Magic Quotes
Most Famous Magic Quotes of All Time!
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I think movies have much more magic than the theater. Theater can be a magical experience, but movies thrust their subjectivity on you in a more profound way.
I wrote for nearly six hours. When I stopped, the dark mood, as if by magic, had folded its cloak and gone away.
There's a whole beautiful world out there, and it was like riding a magic carpet, getting to know exotic, faraway places.
Like all sciences, chemistry is marked by magic moments. For someone fortunate enough to live such a moment, it is an instant of intense emotion: an immense field of investigation suddenly opens up before you.
In 'Drakengard', you have magic and non-magic missiles that couldn't shoot each other down.
When I was five years old, my parents gave me a magic chest. I learned to cast spells, although of a childish kind, before I had learned to read and write.
I had given up magic, because it had reached a state of perfection. I felt that I was able to transform men into animals. I did not make use of this capability, because I believed I could not justify an intervention of this kind in the life of another person.
Theaters are always going to be around, and doing fine. With computers and technology, we're becoming more and more secluded from each other. And the movie theater is one of the last places where we can still gather and experience something together. I don't think the desire for that magic will ever go away.
The magic question is, 'What for?' But art is not for anything. Art is the ultimate goal.
Burn down your cities and leave our farms, and your cities will spring up again as if by magic; but destroy our farms and the grass will grow in the streets of every city in the country.
I've often wondered about people that come to the profession late in life. I've wanted to be an actor since the first grade. I watched a play being performed by the third grade class, and it was... magic.
Every Christmas now for years, I have found myself wondering about the point of the celebration. As the holiday has become more ecumenical and secular, it has lost much of the magic that I remember so fondly from childhood.
I love the ultimate escapism of paranormal and fantasy - all of the otherworldly creatures, magic, and possibilities that transport both reader and writer away from reality for a while - it's such delicious fun!
I definitely enjoy the kind of magic that happens being on stage with a group when everything's working. The vibe when that's happening gets even better if the audience is involved and you can feel that interaction. That's something you don't get with your headphones on in a studio; it's much different.
Twenty games is the magic figure for pitchers - .300 is the magic figures for batters. It pays off in salary and reputation. And those are the two things that keep a ballplayer in business.
Whatever you can do, or dream you can, begin it. Boldness has genius, power, and magic in it.
To play safe, I prefer to accept only one type of power: the power of art over trash, the triumph of magic over the brute.
I can play multiple instruments. I love a cappella. I love barbershop. I love magic.
I almost always start with setting! I have to know the world before I know how to populate it. I have a tendency to play with doors - between life and death, human and monster, mundane and magic - and with 'ADSOM,' I knew I wanted to play with the physical doors between worlds.
I recall the magic being on set for season one of 'Transparent.' The trans inclusivity of our set was unparalleled at the time.
Disbelief in magic can force a poor soul into believing in government and business.
The magic formula that successful businesses have discovered is to treat customers like guests and employees like people.
People don't understand that that's really what it is. They're looking for a magic phone number or something. And to a certain extent, I understand that, because comedy is treated so much as a stepping stone by a lot of people.
There was a 'magic rock' my mom would lift up, and under the rock was a bunch of bugs. Roly-poly bugs and worms. Somehow I thought that it was a magical world of insects, and I wanted to go there. It was the same impulse as 'Pikmin' - I wanted to go into that world.
Sometimes a little kid will come up to me and ask me to show him some tricks. I always have to say: 'I can't do any tricks.' They want to see some sort of magic: keepie-uppies, around-the-worlds, that sort of thing. It's not really my strength.
Has the world ever been changed by anything save the thought and its magic vehicle the Word?
All that mankind has done, thought or been: it is lying as in magic preservation in the pages of books.
Everyone making electronic music has the same tool kits and templates. You listen, and you feel like it can be done on an iPad. If everybody knows all the tricks, it's no more magic.
Technology has made music accessible in a philosophically interesting way, which is great. But on the other hand, when everybody has the ability to make magic, it's like there's no more magic - if the audience can just do it themselves, why are they going to bother?
When you look at C-3PO and Darth Vader and then look at the actors behind them, you can't really make the connection. It kills the magic.
When I finally made it to the set, I spent a lot of time doing damage control on The Magic Christian.
Magic Realism is not new. The label's new, the specific Latin American form of it is new, its modern popularity is new, but it's been around as long as literature has been around.
I didn't want readers to have to make allowances for what they couldn't see, but to be able to say to themselves that the fabric of the magic detailed was perfectly believable.
A world in which elves exist and magic works offers greater opportunities to digress and explore.
I enjoy sports movies that don't sugarcoat. One thing that irritates me about sports movies is that they're like, 'The magic of the ball,' and 'The magic of the stadium.' It ain't that magical. When you get hit coming across the middle at 25 miles per hour, the magic's over.
Sometimes, magic is just someone spending more time on something than anyone else might reasonably expect.
People do not come to a Penn & Teller show to see a magic show. They just don't. They come to see weird stuff that they can see no place else, that will make them laugh and make the little hairs stand up on the backs of their necks.
Magic's about understanding - and then manipulating - how viewers digest the sensory information.
Every time you perform a magic trick, you're engaging in experimental psychology. If the audience asks, 'How the hell did he do that?' then the experiment was successful.
Younger audiences are into me because I did 'Stuart Little,' and that movie was a very big deal for kids. And in 'Angels in the Outfield,' a generation of kids learned about magic and angels. And then, of course, there are these two blond girls named Mary-Kate and Ashley Olsen, and I played their nanny on their TV show.
As an actor, some of my favorite things to work on are night exterior scenes. Any time that we're on location and shooting at night, it's just magic. I got to do that so many times working on 'Vampire Diaries' that it filled my hat.
Being a playwright of any race is difficult, and Lord knows it gets more difficult the further you get from the middle of the road. I don't know what kind of magic my mojo is working, but it's working.
Doing the right thing for someone else was like a tonic for me; it was like some magic ointment that made a wound disappear.
When I was nine, my great grandfather, a landscape painter, taught me to mix colors. With his strong hand surrounding my small one, he guided the brush until a calla lily appeared as if by magic on a page of textured watercolor paper.
In 'Jonathan Strange & Mr. Norrell,' I wanted to create the most convincing story of magic and magicians that I could.
One way of grounding the magic is by putting in lots of stuff about street lamps, carriages, and how difficult it is to get good servants.
I tell stories. I kind of stumbled on that by trying to combine Jane Austen and magic.
It seemed to me that you make magic real by making it a little prosaic, a little difficult and disappointing - never quite as glamorous as the other characters imagine.
There will always be vain, obsessive people who want to own rare and extraordinary things whatever the cost; there will always be people for whom owning beautiful, dangerous animals brings a sense of power and magic.
We try to live by the secret of sevens. A friend, who has been married for over 40 years, told us about this magic. Make and keep a date every seven days, take a night away alone, for yourself, every seven weeks, and schedule an adult-only vacation every seven months.
We need a pedagogy free from fear and focused on the magic of children's innate quest for information and understanding.
Paul Heyman works with Brock. The magic works between Brock and Paul because of their dynamic and their chemistry.
Every time I go to a movie, it's magic, no matter what the movie's about.
The Rascals are something else. They're up there with the Beatles, and Stones and Byrds. That level of musicality. They have a real chemistry. It is like magic.
I realised how much misdirection is in stunt co-coordinating. It's similar to magic, the tricks we use to make people think the stunt is real. I also have a lifelong fascination with gambling cheats. I'm not one, but I do have a fascination with it.
Lombardi, a certain magic still lingers in the very name. It speaks of duels in the snow and November mud... He remains for many the heart of pro football, pumping hard right now.
When I first started doing my comedy act, I just desperately needed material. So I took literally everything I knew how to do on stage with me, which was juggling, magic and banjo and my little comedy routines. I always felt the audience sorta tolerated the serious musical parts while I was doing my comedy.
It takes these very simple-minded instructions - 'Go fetch a number, add it to this number, put the result there, perceive if it's greater than this other number' - but executes them at a rate of, let's say, 1,000,000 per second. At 1,000,000 per second, the results appear to be magic.
My favorite point guard, growing up, was Magic Johnson. The reason why I say that is he was a winner, and he did everything in his power to make his teammates better. That's what the game is all about as a point guard.
I'm not a big fan of doing it because I get really frustrated because I can't do any of the tricks, but I love to watch magic.
The quarter finals is always an exciting round because you know you're one match away from that one table situation: where the magic really starts to happen at the Crucible and where it starts to come into its own.
They both changed the way we hear the sound of the piano, both of them inventors of sonority: Chopin took bel canto singing lines and reproduced them on the keyboard above richly upholstered counterpoint; Debussy somehow preserved vibrations in the air, blending their ephemeral magic into music that reaches far back into deep memory.
I liked the whole process of creating on set. It's almost like creating magic. The work that the camera guys are doing at the same time, the lighting... all of the people working in their departments to make one thing.
The screen is a magic medium. It has such power that it can retain interest as it conveys emotions and moods that no other art form can hope to tackle.
I carry Marc Jacobs Magic Marc'er eyeliner and Christian Dior red lipstick to amp up my look in a flash.
My childhood was such an odd one, but with such magic, and the quirky grown-ups who were in it managed to still bring a huge sense of love and magic, so for that I'm really grateful.
No one has been buried at Mill Road Cemetery in Cambridge, England, for many years, and so the place has a shady, overgrown magic about it.
Nothing will teach you more about perceived value than taking something with literally no value and selling it in the auction format. It teaches you the beauty and power of presentation, and how you can make magic out of nothing.
I am a romantic. I want to cry when I throw out my Christmas tree, and I have a lot of feelings about magic and fantasy.
'The Magic Flute,' I think, is fundamentally asking what is it to change people's consciousness.
My proposition is that music is at the heart of what 'The Magic Flute' means: that it's Mozart's music, not the words, we should be attending to. Music expresses what can't be expressed otherwise.
Mozart's seeming frothiness is just a light touch with very profound material. That's what I've found working on 'The Magic Flute.'
The reason why people are huge stars is nothing to do with acting. It's the magic. Charisma is a word that's used too often; it's something special, and it's what makes stars. It's luck, and basically, it's genes.
Of course, when it comes to Japanese role-playing games, in any role-playing game in Japan you're supposed to collect a huge number of items, and magic, and you've got to actually combine different items together to make something really different.
It's not sometimes realistic to think that something magical can happen, but I think I look for the magic.
I'm a touring musician. I don't watch the charts. I had the kind of success I'd hoped for. I won Grammys for a folk record, and that was magic.
The moment that we realize our attention has wandered is the magic moment of the practice, because that's the moment we have the chance to be really different. Instead of judging ourselves, and berating ourselves, and condemning ourselves, we can be gentle with ourselves.
Charles Barkley played in an era where he was never the guy. He always had to take a back seat to Michael Jordan, Magic Johnson, Larry Bird, Isaiah Thomas, because what did they have that he never got? A championship.
I'm really excited for people to be able to see what else I can do besides high heels and magic powers.
I do a lot of urban fantasy, which is modern-day cities, but you've got magic, you've got fairies running around, or cryptozoological creatures running around, and I'm pulling very heavily on my background as a folklore major and having done some animation work and all of that, and I'm pulling from the modern fairy tale narrative.
Weapons of mass destruction aren't pulled out of a black hat like a white rabbit at a magic show. They're produced in factories. There's science and technology involved. They're not produced in a hole in the ground or in a basement.
When theatre works, it's like nothing else, and when it doesn't, which is often, it's excruciating. It's perhaps not so excruciating when a novel goes wrong, but there is a kind of magic that can and should happen.
I've always been a huge fantasy fan. I was always interested in fairy tales and anything with magic or dragons... I was always drawn to those types of stories.
Reviewers said Ghost Country was rich, astonishing and affecting in the way it blended comedy, magic, and a gritty urban realism in a breathtaking ride along Chicago's mean streets.
I have grown up watching films in single screens where people would get up and dance in the aisles. With 'Rowdy Rathore,' I want to recreate the same magic.
I love mayonnaise. It's one of the first lessons I teach my cooking students. Turning eggs and oil into an emulsion - that creamy, satisfying third thing - feels like magic.
I grew up in Sacramento and spent a lot of time in the Saturday matinee. I just thought, 'Wow.' It's that magic of sitting in a dark theater as a little kid. That was in the '50s.
He who confesses magic or sorcery shall do penance for the time of murder, and shall be treated in the same manner as he who convicts himself of this sin.
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