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I'm pretty cautious and not very athletic, so I've only had really dumb injuries, like sprained ankles and allergic reactions. I did have to go to the hospital after slicing my finger while trying to cut a Kaiser roll in half.
Whenever I am losing, it's like, 'It's his fault'. And whenever I'm winning it's like, 'That's us'. That's the team, the people.
I could go and make commercials left and right and pretend like I am a celebrity, but that is not me.
As soon as one project is finished I like to go straight on to something else.
I think there's always been singers like that and i've done my fair share of cheese as well.
I thinks it really interesting how they throw the world music samples in there. I often wonder what it would be like to do something like that, but use my lyrics and my kind of style.
I like to be in locations that I kind of feel are very creative, that stimulate me in a creative process.
The good historian is like the giant of the fairy tale. He knows that wherever he catches the scent of human flesh, there his quarry lies.
I've always been consumed by things that are out of this world, like space and moons.
I've already established my (political)machinery. It's like a car. It's fixed already. You just have to get in and drive it.
I don't like to work. I am not helpless without work. Work is an obsession for me.
I don't like anything I see of myself on screen. I might like one scene or a few shots, but mostly I feel bad and keep kicking myself.
5-Hour Energy is not an energy drink, it's a focus drink. But we can't say that. The FDA doesn't like the word 'focus.' I have no idea why.
I didn't want to be known. People say, 'I didn't want to toil in obscurity.' I like toiling in obscurity.
Not one Argentinian in history had made it to the NBA. So why was it going to be me? There was no way me or anyone that was near me could ever envision a career like this.
I generally don't think one's age is all that meaningful - there are 50-year-olds who still act and think like children.
With Bayern, we want a lot of ball possession and to control the play, so I operate sometimes like the 11th outfield player. Thus I am included a lot into the build-up play and have a lot of touches of the ball.
I like English football; it's a very important league. I like the crowds in England, too - they are noisy and create a special ambience.
I enjoy working, and I enjoy working every day - and it is for that reason that I don't so much like the idea of working with an international squad. To have every day on the pitch is important to me.
Working with Lasse Hallstroem was like a rollercoaster, because he doesn't have one specific vision. It changes daily, or it's always evolving.
I like working with creative people who are receptive to new ideas, who want to do things that are different, who want to create films of a different mould.
B.I.G. was like the Alfred Hitchcock of rap. Like, this dude's story form was so nuts.
The reason that I like 'Game of Thrones' is because it's based on all these royal families. And it's cutthroat - just like hip-hop. It's all about positioning and figuring out who's going to last.
I always felt like the trumpet or trombone player was always the coolest dude in the room.
To have Run-DMC acknowledge you, something like that, you're like, 'Oh, I'm that dude.' To have Jay-Z do a verse, you that dude. To have Jay-Z shout you out in an intro, you're that dude. Like, it doesn't get any greater than that. Nobody can take that from you.
I have some songs on 'Tha Carter V,' but if I hear a song five times, I don't like it no more.
The Cash Money sound pretty much changed the era. It kind of put the business into rap. It was like, 'Get your money, dude. This is a billion dollar business.'
A lot of artists are scared when they see trumpet players show up - they like, 'Nah, that ain't what I want.' I try to tell them, 'Dude, I'll give you trademark Mannie Fresh, but it's not about keyboards and a drum machine.'
Actually, what will be shown from here to eternity will be Burt Lancaster and Deborah Kerr cavorting on the beach. 'From Here to Eternity' must have seemed like a chore to its director, Fred Zinnemann.
I'm quiet and introverted, and I like to just be by myself a lot. I like to read and just get away and surf. I have a lot of alone time.
I schedule 'me' time because, just like everyone else, I need to unwind. I try to remember to take it easy and breathe.
My father was really into yoga, and back then, it seemed like we were really the only ones who knew about yoga. It amazes me now... just what a movement yoga has become and what an industry it's become.
I am obsessed with the Mylkman. His fresh, handmade Almond Mylk is nondairy and the best I have ever had. It tastes like dessert.
I have ambitions to do a Broadway record one of these days and get in the studio with like, a real orchestra. I'm a big musical theatre geek.
The way I like to work is to attach personal experiences to what I'm doing, so it helps tremendously if I can write my own play under what the writer has written.
The youthful vibe Nashville exudes is intoxicating and contagious, especially amongst the culinary scene, which lures so many great young chefs to places like City House and Rolf and Daughters.
Format is just the language. Content is the only thing that is important. Form is like handwriting. Whether you write in a scribble or clean handwriting or type it, the content remains the same. You want to write in clean hand, in a kind of a clear format only because it is aesthetically pleasing. I can scribble, that's also fine.
Most days, I still feel like I need to be wearing mascara, eyeliner, have my eyebrows done, have on bronzer - the whole thing! I may as well do it all.
I would like to spend Christmas in different countries all over the world. I love seeing how different cultures celebrate the holidays in their own unique ways.
I would like to use stories as a springboard for children to make their own creative responses. I would like to encourage them to express themselves using music, art, film or whatever, and upload it to a website having been inspired by particular stories.
I'm trying to find the balance and do, like, 'Spanglish' music or some songs in Spanish and others in English or do a translation.
I'd like to learn how to cook. I've hauled around this big, old, heavy Martha Stewart cookbook in my suitcase to Cape Cod, L.A., Paris. I don't know what possessed me.
I met Chanel in the 1960s when I was working over in Europe. She sent me clothes all the time because I was only, like, 110.
You can get a job, but you have to actually start doing it before you can be like 'Yeah, I've really got that job.'
I watch a lot of British television so people like Olivia Coleman, Sheridan Smith and Jodie Comer continue to inspire me with their versatility and story telling in British television.
For an old spy and codebreaker like myself, nothing in the world happens by coincidence.
There aren't traditions of freedom in a place like Iraq. They're going to have to come to grips with a concept that they hadn't been allowed to conceive before.
We, the artists, make the stuff they sell and they're like ticks on our backs, sucking the life out of us.
I will never sign to a major record label again. If, by some mega fluke, a record of mine looked like it might break big, I'd try and do it via an indie or somehow license it. I'm not having my music owned by those corporate bastards again.
I like being 35, I like having a bit of money to spend on music and useless gadgets. The net is providing new ways to communicate and cooperate that just didn't exist in the 80s.
I've never felt like a pop star - this is a nine-to-five sort of gig. It comes from working in the factories, that world. You don't forget it.
But there's a huge blessing that comes from being a part of a show like 'The Cosby Show' that sets such a high standard of quality - it touched so many people on so many different levels.
Mr. Cosby wanted to do a show not about an upper-middle-class black family, but an upper-middle-class family that happened to be black. Though it sounds like semantics, they're very different approaches.
I knew that I wanted to create a restaurant like Hard Rock Cafe or Planet Hollywood that celebrated not just music or Hollywood, but who we were as people of color, as Caribbean, African, Cajun and Southern people.
A lot of times, we don't seek the help. If you come from a family where you might have been abused, a lot of times, particularly with males, regardless of what the ethnic background is there's a sense of like 'Just keep it moving.'
I wouldn't have made it past the first round of American Idol auditions. It was months before our first song was recorded. The guys were like, 'Just seeng!' And I was like, 'I don't know how to seeng! Can't I just play the triangle?'
I never was shy, but as far as telling jokes, I'm the worst. I like physical comedy; it's where I feel comfortable.
Authors are sometimes like tomcats: They distrust all the other toms but they are kind to kittens.
I didn't like the way Andrew Peacock was not supported in 1984. He'd done well in that election; he deserved to continue. But by the end of '85, he was out.
Our biggest thing is, any player who's protesting will tell you that the only reason we use the anthem is because it's a platform like no other. We use it to draw attention to other issues. We've heard from many people, 'Use a different venue. Use a different platform.' Quite frankly, this is the most effective one.
For Obama, there was just a lot of enthusiasm in the minority communities to get out and vote. Everybody felt like their vote mattered.
I like to razz the Trekkies a little bit. Who doesn't? It's trainspotting, isn't it? But they are very well-meaning, actually. I've done a couple of Star Trek conventions, and they've only been really welcoming.
St. Teresa of Avila described our life in this world as like a night at a second-class hotel.
Football is a bit like chess: it's not just the piece being moved that matters; it's also the effect that move has on all the other pieces.
There are stories I wanted to tell, and they are not defined by what I look like.
I like the English. They have the most rigid code of immorality in the world.
I've seen so many scripts, and I want to do everything. Like with kiteboarding, you have to be fearless. I'm not scared.
I grew up such a horror fan, it's kinda cool being named 'Scream Queen.' I like that.
I don't like anything permanent; I have to be able to flee. You have to be able to flee at a moment's notice.
I live in a small world of gouache and brush and pen and ink. I'd like to explore the world of multiples - etching and prints.
I'm a little bit awkward on Twitter; like, I'm never really sure what to say.
I'd never want to be trapped. I never like to stay in one place too long. I always flit around, I never settle anywhere. So being married would be being trapped.
It's huge in the U.K., if someone's doing well, to put them down. That's what we do all the time. It's kind of like a cultural thing.
It's not like I've ever been the popular pretty girl at school or anything. I was always such a weirdo.
I don't really like to work with actors that work a lot and are very well established already. In a way, I like to nurture talent and have it burst on the scene.
I need to be in front of my obstacle. I like to have a back dialogue; I like to talk with people; I like to share ideas.
I'm from Miami, I love it when we're out in the heat. When it's cold, I'm like, 'I'm never acting again,' because it's too freezing.
Against barbarity, poetry can resist only by confirming its attachment to human fragility like a blade of grass growing on a wall while armies march by.
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