Look Quotes
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I went to a Radiohead concert with Mr. Aaron Paul and became instantly hip. He's a great tweeter and took a photograph of the two of us. He said, 'Man, look at this! We've already got 800 hits in five minutes!' So this old dog became hip.
If you look at 'Golden Son,' it was just a focused, isolated battle for Mars.
When you look at a lot of the military histories, and even modern military history, everyone pretty much refers to each other by nicknames.
I have always been more of a joyous person than a sad person. But I was fortunate to have a mom and dad where my mom could look at my face and know what was going on and was able to get me to talk and draw it out. As a result, I didn't have to hide an emotion. I didn't have to worry about her telling me, 'That's silly.'
You know, it was important for me to do something like that, because nobody ever really thought I could do anything except look sexy on a poster and go shopping.
Nobody needs to prove to anybody what they're worthy of, just the person that they look at in the mirror. That's the only person you need to answer to.
But had they not paid that advance we would have lost much more, we would have started to go and look for the product all over again, the refinery would have stopped working.
What I love about being an actress is being able to really look into myself and understand another human being.
Historically, if you look at great civilizations, why do they crumble? Is it because of what's outside or because of something internal? It's always internal. It is.
Success for me means being able to work. I don't look at so much at what I've done as much as I look to what I will do.
If you're an actor, you have to look spiffing. But as the director, you don't need to look so glamorous.
In my opinion, it seems like music is taking a bit of a turn. Look at Mumford and Sons, and the Lumineers. It seems like people and music fans are enjoying the more artistic side of music, and that popular music is taking a turn and accepting that, so I appreciate that.
When I was deciding whether or not to take the job at Celine, I didn't really look at the history of the house. I had other offers to come back, but they weren't right, or they wouldn't let me stay in London, which was non-negotiable.
There is absolutely a gap in the market for thirty something women and, the more I look at it, the more I feel there needs to be a sense of ease and choice.
I'm not interested in clothes that just convey a certain look or fashion. Clothes for me have always been a form of self-expression.
I love how most people in 'Sixteen Candles' don't actually look their age. It adds to the movie's funky and low-budget vibe.
If having a beautiful lawn means putting up warning signs several times a year to keep children and pets off of it, it's probably a good idea to look into alternatives.
It's an incredible feeling when you look across the dressing room and see Andres, Leo, Luis and Sergio Busquets, and everyone else. They are players I used to watch on TV or play with on PlayStation, and now I am sharing the same dressing room. It's incredible for me.
I like to have fulsome discussions on every topic. What happens if you lose this show? What would you do? We have to look at every hypothesis.
Yes, I see the Mobile Base System really is the shoulder of the arm. The arm is right there, like a human arm. It's really funny to look at the similarities between a human arm and the Canadian robotics arm.
I have been performing in the street for more than 50 years: magic for basically 60 years, and the high wire 45 years. The beauty of it is that it's never the same. It's never easy. And yet, part of my art is to make it look easy.
Hats are attached to special moments in people's lives - weddings, or the races. In difficult times, people still get married; they still want to look their best.
I empathise with the fact that people want to look their best. A hat is all about how it makes you feel - it's so much better than a nip and tuck, and a lot less painful.
I love the shape of cars. They are very inspiring as modern pieces of machinery. I can't drive, but I do like the look of them.
Look, I'm my own worst critic. I've made mistakes in areas that I need to improve - most notably, turning the ball over.
I think I've got a good feel. A feel for... being able to walk with different people. Or for being able to look at people and think, 'Yeah, I might know what they want to wear.'
In my own work, I'd say I'm a classicist, but I look everywhere for my solutions. I don't study the toilet-living habits of my clients, although that's a popular approach. First, I think of every building in history that has been similar in purpose. Then I think of the functional program - that's a major part of the study.
I like the thought that what we are to do on this earth is embellish it for its greater beauty, so that oncoming generations can look back to the shapes we leave here and get the same thrill that I get in looking back at theirs - at the Parthenon, at Chartres Cathedral.
Of course it looks bad when you're not executing. When things go bad, it's not going to look good.
People are determined to play well against me because they don't want to look silly and lose 6-0. But then, when I'm playing my best, it's weird. Their heads drop and it's like they're suddenly frightened.
Sometimes getting beaten isn't such a bad thing. It gives me a chance to look at myself in a new way.
I mean, look, teachers don't do their job for the money, obviously, because we pay them ridiculously little amounts for what they put in. Most of them come out of their own pocket for materials and things to help the children and all that.
I'm embarrassed every time I look a teacher in the eye, because we ask them to do so much for so little.
What is the deepest passion for me and for us is the historic investment in the middle class and in - as I say often because I was that guy growing up - the dreams of those who look up who want to get into the middle class. That I feel the strongest about.
I remember going to see my dad pitch against other coal-mining teams, and he was successful with the knuckleball. I saw how bad guys would look like swinging, and how guys talked about how he could throw every day and didn't hurt his arm. That's how I grew up learning.
When they show the destruction of society on color TV, I want to be able to look out over Los Angeles and make sure they get it right.
There is an urgent need for Americans to look deeply into themselves and their actions, and musical poetry is perhaps the most effective mirror available. Every newspaper headline is a potential song.
I see guys who are in the gym all the time, but their bodies are not a reflection of that. They look the same from year to year, and that has to do with the fact that they're not evaluating the effect of their efforts.
There's a tendency to look at anybody who joined the military as if they underwrote everything that happened policy-wise. That's not really the case. I have a friend who both protested the Iraq War and joined the military, and ended up serving two deployments in Afghanistan.
In State of the Union addresses, I always look at the foreign policy and military parts first, which are generally pretty minimal.
It was kind of fun to make 'Cloudy,' which has such a stylized look, and then do 'LEGO,' which, while it's stylized, is also photo-real.
I look upon meself as... You take a band that's made up of arms, legs, bodies... I happen to be the piece that talks. And does all that area of it, you know? I'm also very easy to recognize; the darkie in the middle jumping around with the guitar, you know. Dat boy's got rhydm!!!
All the books on my shelves, when I would go to them to look for help with my anguish, they all just seemed so crass. They didn't get it. Those books don't understand. Nobody understands.
I think when coaches look at me, they don't see a prototypical running back.
I like to look at it as things and people and whole society in general being uneducated about facts. There are a lot of stereotypes. But I don't see color, I don't see race.
My everyday look is just very natural, but I still like wearing a little bit of makeup.
The finger lick is just a really bad habit - I do it all the time. My wife Ashley is going to kill me if I do it at dinner one more time. I look like an animal about to dig in.
When you look at Kennedy and Nixon, TV played a crucial part in Kennedy's popularity. He was incredibly photogenic, while Nixon was this scowling figure. American viewers judged him on his appearance on TV.
I'm lucky because I have the ability to look at the brighter side of life.
You gotta look beyond the mainstream... the mainstream'll drown you, you know? There's always a pulse in the underground that I love. And the pulse in the underground is what keeps heavy metal alive.
Now the ambulance is always ready; the paramedics are always ready. People in the crowd can get help without risk. If you look at the Fabrice Muamba case, this is what helped save his life - the paramedics are there.
I'm used to seeing women being degraded, slut shamed, harassed for what they look like. Even the most powerful women in the world are measured by their appearance and constantly ridiculed for it.
I consider myself endlessly lucky to have access to the Internet and technology. Through it, I've found myself and have been able to join a new discourse of females, young and old, who strive to change the way we look and treat ourselves.
That's what I look for in models: Someone who can tell a story and has a presence in front of the camera.
Just like any other girl, I felt pressure to look a certain way. Act a certain way.
I look for subjects who have stories to tell - who are looking to tell something.
Maybe sometimes I don't look like that I'm really enjoying being on the court and playing tennis, but inside, I'm really enjoying it.
Normally as a director, you do look at other films and things that are relevant. But with this film, it became impossible because I became so aware of the camera placement.
I never know what it's going to look like. Wouldn't be much point in painting if I already knew the outcome. I have a subject in front of me and I start flooding colour and making marks, I don't know, it's improvisation isn't it?
When I look at some of my old work, the pieces I find most interesting are the ones with people in them.
Real writers - serious writers with serious subjects, who earn their living at it - all seem to write in small rooms with that knotty-pine 1974 look on the top-floor rear of their houses. Rooms with views.
I design for the use of a building and the place and for the people who use it... the reputation for arrogance comes because when work is offered to me, I look whether I can find a genuine interest in quality.
I work anywhere between three and 10 years on a project, depending on the size. My lifetime is finite. Therefore, I have to look carefully at how many projects I want to put into my lifetime.
If I look at history, it seems that most wars and most cruel things have been done by men and not by women.
Being out in the street is not an expectation of privacy. Anyone can look at you, can see you, can watch what you're doing.
The real difference between literature and pulp is the kind of emotional responses they elicit. Dan Brown can't pierce your heart. Patricia Cornwell can't make you read a sentence twice and then look sightlessly out of the window.
They look so expectant, and then they look so depressed... that was the other great lesson that The Royal Hunt of the Sun taught me, it was the profundity that masked drama can achieve, that of course, the audience were not seeing masks moving at all.
I discover what I mean as I write. That can be both terrifically exciting and very dangerous, because when you look at your words later, you wonder, 'Did I really mean that, or am I just making verbal patterns?'
In a situation where many national leaders do the same thing and look out for national interests, and with an issue like global warming, you're likely to get no solution, so I think you have to have some kind of ethical trump on some of those issues.
To see someone 70 years old with dyed black hair, you're like, 'Hmmm, I dunno. Is that a wrinkled teenager? What is that?' So at some point, I'm going to have to stop doing this. It's gonna look ridiculous. I don't wanna look like Elvis Presley at 60 years old.
Everywhere we look, technology has changed our daily lives - from the way we pay our bills, to the way we buy plane tickets or keep in touch with friends and family.
But the way that we've got it organized in our family, we try not to work at the same time, so I'm just now starting to look around. I think I'd like to do a film.
You never know about the art world because it's a matter of opinion. If you look at old art like Rembrandt and Vermeer, it's not completely a matter of opinion. The pictures confront you, and you see exactly what it is. In modern art, a lot of it is suggestive, and it becomes a matter of opinion.
I know it's a bit of an awful thing to say, but I really just make things up. My main goal is to make a picture that people find interesting to look at and that has my name on it.
I'm into using acrylic, in a complicated kind of way: Making it just as good as oil paint - better, maybe. It's odd - when I started out, acrylic was for children, pretty much. It was a cheaper paint. It wasn't supposed to look very good or last very long.
One day we're going to look back at $1,700 with nostalgia. People are going to be shocked at how inexpensive gold was when it could be snapped up for such a bargain price.
I look in the mirror, and what I see is someone who has never grown up - a crashing sentimentalist who alternates between great heights and black depths.
When I look at myself, I see a person who strangely lacks what I consider the ingredients of a personality.
I want consumers to connect the dots, to go to any store and look at the label and connect the dots between buying cheap China products, which is better for the wallet, and all the other things we lose, like jobs.
We always try to go back to character: What do they want? What are they doing? What's in motion that they're dealing with? When things get particularly heavy, we will take a step back and look at who has some room to have some things lighter, funnier, or sweeter happen.
'Greek Street' is a very strange beast. I think of it as 'The Long Good Friday' meets 'Agamemnon.' A way of using those fantastically rich stories from Greek tragedy to take a look at our world and to explore some of the things I think about this world.
Watching people just look out for themselves, I think, is extremely interesting. It goes right back to something like 'The Beggar's Opera' - the underbelly of society, how it operates, and how that reflects their so-called betters.
What point is there to all the wealth and power that America may have if they can't look after its own?
In Scotland, we're a colony in more ways than one. So when directors come up to work, there's a very particular way they want Scotland to look like and to behave like.
The Vatican is like a huge kind of magician's club. The more you look into it the more awful it becomes. And they're laughing at us. That's when I get angry.
Design-wise, I look at everything. If I don't personally design it, I'll review it. I'm kind of creative director of the firm.
I don't sell anything. So, I have a personal image, but I think that's because I'm from an art background, and I'm an artist, and I think most artists do have personal images. I consider myself more in that category of the way an artist had a look.
Nine out of nine architects start with a sketch, and then they say, 'What should we make it out of?' I start from the bottom up - what should it be made out of - and then I worry about what should it look like. The material, the color of the material, the way it feels, and the way you respond to it is every bit as valid as the form or the shape.
Knowledge-based apprenticeships kickstart careers. Just look at British fashion designer Karen Millen, for example, who learned her craft through an apprenticeship scheme.
My childhood is completely... when I look back, it was '50s in New York, upper-middle class, it was completely idyllic and golden and wonderful - sweet in every way.
People go to the movies to have an emotional experience, not to learn information they could look up on Wikipedia.
I look at Boston-based companies all the time... There's certainly great companies in Boston. If the deal makes sense on the merit of the deal itself, we'll go and do the deal.
With the premise that we look for technical co-founders to run a company, I view myself as being a coach to that technical co-founder. I can help them with their business issues, with the growth issues of taking a company from a very early stage to something much larger.
Actors will never be replaced. The thought that somehow a computer version of a character is going to be something people prefer to look at is a ludicrous idea.
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