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I like Christian Bale. I've heard he's a big fan of mine, but I certainly reciprocate. I think he's really very good.
I like the idea of a character that you wanna like even though you know he's making immoral choices throughout the film.
This house I grew up in was built in the 1800s, and the back yard was like a cemetery. Naturally, I grew up in an environment where ghosts and supernatural things were very unnerving to me, because my brothers and I dealt with it on a daily basis.
When I hear Obama speak he just seems really sincere and he just seems like somebody who actually has his heart and his motivation in the right place. Forget about color or race or gender or whatever, he's got his heart in the right place.
A decent man who doesn't consider himself a bigot can indeed be trained to behave like a bigot if he welcomes feedback exclusively from those who consider bigotry no big deal or, indeed, an attribute to be admired.
I'm a sucker for Thought Catalog. Shelby Fero is really funny on Twitter. And Patton Oswalt, he's sort of like a Twitter throb.
It used to get my back up because people would only say 'he does well for his size' and it's like, forget the size, I do well because I do well.
John Barnes was my idol growing up and he's the reason I've supported Liverpool. I play nothing like him, though!
Like individuals in all walks of life, footballers want stability and we have families to look after.
I like being the biggest on the pitch, I don't want to look at the other guys and think his arms are bigger than mine.
I'd always been one of the strongest players in the game, but officially in 'Fifa 14' I was the strongest in the world. If they say so, I must be. I like that.
I'm aware that there are a lot of guys playing at amateur level with a build like mine and I say stick at it, use what you've got to make an impact on the game.
The stuff I like watching is the stuff that leaves you with a lot of questions when it's finished.
I like to read in the bathtub. Ideally, that bathtub would be located on a small Greek island.
The goal has been not to get pigeonholed. I like working in different genres. I'm gonna try to be entertaining and funny and do my usual thing.
I would like to think that I curse expertly - it's not something that I do without considering it. I never curse without intending to; it's not something I resort to because of inability to articulate or find the correct word.
The thing is, I've gotten massages to Enya. I like Enya. If you ate fantastic steaks to Celine Dion, you'd like Celine Dion.
I guess HBO did a giant 'War in the Pacific' mini-series that cost, like, a fortune, and there was a little moment where they literally had no money. And even though the show had become kind of a cult hit, there was an issue of whether they could actually afford to do it.
You have a guy like Bernie Madoff literally steal $80 billion, you know, AIG steal hundreds of billions, Goldman Sachs. Crime has changed so much, and to really do a movie with, like, drug dealers or drug smugglers is kind of almost quaint at this point.
I would never do 'Stardust Memories' because I don't particularly like that kind of movie - that would be why I wouldn't do that.
I'm a huge hip hop fan going way back, like, back to '83. I had my Gemini mixer listening to Run-DMC and Kurtis Blow.
I think there's a tendency to think geeks and nerds are just sweet guys that were picked on, but that hasn't been my experience. I'm certainly not like that, in a lot of ways.
Things I used to get in trouble for writing at 'SNL,' suddenly other people like it.
An ethical action, like an unethical action, is usually analyzed by politicians purely in pragmatic terms.
What I like about climbing that it's so broad. For certain periods I can focus on sport climbing and then I can shift my focus more on the bouldering or I can shift my focus on climbing in the mountains.
My diet is mostly composed of whole-grain cereals, legumes, beans, lentils. Lots of cooked, baked, or steamed vegetables. Lots of spices like curcumin or cumin that help aid digestion. Some superfoods.
I really don't feel like just going to WWE is the absolute end-all, be-all in wrestling.
I would like to work with challenging material. A challenge is good. If it's good material; it's a challenge.
I guess I'd like to do a straight-up drama someday down the line. But I just want to keep working.
I play guitar, and I'm a decent basketball player - people like to play on my team.
I like Jaykae. He's a great artist, and I absolutely love Dr. Dre's album and a bit of Calvin Harris now and then.
I like the dark undertow of grime, and it gets me aggressive. You need that aggression.
The roar of the crowd when you come out for a final is like nothing else: when 15,000 people are cheering you, a lot of adrenaline goes right through you.
Just because I have two world records, everyone assumes that means automatically it is two guaranteed gold medals, but it isn't like that, and anything can happen in a race.
I was a jock in college and high school, but I didn't hang out with the jocks. I was sort of a nerd who didn't look like a nerd. I never really fit into any social set.
I was born in Chicago, then I spent most of my youth in Joliet, Illinois which is about thirty minutes south, and I went to a military academy for high school in Wisconsin. Then I went to college, on a basketball scholarship to a small school in Iowa, so I'm like Mr. Midwest.
I had a sort of bad experiences as a playwright early on, when directors were putting in huge concepts that I didn't intend, or they were stylizing something that was compromising the play, so I started to think like, 'Well if I'm going to fight against this, I should learn how to direct.'
I like to write about teenagers because it's such an uncertain and dramatic time.
Vampirism is like celebrity now. Vampires are these eternally young, thin, sexy apparitions of perpetual nightlife and absolutely nothing like their folkloric European boogeyman predecessors. We don't even make our vampires sleep in coffins anymore, or the ground.
We knew that we wanted to play heavy music but I hadn't gotten into melody and things like that.
Musicians don't respect a lot of the stuff that is on TRL and a lot of musicians think that stuff on the radio is not good musically so when musicians say that they like us it obviously feels good.
Everything is completely democratic in this band so far and that is the way that we would like to keep it.
So you have to just be really careful and make sure that when a deal comes along, that it's like the right deal for you... not necessarily the most money, because you have to pay the record label that back in like record sales and stuff.
I was stuck with looking like a girl. As soon as I got out of music it was straight off to the hairdressers.
You have a personality like mine, it's for everybody... It's not just for some group of people.
If I forgot to put something on, and I have to wear a trash bag, I'm just like, 'I'm gonna rock a trash bag today.'
The first time I ever sang in front of a crowd of people was, like, 10,000 people in Japan at a skating exhibition.
I'm able to go out there, and I'm really able to be, like, unabashedly myself. And I want somebody who's young, who's struggling, who's not sure if it's OK if they are themselves to know that it's OK.
I love to have my own story, my own path, and forge ahead because my career isn't going to be like anyone else's.
As an audience member, I like to watch what they're doing, and that's one of the reasons I love skating: because it's a performance, and I love to perform. That's my favorite aspect of skating.
I'm not like a gay icon or America's gay sweetheart. I'm just America's sweetheart, and I'm just an icon.
I'm surprised how hot it gets in the Moab Desert. I knew it got hot, but I didn't think it got, like, Mercury-hot.
At 140, 150, that's when the car starts floating. At 160, that's when you start seeing dead relatives. At 180, it's, like, terrifying and exciting.
I dug up my dad's old Fred Astaire tapes, and now I find him super-inspiring. He's, like, one of the best dancers.
If I could have anyone on speed dial it would be George Clooney. He seems like a cool guy who would give good advice.
I do like to keep mementos from my work, whether they be photos, the backs of make-up chairs or even props and clothes.
I can't just go into the studio with one idea and be all in on that, 100 percent. It takes me a while to arrive at something that feels like it's finished.
I immediately felt welcomed, whereas in Massachusetts, I'd grown up there but I felt like such an outsider. Within a week or two of moving to Philly I felt there was something I could be a part of.
I don't like drums dictating the song; like when you hear a fill and then you know the chorus is coming up.
No I don't play bluegrass harmonica or anything like that. I don't listen to country or bluegrass records.
I ended up renting a studio in L.A. for about 15 months. Starting in January of 2016, some of the guys in the band were coming out once every five to six weeks for like five days a time.
I like that kind of classic-type sound. A lot of my favorite albums were tracked live, with a four-piece band. I love the way those albums sound, but I want to make records that sound like that in the way I like to make stuff.
I tend to think about so many different things on a recording. I'll be trying to tune into what the drummer's doing, trying to keep everyone playing the groove and other things like making sure the piano's in a nice pocket.
I started guitar when I was like thirteen. I had a friend whose dad had an electric guitar. In sixth grade or seventh grade I went over and played it and immediately I was super excited by the whole thing.
I'm really picky about stuff like videos or even pictures of the band, but at the same time, I don't really know what it is I want; I just know what I don't want.
With 'Under the Pressure,' I just found two chords I liked, and built it up, did like a ten-minute drum pattern.
If I had the day off and knew everyone else was voting, I wouldn't miss it. It would become a routine part of my responsibility as a citizen - like paying taxes, only less soul crushing.
I once pitched this show that was just like 'Quantum Leap,' in terms of the set-up, and I got a pass because they said 'Quantum Leap' didn't work, even though it was on for six or seven seasons. You can't say 'Quantum Leap' didn't work!
The honest truth is no, I don't feel like I arrived. I don't feel like I'm worthy. My publicist says I'm not supposed to say that, but I don't feel I'm there yet.
The story of Noah, like other stories in the first 11 chapters of Genesis, are archetypal. Noah's story tells us that human beings have an inherent tendency towards violence both towards their fellow human beings and towards the creation itself. The story tells us that this violence grieves God.
When we played with the Rollins Band, we'd keep songs going until we felt like ending it.
That's the thing I like about my sound. It's real raw and very unsafe compared to a solid state kind of sound.
I personally don't like to use as many effects because when you play live, something always goes wrong.
I really like stuff that is collectible that you can hold and go, 'There's only a few people that have this.' I like to see that someone's put a lot of labor into making something.
I like Barrington Leavey; he's the best, and Toots and The Maytals are also the best.
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