Susan Vreeland Quotes

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I could say diamonds are a girl's best friend, and that never changes. But the taste for art did change.

The company, Tiffany Studios, ended up in bankruptcy in 1930 - early '30s.

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Writers have to be observant. Every nuance, every inflection in a voice, the quality of air, even - they all get mixed up in this soup of the story developing in our minds.

The idea of being close to where pigments were mined - that's the first thing in making a painting, getting the material. And what's the last thing you do in making a painting? You put a frame around it.

Two of my grandfathers had been artists, lifelong oil painters, so I was exposed to art very young. I've always been interested in it, although I never pursued it as a career or even as an avocation.

I'm hoping that I make readers into museum goers and museum goers into readers.

When I see Tiffany windows in churches across the United States, I get a sense of spiritual upliftment from that.

Susan B. Anthony said that the bicycle did more to emancipate women than any other single thing. The bicycle was linked in the psyches of women at that time as a symbol of practical emancipation. Women could go places, wear...

When I think how art education is eliminated whenever we get a budget crunch in the schools, I have to stand up and say that even when there was dire poverty ten blocks away from Tiffany Studios in the Lower...

The Tiffany lamp is an American icon bridging the immigrants, settlement houses, and the slums of the Lower East Side and the wealthy industrialists of upper Manhattan, the Gilded Age and its excesses.

I would like to bring people who have never been to a museum into a museum. And I would like to bring museum goers into libraries. I think there ought to be this cross-fertilization.

The gift art gives us is that instead of seeing only our own world, we see into other times, which offers a window into other cultures and sensibilities.

Readers would email me and say, 'Please write a novel about so-and-so,' but it has to come from yourself and not so much from your readership.

I don't know if a historian or scholar owns an opinion.

I pored over art books and absorbed the placidness of Monet's garden, the sparkling color of the Impressionists, the strength and solidity of Michelangelo's figures showing the titanic power of humans at one with God, Jan Vermeer's serene Dutch women...

It was only after I began to write fiction that I found a way to connect with painting.

As New York careens toward the modernity of the twentieth century when Gibson girls were transforming themselves into working women, Clara Driscoll enters the male field of stained glass artistry and builds a lively, multi-national, multi-class women's department within Tiffany...

For a century, everyone assumed that the iconic Tiffany lamps were conceived and designed by that American master of stained glass. Not so! It was a woman!

I write about art out of gratitude to painters for the joy and spiritual uplift they have given me. Painters interpret for us the visual glories of God and, in this way, bring us closer to Him.

Where there is no human connection, there is no compassion. Without compassion, then community, commitment, loving-kindness, human understanding, and peace all shrivel. Individuals become isolated, the isolated turn cruel, and the tragic hovers in the forms of domestic and civil...

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