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I went to see a shaman. He put his hands on me, and I cried like a baby for an hour.
If you don't fit into this kind of like gossipy, trendy, Web-hit thingy, you're relegated to sort of second-class celebrity status.
Interest in certain themes doesn't mandate a personal stake or personal experience of those themes. I've killed people in plays, but no one asks me what it's like to kill people.
It's not that I don't want to be famous. It's just that I don't feel like the burden of responsibility on selling a film should be on the actors.
Originally I planned on starting a teapot collection. I really like them.
The public wouldn't like the perfect umpire in every game. It would kill off baseball's greatest alibi - 'We was robbed.'
I come from a working-class family in Pittsburgh, whereas 'Mike & Molly' deals with the working class in Chicago. I swear a little, but I pretty much talk the same. It's not like when you see someone like Tim Allen and he's a lot bluer onstage.
I always like to find those little mom-and-pop sandwich places, or diners. Those are my favorite kind of places.
I like those older theaters - the acoustics are perfect, I mean, you just have that feel of there's been a thousand shows in there and now you get to be one.
That is what Christmas should be about, I think - togetherness and playfulness. It's like a game.
It's like, what happened, I was always leading fashion, and then the grunge thing kind of came along. And because I've been so on top in the '80s you know, I, you know, what can I do? Suddenly go grunge?
All of the Vines that were acted & setup & had nice cameras, those weren't the good Vines. The good Vines were, like, a random little kid in the middle of a forest, like, yelling.
I'm gonna make what I want to make, and other people are gonna like what they're gonna like. It doesn't really matter.
I never had a chance to play with dolls like other kids. I started working when I was six years old.
There's no damn business like show business - you have to smile to keep from throwing up.
I don't want to limit myself musically. It would be really limiting if we'd neglect something we really want to do, like explore other styles of music.
I don't like LA. The majority just seem to be so artificial. Look at how they worship everything they think is fashionable. Isn't it sick?
The thing is, acoustic could be like a four-letter word to a lot of kids.
We put everything we had into this record, just like we do with every other record that we make.
I sound like an Englishman impersonating an American impersonating an Englishman.
I was at Wesleyan first. I was there for a semester because I wanted that traditional college vibe. But when I got there, people would do normal college things, and I was like, 'I can't be here. This is a nightmare.'
I'm reading more than ever. I used to find it tedious, but now it's like my little friend - it takes my mind off things.
I hate this idea that I've somehow become detached. It's like I can't win. I'd been hearing all these years that I was too hands-on: that I was the guy writing out the lineup card. Now, I'm not present enough. How is it possible to be a detached micromanager?
Tower Records is like a temple to me. I'll stay there for hours. Nobody can shop for records with me. It drives them out of their minds.
I was the fattest baby in Clark County, Arkansas. They put me in the newspaper. It was like a prize turnip.
Getting the nomination is like gravy. Winning would be like whatever is better than gravy.
Hobbits are a lot like Scots. It's all about nature and enjoying their land, which is a very Scottish thing.
People are scared to make something that doesn't look like another film that made a lot of money. It means we get 'Four Weddings And A Funeral' made again and again.
I really like acting but, just now, the more I read a script I find myself thinking I'd like to direct rather than act.
I'd be lying if I said it wasn't fun to go to these nights out, like the opening of a film or something, but I dip in and out of it.
I've had songs written during the Falklands war, and during the first Gulf war I got letters from soldiers saying they were listening to these songs, like Island of no return.
My nickname is 100 percent fan-based. It's not like one day I said, 'Hey, I want to be named Country Breakfast.'
Paintings are like a beer, only beer tastes good and it's hard to stop drinking beer.
I did not like prizes at school. I didn't like tests or exams, or the 11+, or O-levels. Later I hated B.A.s and M.A.s. The reason I hated them is that I don't like being tested, failed or falsely praised by anyone.
Poetry is my cheap means of transportation. By the end of the poem the reader should be in a different place from where he started. I would like him to be slightly disoriented at the end, like I drove him outside of town at night and dropped him off in a cornfield.
The disappointing second novel is measured against the brilliant first novel - often no novel lives up to the first. Literary improvement seems like an unfair expectation.
A lasting marriage, they say, is one where the two reach for different sections of the Sunday paper. Me, I go right for the obituaries, just like those very elderly characters in Muriel Spark's spooky novel, 'Memento Mori.'
Like Godfather, you look at a movie like that, or something that James Gray has directed, a film with minimal or pin lighting as opposed to everything being lit bright and flat, where everything is evident.
There's a tipping point that happens with soccer in which you just kinda get it. I was drawn to it because the best soccer teams play similarly to my favorite basketball teams - like the eighties Lakers or eighties Celtics - teams that emphasized teamwork over individualism and relied on passing as their biggest ongoing edge.
I want the 'Book of Basketball' to do well if only so I can shop an absolutely ridiculous topic for my next book: like, a book about basketball cards, or an unauthorized biography of A. J. Daulerio.
When I read a script and have my first interaction with this character, do I feel like there's something I'm gonna' learn here? If I feel like it's something I've done before, then what's the incentive for me to do it?
Normally, when you do a movie, you have those mundane days when it's like, 'Today is the scene where I get coffee.'
The soundtrack for 'Hemlock Grove' got me into all this goth folk gypsy music like the Dead Brothers.
I can't see myself as a very domesticated person, with a suburb house and stuff like that.
The Vice-Presidency is sort of like the last cookie on the plate. Everybody insists he won't take it, but somebody always does.
The groundhog is like most other prophets; it delivers its prediction and then disappears.
Every baseball crowd, like every theatre audience, has its own distinctive attitude and atmosphere.
Shutting off the thought process is not rejuvenating; the mind is like a car battery - it recharges by running.
I live in a house that was built in 1480. It has a moat around it. It is like a little baby castle.
It was actually Peter's idea that I should make the film. He called me in the very beginning, and I hadn't even read the book. So I read it and I liked it very much and I knew I'd certainly like to do it.
He considers the theatrical version of Fanny and Alexander an amputated version of what his original film was, and he doesn't really like the shorter film.
I have a perfectly average skewed perception of myself. We often don't know what we're like.
If you are supposed to be villainous and have some sort of agenda, I like the idea of delivering that kind of character in a perfectly well-mannered way.
It can't be overstated how wonderful it is not to have to audition any more. Any actor will tell you, it's like Christmas.
Hunger is almost like something the West does. It's almost like the direct result of the way the West performs.
I generally do things I'm proud to be in and generally I'm in things people like.
The great thing about animation is it's like the radio. I used to do lots of radio when I was a kid, and you get to play parts you would never get to play ordinarily.
I spent a lot of time with my teams, especially in the East Coast teams, talking about dealing with the elements a lot of time, and a lot of instruction about field position and those kind of things. I like that variable.
I don't have to make examples out of players to establish my own place. I don't feel like I have to.
I'll call somebody 'dumb' or 'stupid' if they make a dumb or stupid play. I don't know any other word for it, and if they don't like the word, that's too bad.
I love football; I enjoy it. That's why I've been in this game as many years as I have. I still like it. I get excited about it.
When I was a young coach, there were people like Chuck Noll, Chuck Knox and Tom Landry who were there for me.
On the Internet, on IMDB, they've got that my middle name as Archibald. I don't have a middle name! My father doesn't like middle names.
I like to get up at six in the morning, and I draw until sometimes ten at night.
I like those crisis moments - if you're on top of it and don't get pulled under by panic and fear, it's a very bonding thing.
I always feel like there are a lot of different types of favourites. There are some that I look to for interesting things, some that I look to for acting things, others that I watch again and again.
I don't like this instinct of reality television to wear your lifestyle in public. I've really always loved the anonymity of things.
I like to wear my dad's shoes to auditions as sort of a lucky thing. I feel like I'm on solid ground.
I watched John Wayne movies, matinees - things like that. It was only in college that I saw European films. That became more of what I was interested in.
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