and I remember it being so distinct, where after the first time they'd hug me, I never wanted another man to ever touch me ever again.
My husband's a man's man, and he does guy films, and there's rarely any female parts in them, period, but we have some projects that are for me that we hope to do in the near future.
I was working out at a gym in Montreal when I was doing 'The Bone Collector.' I walked in and said 'Where do I sign in?' Somebody behind me, without even seeing my face, said 'Excuse me, are you on 'Star Trek'?' They recognized me from my voice.
The great advantage to labor arising out of co-operative effort has been apparent to me for many years.
Quit now? They'll have to cut the uniform off me. I'm going out for another 300. They couldn't be any harder to get than the first 300.
There are certain things people always bring up with me. The accident. The drugs. And how tight my pants were.
They had me doing Beach Boys remakes and all that. I was basically a marionette.
Screenwriting is still a challenge for me. It's more technical than creative. You have to be a very good journeyman plumber and put the proper parts together. Then, if you can still inject a little bit of something worthwhile, you have done as much as can be expected.
I get startled really easily, so I hate horror films. I have to close my eyes when I think something is going to make me jump, because I just scream.
It's always an interesting experience with the 'Saw' films, when a sequel comes out that I didn't have anything to do with, creatively, because here's this idea, this story, and this character that I created for James Wan, but now it doesn't need me anymore.
I will say that when it comes to the horror genre, for me, the scariest thing is when something is actually in the frame.
For me in a horror film, just looking down a long corridor and seeing somebody standing there, the simplest thing in the world, has a really seismic impact to me.
Usually with me, the ideas I have for movies just sort of pop into my head. I've read a bunch of screenwriting books over the years and, to be honest, they're mostly pretty crappy.
I think I've had a lot of experience with watching other people shepherd my ideas with the 'Saw' films. They made four 'Saw' movies without me. I never really had a protective or fierce policy towards that. I let it go.
Even though I would love a little girl for me, personally, I love being a mom to boys.
You can take what is handed to you and use it as an excuse to mess up. But I've always handled what was given to me by life. I consider myself lucky. I was never lied to. And I was loved.
Guys who are unavailable are actually a dream come true for me because I'm unavailable all the time. It's great they're not down your throat.
I want a family someday and I know that I have to let love in to create that and I think there is someone out there for me, but I'm not on some crazy hunt for that right now.
When we actually met our U.S. fans, it was slightly awkward and new at first, but it made me think that we should really visit more often in order to grow closer and more comfortable with our fans here.
I listen to a lot of religion-based music, culturally rich music. Ethnic and world music. Music from Latin America has been influencing me in particular.
I always imagine, and try to be on the lookout, for new things, for references that can inspire me creatively so I can showcase things that people haven't done before or that are new.
If you ask me, I'd say what the world now considers K-Pop began with SM Entertainment. SM was the very first company to take musical influences from Western culture and incorporate Korean culture into that by rearranging and writing lyrics with our style.
The memories of my time with Jonghyun are precious to me. He's like family to me, so I will never forget him and I will always keep him in my heart.
For me, my mentor was Rain who I like and admire so much. To be able to appear in the same place with him as a mentor to someone is meaningful and such an honor.
I would say that playing this character has caused me to think about a lot of things. He's always questioning himself and trying to get back to something he lost touch with and trying to find forgiveness. Everybody struggles with these things to some extent in their life.
What it made me realize was that a show like this makes people look inside themselves. Because this crew guy isn't sitting there wishing the character would fight back. He's hoping that he would fight back.
College and the responsibilities that came with it helped me transition from teenager to adulthood.
How can they beat me? I've been struck by lightning, had two back operations, and been divorced twice.
My divorce came to me as a complete surprise. That's what happens when you haven't been home in eighteen years.
My favorite film is 'The Shining,' mostly because it was the film that inspired me to become a filmmaker myself.
I really personalized the pressure to make a good 'Toy Story' film. It made me physically sick at the beginning. Literally, I wanted to throw up in the morning because I was just so racked with stress.
When I was around 12 or so, I saw 'The Shining.' I just remember that being a turning point for me, where I started to think about the fact that there was a hand behind the film. That it wasn't just this magical story being told - there were actual people crafting these films, and they were works of art.
I don't like 3D movies that have things popping out of the screen. Firstly, I find it straining on my eyes, and more importantly, it distracts me from the movie.
Being born with a pair of beady eyes was the best thing that ever happened to me.
Audiences just naturally hate me on screen. I could play a role in a tuxedo, and people would think I was rotten. You can do much more with a villain part.
I know if that I'm not fighting for my home state, my home district, that other members who are out there fighting for their state, their district, they're not going to fight for New York for me.
I would say the reason that Tim Bishop electorally was able to get more votes, if you were just going to analyze registration and numbers, is that he had a quarter of the Republican vote, every election. No one is getting a quarter of the Republican vote from me.
That Hillary Clinton can be president of the United States and a Saudi prince can donate $10 or $15 million dollars, let's say, to the Clinton Foundation and then have access for meetings and policy with the U.S. government, that is something that is very important to me.
A month before graduation I got an off-Broadway job. Then I did some commercials, including one for MCI. You can only see half of me, but it paid well. Thank God for commercials.
Not even my excellent training at Juilliard prepared me for my first movie role, where I played a transsexual who falls in love with a military guy in 'Soldier's Girl.'
I picked up reading late because I grew up dyslexic. When I went to college, a friend who was a big reader got me started on a number of writers, including Hemingway.
If I'm, like, in a grocery store, I don't get recognized that much, but it's like, you know, when someone comes up to me and says, 'Hey, I'm a big 'Pushing Daisies' fan,' you just feel like, 'Oh, wow - you're the one who watched it. So nice to meet you.'
I left school my senior year to do a play at the Alley Theatre in Houston, Texas. Then while I was doing a play, I auditioned for Juilliard. I got in over the summer, and they told me, 'You have to graduate high school to come here. You don't need the SATs, but you do need to graduate high school.' I finished over the summer through correspondence.
When I was a kid, I played 'Super Mario Bros' and 'Megaman 2' and '3' for hours and hours, trying to convince my mother they were good for me because they helped my hand-eye coordination. They influenced a whole generation of people to make computers what they are now, through problem-solving and so on.
When you play the king of elves and alien warlords, little me is very uninteresting. But, at the same time, actors feel this obligation to be transparent, and I truly don't understand the point.
When people chat to me about my childhood and getting into horses, they're like, 'Was it like the birds sang and the sun came out? Was it an amazing experience?' I'm like, 'No, it was rubbish. I was frightened. I was pretty unbalanced, and most ponies took advantage of me.'
My motivation is paying the mortgage. No joke. Honestly. I still suffer with nerves and think, 'Why am I putting myself through this torture?' It's not actually the love of winning - it's that building of a partnership with a horse. Just riding horses every day keeps me going. And that threat of losing the mortgage.
I don't just love riding; I love horses. I was in the field at my yard watching them gallop around and play the other day. That's what keeps me going, and sometimes it has to be something more than just winning.
I'm just a genetic freak, but it has never stopped me from doing whatever I want to.
I've got a quad bike, which I've raced against neighbours. You could give me a go-kart with a lawnmower engine - I'd still have fun. I like jet skis, speedboats, all the boys' toys.
If I see an orchid that's fantastically expensive, I'll buy it. It's worth it, for no other reason than it gives me pleasure.
My mother endlessly told me I was too fat, that I wasn't a patch on my sister. It wasn't much fun growing up with her and her almost irrational social climbing in that huge house of my dull stepfather Hughdie Auchincloss in Washington.
My father, naturally, spoiled me when I was allowed to see him - flying to New York from Washington, alone, in those terrifying planes. He'd take me to Danny Kaye movies and rent a dog for me to walk in the park on Sunday - a different dog every Sunday - and then to have butterscotch sundaes with almonds at Schrafft's.
I'm constantly falling in love with objects, and they follow me around the world.
'Europe '72' came out right around the time that I started going to see the Dead, and it had a huge impression on me.
Whenever I work on an album and the time comes to do all the artwork, the only thing I think of is the LP artwork. When we worked on the 'Electric Trim' artwork, we spent weeks and weeks making the LP artwork great, and then the CD artwork came together in a day or two. The LP is what's important to me.
I've been lucky enough to be in this amazing band, and to me, a band is really a collaborative unit, and that's definitely been what Sonic Youth has been.
I always think that, for me, being someone who comes out of electric guitar experimentation, the idea of playing acoustic guitar is, in itself, kind of a radical move.
When I first learned guitar - when I was 14 or 15 - I had an older cousin who showed me some stuff. And he was into all these tunings. He was showing me tunings that people like David Crosby or Neil Young used - like dropped D and open D tunings.
Sonic Youth played one show before we even had a drummer. It was just me, Kim, and Thurston. The lights slowly went down, and the set was just 30 minutes of feedback.
Sometimes, for me, lyrics are derived from poems that I'm working on, and they kind of cross back and forth between the two.
I've done a lot of albums and I kinda know when I'm onto something that was inspirational for me to record and create, and this was one of those projects where I really enjoyed making the album.
My perfect girl would be pretty mad, but one you can have a conversation with. No one can be too mad for me, the madder the better. I love a crazy chick!
I've learnt a lot over the years, but I'm still quite outspoken. And no matter how much media training you put me through, I don't think I could be anything but.
The claims that I am gay don't faze me. I don't care if people think I'm gay; why would I care? I would be proud.
People aren't going to talk about it except me and that is communication and the visits I have personally had in our meetings with our store managers saying if you do these things you will be terminated, period.
One of the things that strikes me is so many of the critics are people whose lifestyle doesn't change when the price of fuel changes, or if they keep a Wal-Mart store out of their area.
Names and theoretical things don't occur to me. If they do, I'm not doing my real playing mode.
After playing now for 60 years, it's still very challenging for me to play a simple melody and have it clean and touch the reed at the proper time in the proper way.
Labels don't mean anything to me. I'm trying to play as passionately as I'm able to. If they want to call that cool, that's fine. Just spell the name right, is the formula.
I always felt as a horn player, a jam session wasn't satisfying enough for me. I should have been a rhythm section player, actually.
If you are going to lower me into the grave, and I feel something is wrong, I will get up.
Everyone told me that British sitcom was dead. Then I looked at 'Seinfeld' and 'Frasier' and thought, ‘No it's not, it just needs more gags.'
My first recollection of performing was shortly after my parents split up, so the logical conclusion to draw is that that affected me.
For me, I wanted to write a book about getting into comedy. That's what I wanted to write.
I've had disappointments and heartbreaks and setbacks and roles I didn't get, but something always came along that either made me better or was an even better role.
I've never minded my kids watching any of the series I did. That's important to me.
The first day of 'Liberty,' I was hanging around waiting for Ford to come in. Everybody told me how tough he was and not to say anything, or he'd single you out and get on you the whole shoot. But as he walked in, I got up and saluted him.
It was the Marines who taught me how to act. After that, pretending to be rough wasn't so hard.
I was on Saipan when I got hit. Not too bad, but bad enough to hamper me if I stayed. I was hit in my left buttocks just below the belt line.
In school, I couldn't see any sense to reading, writing, and arithmetic. Sure, they kicked me out, but for trifles, like continual daydreaming and smoking, that wouldn't be grounds for expulsion nowadays.
Well when I was young, actually not just me, but we were all poor. Korea used to be one of the poorest countries in the world. Despite such circumstances, I was very, very fortunate to be blessed with having parents who always instilled in a spirit of can-do spirit.
I went to an ACC school, Wake Forest, I'm a big college basketball fan, and it was just a natural interest for me.
What goes on between a father and a son, which is usually such a private matter, is that they are able to be honest with each other, and be honest with me, as a director. It's just remarkable.
When I became a director, I wanted to convince a very reluctant Sidney into allowing me to go on the journey of his life. Sidney had gone ahead of every other African American actor.
Film and television were out. I was 24, and it went on until I was 36. For an actor, those are your years. I got a great urgency and education during the blacklist, and it made me grow up in a way I never could have before, and in very good ways, too.
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