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I like necklaces that are short, the way skateboarders used to wear them in the seventies.
I make movies the same way other kids play tennis or go to piano lessons. I'm trying to get better at what I want to do, just like other kids are trying to get better at what they want to do.
I like Jodie Foster and then Meryl Streep. They're just, like, the greatest ever.
I sort of make believe. That's why I like acting. You can create or imagine anything.
I just happen to like the work. I like preparing for a role. I like reading. I like analyzing. I like literature. I like emotions. I like working with other actors.
I don't like everybody knowing what I'm doing, unless it's related to a movie. I don't like speaking to the press. I never did.
I was doing the work I was capable of doing with my own native talent, but when I looked at actors like Marlon Brando, Jimmy Dean, Kim Stanley, and Geraldine Page, I knew that they knew something that I didn't know. I wanted to find out what that was.
I've liked all the directors I've worked with a lot. And the ones I like best are the ones that have really good taste about what take was best.
I like spending a lot of time fine-tuning all the small characters. I think it really pays off.
I don't feel famous personally, and I feel like when most people get to know me, they're like, 'Oh, she's just the same as everybody else.'
As a novelist, I like the contained drama and complexity of the courtroom, though I don't watch those shows on TV. I prefer the hospital shows because I wanted to be a doctor.
I felt like I had to be, you know, perfect, which is ridiculous. Nobody's perfect.
People with anxiety tend to be hyper-reactive. We are like jack rabbits, off and running to the races, reacting to some event, even while the event is still happening.
When I was about 8, I used to go into one of the rooms in the mansion, and I would open a magazine like the 'Ladies Home Journal,' and I would see these characters on the pages and then become them, talking back and forth.
I'd really like to write a book about Timothy McVeigh, but it would only work if he cooperated.
My mum told me that grown-ups don't like teenagers, which is the last thing you want to hear when you are one yourself!
I love snow; I love building snowman. The only thing I don't like is the cold - so if we could have a hot Christmas, that would be amazing.
Mustard saw my Instagram probably, like, August of 2015. He just reached out to me by DM on Instagram.
We fill the woods with invasive primates camouflaged to look like piles of leaves who sneak around, sprinkling estrus doe urine and manipulating gadgets that sound like antlers clashing.
Every dog might wish to be Dog One, but like us, most dogs want membership in the group even more than they want supremacy over others.
I don't like protecting pharmaceutical industries and increasing their profits and making our drugs cost more. If the U.S. Democrats could get rid of those problems I'd be much happier.
I like seeing my physical progress through a volume, particularly if it's a big book.
When I was in college, I wrote poetry very seriously, and then once I had started writing short stories, I didn't go back to poetry, partially because I felt like I understood how incredibly difficult it was.
An iron lung looks like an enormous metal coffin or a 19th-century rocket ship: only its occupant's head is left outside, a tight seal around the neck.
It's an amazing thing to watch a lizard fold a moth into its mouth, like a sword swallower who specialises in umbrellas.
I just find it fascinating, like everybody, to be in a different life. It's an escape.
I like writing letters and receiving letters. It's a shame that we've lost the art of letter-writing and saving correspondence. I mourn that.
To judge therefore of Shakespeare by Aristotle's rule is like trying a man by the Laws of one Country who acted under those of another.
Wit in women is apt to have bad consequences; like a sword without a scabbard, it wounds the wearer and provokes assailants.
I also want to go to an Italian island and do cuisine properly with some famous Italian chef and, like, his mother.
I love the idea that someone I like would have a piece of mine in their house and have a relationship with it.
I work intentionally to try and make dense, complex things. We can move between genres and forms, from something that looks like a PowerPoint lecture to something that looks like an informercial to something that looks like a cinematic melodrama.
I don't like to watch myself. For the most part, I find it weird. It depresses me; I'm very critical.
I don't wear sweatpants out as much as I would like. I would prefer to be in sweatpants most of the time.
I have to know the killer, the victim and the motive when I begin. Then I start to create the characters and see how the novel takes shape based on what these people are like.
Sureness is something like a neck brace, which we clamp around our lives, hoping to somehow protect ourselves from the frightening, constant whiplash of change. Sadly, the brace doesn't always hold.
I read '1984' at a precocious age, like 8, and when I did the math, I realized that Julia, Winston Smith's lover, was born the same year I was, 1957. I read that book over and over again with the 1960s as a backdrop: anti-war and anti-bomb protests and this general pervasive sense of doom.
With some diseases, like type 2 diabetes, if people get alerted early, they can take steps to avert getting sick.
I do believe that if models look like children, then they shouldn't be sexualised.
On bad days, I like to wear something colourful so I strike attention. That's how I appear confident to others - and how I get confident.
Like their personal lives, women's history is fragmented, interrupted; a shadow history of human beings whose existence has been shaped by the efforts and the demands of others.
I hate a word like 'pets': it sounds so much Like something with no living of its own.
I like to say that whatever love was for you at that time, then you had it.
People ask me what it's like to be tall, and I don't know what to say because I don't know any different. I grew up in a very tall house, so I wasn't an anomaly there.
There is something about a theatre room that is really like a laboratory for trying things and failing, because you have time to do that, and you can explore something deeply and discard it if it's not working.
I am very tall, and when you're a teenager, you want to be like everyone else. I used to slump a lot; it's very human at that stage to want to be part of the crowd and not want any part of you that is sticking out.
Many tools are indispensable for my work, from a utility knife to parametric-modeling software, like Digital Project. But it's important not to confuse the tool for the content, as some designers under 30 do.
I cannot read on a Kindle. I love the physical experience of holding a book, cracking it open, and the process of making the right half weigh less than the left half. I only read hardcover books because I like the resistance and the presence on a bookshelf.
Democracy, like any non-coercive relationship, rests on a shared understanding of limits.
The days of our lives, for all of us, are numbered. We know that. And yes, there are certainly times when we aren't able to muster as much strength and patience as we would like. It's called being human.
When American poet Alice Notley was very young, she used to sit in front of the radio and just listen. When she got older, she began to hear words and songs in her head everywhere she went - songs she loved, like 'Begin the Beguine' by Cole Porter, and her own words that sometimes tumbled out into poems.
For most of my life, I, like many Americans, had greeted the idea of an arranged marriage with a mixture of fascination and skepticism.
I was able to make up lots of portementos, literally hundreds and hundreds of words... See, I find that mine don't have any meanings. They're not proper. Although I've got a great dictionary of them. It's like the Cockney rhyming slang or something.
I don't stay in my trailer. I like to sit in video village, probably to the annoyance of some producers and directors, because they really love to talk about actors, and they can't in front of me.
As for the notion that everything has already been said, maybe it has, but life is like meatloaf: there are so many different ways to present it.
It feels like my books come true. I write these things, and then they kind of end up happening. I wasn't divorced, for example, when I wrote a book about divorce.
If I don't feel like writing on a certain day, I just go to the cafe and hang around.
Nothing strengthens the judgment and quickens the conscience like individual responsibility.
I don't always have the stomach muscles I have, and I get cellulite as well like everyone else.
I just don't like showing everything I've got. I don't want to look like I'm trying too hard to be sexy.
Some of the things I've seen a lot of my female-actress friends who are relatively famous receive - I've seen some hideous things. Like some really, really bad things... like, the FBI should be contacted immediately.
I don't like to play characters that are one note, and just the attractive girl in the film.
I've always been against trying to make a movie like another movie. That's lame. It's already been done, so why do it again?
I'm a former CIA officer and Pentagon official. I'm a deep believer in border security, but we have to be a nation of moral - of morals and, like, a moral core.
It’s like the first man to go to the moon, I will be the first man to run under two hours, this is crucial.
Kids kill a show! It's, like, a fun concept when the character is pregnant, but then if a show runs for a while, I'm sorry, but it gets annoying when it starts to talk. You get a child actor in there, and unless that child actor is freakin' awesome, it's going to be annoying.
I used to play the piano by listening to it - like Chopin pieces, when I was, like, a little kid - and then the minute my parents got me lessons to read music, I couldn't do it anymore.
I would love to do a dramatic comedy. All of that, it all interests me. At some point I want to do my 'Monster,' like Charlize Theron, so I'm buckling up for that.
I love dressing up. As kids, my friends and I would dress up as the Spice Girls - Posh Spice was my favourite because I had short brown hair like her.
I remember hitting Sarah Michelle Gellar with a right hook during my first week on the job. It was awful. They usually pair actors with stunt doubles to avoid things like that.
I don't let guys do hickeys. That's like a dog marking his territory or something.
My mom is like this hard-core, liberal feminist. She's a professor in Boston, and she's been teaching women's studies for 30 years and international politics.
I like to have one night on the weekend where I can just cuddle up at my house.
I joined the Twitterverse in the second season of 'Dollhouse.' Friends that I admire were already in that space, like Kevin Smith.
I feel like a lot of teenagers have typically been played by 25 year olds, and even 30 year olds. It's nice that I'm playing a little bit more to my age, although from 15 to 19 are pretty progressive years.
I like to think there are a lot of balls in the air, and the kids are not one that I choose to drop. They have been a priority and I have a career that allows for a little more flexibility at times and hours that are quite mom-friendly.
We grew up with musicians coming over jamming. We had tons of instruments. So holidays were always like, 50 people would come over, and there would be a jam session with everyone playing jazz.
I do want to be a mother. I like the idea of passing on what my mother passed on to me.
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