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I was such a huge 'Seinfeld' fan, and I walked on the set, and I saw Kramer. I walked into Jerry's apartment, and I was like, 'Oh my God, this is Jerry's apartment.'
As much as I would like to be the one who saved hip-hop culture, it's pretty much nigh-on impossible.
I know my limitations, and I don't like politics. I was only involved because of my husband.
It's an addictive thing. It's not so much I like to go win, but it's a rush.
It's not so much I like to go win, but it's a rush. A horrible gut wrenching thing, but it's exciting.
I can do a really high-pitched cartoon voice. Everybody always say they like that.
I would like, in the long term, to be recognized as a writer-director-actor.
Thrillers are my favorite. I like stuff that keeps you on the edge of your seat or maybe makes you jump.
I like The Erised for the harmony of their addictive beats mix, and I like Allie X for her distinct style and incredible lyrics - they are pure art.
I'm actually like a hole-in-the-wall coffee shop kind of guy. So I love the local shops that are kind of like one-off chains in Los Angeles, and I usually get a soy flat white.
I could Photoshop for hours. I spend way too much time making thumbnails. I spend, like, two hours on my thumbnails sometimes just because it's, like, fun.
I like watching Spanish and Italian games and looking at how they play compared to us.
When you're at a club like Liverpool, it's always about what you can do with the ball.
My parents listened to a lot of music when I was really little. They used to listen to people like Michael Jackson and Stevie Wonder and I used to be really into that.
I've always felt like there was a lot of hype around me even when there wasn't. I felt like everyone was talking about me even when no one was talking about me.
Life's a rollercoaster. You're up one minute; you're down one minute. But who doesn't like rollercoasters?
I like science fiction. Arthur C. Clarke, Philip K. Dick and Vonnegut, and I really like Margaret Atwood, 'The Handmaid's Tale.' And you know, so much of science fiction has to do with predicting what's to come, so I think that's really interesting.
When I was a kid, we would build pillow forts. My pillow fort was always like Ice Station 9 in Antarctica. The other kids would come by and be like, 'Oh! The wind and snow is blowing.' From a young age, I wanted to be out there and surviving. I'm a high-strung, hyperactive guy.
The music that I play and that I like is traditional music, maybe it's because of my age.
When you here a conjunto and you hear another conjunto, you think it's like a continuation of the first. It's all the same, same, same. There's no variety, just the same music.
I like to party at Christmas. We always have a duck, which my brother prepares.
If I see something that's extremely challenging, I'm like, 'That seems really hard. Let's try it.' It's just my personality.
Foreign policy simply cannot be judged by today's headlines that chalk up victories and defeats like so many box scores in the sports sections.
Some folks want the position of being a U.S. senator to enjoy the benefits that come with it, like foreign travel on the taxpayer's dime - which Sen. Boozman's done 129 times.
In terms of 'American Horror Story' and 'Nashville,' what attracted me to those, and 'Friday Night Lights,' for that matter, is that they felt like something innovative and something that we hadn't seen before. As an actor, that's exciting.
In the beginning, all of us got 'women type' stories. Like covering the first lady instead of the president.
There are some cities that I did take time out to study, 'cause I love history and one of them was Boston, and of course Rome and all of those places like that. But, in Syracuse or Rochester, or any of those places, no.
Being here, it is just impossible to imagine what that was like, when the tsunami hit.
I want to know what they look like, their height, and colouring, physique and speech pattens.
I've worked on all sorts of things, like the sci-fi stuff for Vin Diesel, where the script is numbered and is in unphotocopy-able colours and your name is stamped into every page. And it doesn't really help because it creates a false sense of specialness about the thing.
I kind of have an interest in all history. And I suspect it comes from being Irish - we like stories, we like telling stories, which makes a lot of us lean towards being writers or actors or directors.
I'm from a small Irish family of 10, so there always was music in the house. Growing up, my older sisters had things like 'South Pacific' and opera on.
Everyone's a pacifist between wars. It's like being a vegetarian between meals.
I like to know how I'm supposed to feel about things. Just a little clue or hint.
I like to explore different ideas of race, how the concept of race has evolved in the country. It's one thing I enjoy talking about, but I don't feel compelled to talk about it.
If you're working on a computer and you're editing bass, it looks like a warm curvy, sort of feminine object.
Our site should be like Paddington Station with a much better version of WH Smith's in it.
Boxers, man, except when I have to get dressed up. Then it's boxer-briefs. But never tighty-whities. Never. But dude! If they brought back Underoos? Dude, if they brought back Underoos, I would rock the Underoos. Like He-Man and Transformers and G.I. Joe and even like Dukes of Hazzard.
I'm really fascinated with anything that takes place between the 1920s up through the 1960s. In some ways it feels familiar, and in other ways it feels like it's from another planet.
I feel pretty comfortable in a lot of different musical styles. I like rhythm, and I like melody and so forth.
I'd love to have a hit record. I don't believe anyone that says they wouldn't like that.
I'm really excited about Jordan Spieth. Like a great in any sport, when the moment is the biggest, he performs his best.
Staten Island is segregated, but it's also - I don't know. It's, like, it's not - it's not unprogressive.
Montauk is a little more raw and rugged than the other parts of the Hamptons, and I like that.
My agent, Jeff Andrews, suggested I write a book. For some reason. he doesn't like it when I'm not doing anything.
My sights have always been on acting, on the creative process, never the lifestyle. Growing up in Northern Ireland when I did, everything was against you if you wanted to do something like that. But I was determined.
Nowadays, kids know how a programme like Merlin is made and how it works. But the show just seems to grow in popularity the more it goes on.
I've read a lot of Terry Pratchett's stuff, probably from when I was, like, 14.
You can't make money on Broadway. You make nothing. You maybe make like $1,350 a week after you pay out all the producers.
I get the impression the English kings were witty, for some reason. I feel like all you had was your wit.
Marie Antoinette was funny, I'm sure she was just misinterpreted. You know the 'Let them eat cake' line. She seems like she was kind of funny, like a Chelsea Handler or Kathy Griffin type.
A weird sort of awareness set in, like, 'Wow. My standup isn't just separate from everything else I do anymore.' With Twitter and Face book, everything is universal that everything everybody says gets seen.
I'm from Oakland and San Francisco, so I feel like the Pacific Northwest starts there and goes north - so, it's home to me.
I like to believe that intimate moments between characters don't need to be relegated to independent films.
I feel like, whatever movie I was making, there would always be moments of human intimacy and insight into a little bit of what makes us tick as people.
'Jurassic Park' is like 'Star Wars.' Different directors can give a different taste to each movie.
There's no need for a female character that does things like a male character; that's not what makes interesting female characters in my view.
I've spent 10 years checking my analytics on my end to see what people were talking about and what they like.
How it works: it's like I have a tour, so there's, you know, some income from that. We have merchandise. There's income from that. Then on YouTube, there's ad revenue... so, you know, YouTube puts ads on the videos, and we need a little bit of that.
I don't think people in Hawaii like negative ads, whether it's done by an independent group or whether it's done by the campaign itself.
I don't think I've found the perfect job for me, but I know what I like, so that's halfway there, right?
When I sat down and wrote the first paragraph, I was like, 'Oh, I can go with this.' I didn't do an outline. I didn't do anything. I just wrote sentence by sentence, not knowing where the story was going.
Songwriting is like a therapy, it's a connection that you have with another person, and I'm not scared of it at all for some reason.
As far as standup goes, I really feel like I can stand and bang and trade with anybody in the game.
There were points I wanted to stop acting. We got so busy and didn't get to see our friends a lot, and I was like, 'Wow, I'm kind of over this.' But then we started really having fun on 'The Suite Life.'
Twins work really well in the industry because child labor laws dictate a baby, as an example, can only work for, like, an hour a day.
I needed to see if I could have fun in a project again, and 'Riverdale' was a project that ended up looking like a tonne of fun.
I took a break from acting for a little bit, came back, and didn't know how it was going to be, but I had so much fun. I really had, like, a reinvention, a renewal.
I'm a believer that we should support various forms of representation because they clearly resonate with unheard groups of people, and for such a huge project like 'Riverdale,' this kind of representation is fundamentally important.
There's families all across the country that miss people, but there's nothing like military families.
I know that a lot of our troops like country music. I would love to do anything I could to just help them out.
Taking care of the people who take care of you - that's how I was raised and how I like to do things.
I made the tenor sax - there's nobody plays like me and I don't play like anybody else.
It's like simulating earthquakes: we can over and over study a bubble, crash, bubble, crash. Then we can see mathematically if there's some regular pattern and what's going on in people's brains when prices are going up and before the crash is happening.
I like to pick out a certain part of each show I'm in and I watch it when I'm not onstage or in my dressing room. I'll go down to the stage and watch that part of the show each night.
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