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Often times, I just do a job and tell my agents, 'I'm in lockdown now.' I won't talk to anybody about anything else in the meantime, and I think that's generally the way to go because I also like to have a gap in between jobs.
I like films that are gritty and hard-hitting and suspenseful. Thrillers, too.
I like being in focus, in the moment, changing and adapting and creating and advancing a scene.
When I'm onstage, I feel a lot of love. But I don't like crowds and random spectators.
I don't like going to movie theaters or festivals. I even get freaked out at other people's shows.
I like to call myself numerically dyslexic, but officially, I am mathematically thick.
A barrel of laughs should be enough, but it's not. A good review is official and endures. A bad one is like a tub of Flora. It spreads easily and lasts for the whole festival.
My brain kind of rolls pretty fast when I'm conscious. It's constantly looking for stuff to do. Like if I'm in my house and I'm hanging out, I tend to be listening to music whilst watching a film whilst sending e-mails.
I like relationships and being in love, but I also like being single - you have to embrace all those different things.
I like films that deal with some of those questions that you can never answer: 'Why are we here? What's it about? What happens to us with the choices that we make? What are the ramifications for doing something right, or doing something wrong?' Those universal questions, I enjoy.
I'd like to go on a hardcore safari in Africa, something off the beaten track with anti-poaching people and camping out in the savannah.
I don't watch TV dramas. I watch ESPN, HBO boxing, National Geographic Channel and I kind of like to get some DVDs, movies that I haven't seen and I just pop them in.
You can't help your background or innate talents. But anyone can graft: that's why there are success stories like that of Tony Pidgley, the founder and owner of Berkeley Homes.
We should protect free speech by repealing offences that stifle legitimate debate - like 'glorification' of terrorism and religious hatred - but take a 'zero-tolerance' approach to extremists inciting violence.
America has this understanding of Africans that plays like National Geographic: a bunch of Negroes with loincloths running around the plain fields of Africa chasing gazelles.
We like to make the Marvel comics films because they're fun. Families can go see them together. They're entertaining. They aspire to inspire, and that is cool.
I like stories that have a social impact and social attributes to them. That's the whole reason we make films: to broaden our limited view of things and to see how life is evolving elsewhere.
We should enable the private sector to engage in self-defense in the cyber world like we do in the physical world.
When I see something like Russian intelligence services interfering with our electoral process, I find that incredibly offensive.
Considering I'm a young president, I wouldn't like to make an evaluation of myself. It's not my job to do that.
Like the American soldiers who went before them, they are putting their lives on the line to protect ours.
As a coach, you've got to do what's best for the team. If guys don't like it, they're going to leave. If they stay and don't like it, well, your team's going to suck anyway. Even if this happens, you still have to do it. You can't coach worrying about any individual.
I just like to do the fun stuff. If I'm not having fun with it, I'm not going to do it for the rest of my life.
I feel like there's a lot of pressure on artists to be 100-percent organic all the time.
I don't like to get involved in things that I am not familiar with. I'm kind of a hands-on type of person.
Essentially, we wanted to be in one of Azazel's films, so the notion was we'd simply write an Azazel Jacobs movie ourselves, and then give it to him and be like, 'Right, here's you next film, now direct us. Go.'
I'm not big on material things, but I like my cars. They are German-made and custom-made.
I love watching Steph Curry. When he's hot, every time he gets it, I'm like, 'Shoot!'
I like dancing but not in crowded clubs. I would rather dance alone than go to a club.
I follow dancers like Jennifer Lopez and Beyonce, as they are in my zone, but when it comes to Indian dancing, I am a huge Madhuri Dixit fan.
As a little girl growing up in a small farming town in Michigan, my idols were women like Marlene Dietrich and Rita Hayworth.
I'm not always in a full face of make-up! That's actually one of the things I like about make-up - that you can strip it away and show your vulnerability.
I like when people know who they are, know their limitations and what they want to do. It's the same thing for me.
I prefer the competitive atmosphere of a classroom setting, like yoga or Pilates. That keeps me going. Although performing on stage is great exercise!
I quite like thai boxing. But then I'm not surprised because I did taekwondo and karate and judo and all of that when I was a kid, and then just stopped when I got a bit older.
How do I know why Miles walks off the stage? Why don't you ask him? And besides, maybe we'd all like to be like Miles, and just haven't got the guts.
Fresh sneakers are important on a man. It's like a new pair of boxers or a new pair of socks.
I listen to my early Gang Starr interviews, I'm like, damn I was really trying to sound like a New Yorker then.
All the Public Enemy albums, I knew what records they were sampling but was like, 'How'd they construct it like this?!'
The radio stations strayed away from the raw hip-hop that they were playing in the early 1990s. We were like, 'All this watered down stuff is dominating the airwaves. We should make a record to make fun of that' and Guru's like, 'Let's call it ‘Mass Appeal.''
I grew up in a town called Prairie View. It's like 45 minutes outside of Houston.
Guru and I had a house in Clinton Hill, Brooklyn, for a while and we used to have wild parties there when we weren't in the studio. It was like a fraternity house.
I'm not a tough guy, but I'll throw down just like the rest of them if I have to.
It's whatever - people like me and Dre are music people, so we're beyond just hip-hop. We're purists. Not everybody who makes beats is a purist.
Bad Name' is just that head-nod, traditional loop over a breakbeat, chopped up, and it sounds like the way I do my thing.
If I feel like something needs to be updated, I'll break my neck to outdo the original.
I came out with sounds that didn't sound like the usual hip-hop beat. I took that chance because no one would identify with me if I sound like somebody who's already out.
There is a scene in the movie with DJ Cutkiller, one of the biggest European DJs from France, and he was scratching like crazy. When I saw that, I was 14, and I was like, 'Yo that's what I want to do. That's crazy.'
I wanted to make a reggaeton record. So I sent the record to Ozuna, and he killed it. Then I felt like I wanted to add a more female vibe but still keep some Spanish touch, so I asked Selena and Cardi, and it all came together.
I want to do a few crazy things like skydiving and bungee jumping. I am quite an adventure junkie.
I have always enjoyed playing as a batsman. In the T20 format, I have been asked to play at six or seven. I have finished a few innings batting first and a few chasing. It feels good and it feels like yes I can do it.
After The Silence of the Lambs and Hannibal, the audience would like to know where, when, and who arrests Hannibal Lecter for the first time. This is the story of Red Dragon.
Those who have virtue always in their mouths, and neglect it in practice, are like a harp, which emits a sound pleasing to others, while itself is insensible of the music.
I was playing with Chuck Berry, who sounded like an English teacher. Did you ever listen to his records? He pronounces every word.
I don't sing white; I don't sing black - I sing Bronx. When I sing 'Ruby Baby,' I'm rolling like Jimmy Reed. I wanted to communicate like Hank Williams and groove like Jimmy Reed.
Trying to explain what community is to someone who's never experienced it is like trying to explain what an artichoke tastes like.
I used to like the Jonas Brothers, but only because I thought that they were good-looking, not because I actually liked their music.
At one of my old schools, I didn't tell anyone I was doing my first album because I was worried they'd be like, 'Who does she think she is?' So I just let them find out for themselves.
I'd love to design stuff that I'd like to wear and that other people could wear, too.
I like watching 'The X Factor,' but I would never go on it - I think it's too much of a controlled thing.
A lot of producers get famous because they decide to be superstars for their own reasons, but I'm inspired by Timbaland and Pharrell and Swizz Beatz 'cause they're doing things that are so different. I like how they're introducing ideas I never would have thought of.
I was making crappy beats since I was, like, 17 or 18, using Florida rappers, where I'm from. Then I started DJ'ing because I just wanted to have a new job.
I've probably got the most eclectic social media there is because it literally goes from hanging out with my son at a park, to, like, Madonna's house, to a rave in Africa.
I was in Fort Lauderdale from about age 7 to 14. And that's where I learned the most about music. My favorite DJ was this guy named DJ Laz and the Miami bass guys. I was super into, like, Arthur Baker, that kind of stuff.
When I first started producing, all I had was this little crappy sampler called a S20, which had, like, a minute sample time. I was making crappy beats since I was, like, 17 or 18, using Florida rappers, where I'm from. Then I started DJ'ing because I just wanted to have a new job. I was a schoolteacher for a while, and it was the worst job.
If I make a song, and it's my song, like 'Lean On,' we're going to make money off the synchs, the Spotify, and we get to headline festivals on it. That's the model I want to explore.
I used to be a record collector. Mark Ronson, Questlove and I used to be part of, like, a record-trading crew.
Classic rock, psychedelic rock - I like to dig up old music and see what I can get influenced by.
People like me, DJs and producers, have a bigger say and a bigger voice than we've ever had before.
I like to win without fighting. But if I can't, then I'm prepared to fight.
We follow highest level of corporate governance, which is in line with a global company like ours.
My heroes were Eddie Van Halen - especially after Van Halen I, II, III, and IV - Randy Rhoads, Ace Frehley and dudes like that. My brother played drums and we jammed in the garage and started writing our own stuff.
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