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Speed I like. I do love driving and I've had a couple of those experiences where you go to a track and can test cars around the track.
Chanting was very deep for me. It was as if I remembered it. It was like a real surrender.
The rapid proliferation of cell phones in Afghanistan proves that anything that adds value to people's lives spreads like brushfire - and commerce is certainly a force that could add value for Afghanis.
Any story hits you harder if the person delivering it doesn't sound like some news robot but in fact sounds like a real person having the reactions a real person would.
I don't own a radio. I listen to everything through apps or on my iPhone. And then I download the shows I like. Shows like 'Fresh Air', 'Radiolab', 'Snap Judgement', all those shows.
Semiotics is really interested in the questions like, what keeps you watching something, what keeps you - you know, what keeps you listening to a story on the radio? Like, what keeps you turning the pages in a book? What's the pleasure of it that's moving you forward, that's pulling you in and grabbing you and pulling you forward?
I've actually done events at radio stations where I feel like I've had to give a little talk in behalf of television as a medium.
I'm not a go-in-for-the-kill kind of interviewer. It's a great thing to me, that kind of interviewer, but I'm not it. It doesn't play to my strengths at all. I like to interview people who are interested in telling their story and tell it as truthfully as they can.
In general in New York, we all eat like kings. Insane quality, mind-blowing variety, at all price ranges.
Not owning a car anymore, I feel like I'm barely an American. I miss it. And I barely ever get to listen to the radio in the car, which is the best place for radio.
I like a film that makes the audience feel like they are in the middle of life as it is moving, and in a way, they are catching up. They are thrown into things.
All my games were political games; I was, like Joan of Arc, perpetually being burned at the stake.
Every year in consulting is like three years in the corporate world because you have multiple clients, multiple issues - you grow so much.
At first, like every other actor, I wanted to do characters with deep traits - what we call 'serious characters.'
I feel like being vocal on social media, especially working in an industry that is very Eurocentric.
When we were growing up, we had all these crazy, in-your-face guys around the house. For us, it was like, 'Ugh! Actors again.'
When I was young, I was extremely scared of dying. But now I think it a very, very wise arrangement. It's like a light that is extinguished. Not very much to make a fuss about.
In a kidnapping, you leave behind a lot of your baggage, like arrogance and stubbornness.
If you like to bake with eggs, you can substitute Ener-G egg replacer, bananas, tofu, or many other ingredients. You get the hang of it quickly enough.
Like many things, the hardest part about meditation is the decision to put aside the time for it.
It's not like I ever sat in my room and said I was going to start a media company and become an editor in chief. It was never my dream. It was something that just happened.
No one in my family wrote. And there was no real introduction. I suppose I somehow blundered into it when I was about six or seven years old. I was asked what present I would like, and, without knowing why, I responded that I would like a journal. It was a beautiful journal - so beautiful that I didn't want to sully it.
I'm not the 'look at me' kind of a person. I do not like showing off in public or written about.
Especially on unexpected journeys, you have time; you can figure certain deeper things out, like who you are and what you want. That's why I enjoy journeys.
I don't like sitting at a table that's too large, where everyone is too far apart. That's a party killer.
Wanting more majors, wanting more wins, almost feels like I think I'm being too greedy.
In hindsight, I feel like I made the right decision to choose production that would get played on black radio.
Joe Sample was one of my heroes. I met him at the Curacao Jazz festival, and I fanned out like he was the Beatles!
When I was very small, I was obsessed with 'Sybil' and Sally Field's performance in 'Sybil.' I was like, 'Oh, my God, I want to do that!'
A lot of the time with jobs that I've booked, immediately I'll read the breakdown, or I'll read the script, and I'm like, 'Oh I'd love to do this, but I'm completely wrong for it,' and they tend to be the jobs that I book.
I like to get up around 5:30 or six - that's my favorite time of day. My family is still asleep, and the office is still closed, so I can start my day slowly.
I feel like I can defend three different positions: point guards, shooting guards, and small forwards who don't want to play too much in the post.
Some guys play so straight, and that may be their thing; like, a lot of guys are good playing like that. I can't play like that. I have to flair out. I have to yell. I gotta scream. I gotta talk trash - that's how I get myself going.
My husband does not like me to give interviews because I say too much. No talk, no trouble.
In my head, I consider 'No Turning Back' my 'dipping the toe in the water' album. It was mostly covers of favorite songs, and there were three originals in there. So, it feels like it was just my album to see what the temperature of the water was.
There's a lot of interviews now where nobody seems to talk about anything. Like it's illegal. But it can be fun if you stay involved. Like most conversations.
The business is so international now; you'll be working on an American film, and you'll start chatting to someone, and it's like: 'Oh, you're English, too.'
I'm a big Johnny Cash girl. And I love singers like Laura Marling and Joanna Newsom.
I was about 14 when I started with a theater group; it was like a stage group on the weekends alongside school. And it was run by a group of guys who'd been to drama school themselves in London. So they introduced us to techniques that they'd learn about, and they kind of informed us about improvisation and screenwriting and all of that stuff.
I'm very fast on teaching guys. Like, when I came over here, I only had two rehearsals with the band. I wondered when I first got here... but it sure came up great.
I wanna record these girls individually. And then, I wanna cut a blues album on me. But all of it, original stuff, you know. When I listen to the blues today, it's like they all sounds similar. I wanna do something different, to try to add to the blues flavor.
I'm quite nostalgic. I like looking back over the papers and watching videos.
I always wanted to get out of Tokyo and in 1977, New York seemed like the most interesting place to visit. I didn't intend to live here- I just wanted to get out and see what was happening. I just happened to stay here then.
I still think that I'm playing instruments, not just pushing buttons and there it goes. It's interactive and alive with the sound and the manipulation and it plays like instruments.
In 2009, I edited, under the aegis of the Library of America, an anthology called 'Becoming Americans: Immigrants Tell Their Stories from Jamestown to Today.' It featured immigrants from different backgrounds, from black slaves like Phillis Wheatley to Yiddish-language speakers like Henry Roth.
I could hear my friends outside playing soccer while I was expected to stay inside practicing the piano. It was like torture!
If we don't like the Human Rights Council, then let's not fund it. We should pick and choose cafeteria style which groups we want to help.
I would have loved to have heard a story like mine. I could have used it as an inspiration to get by.
I was a teenager when 9/11 happened. And I really was uncomfortable with many members of our community feeling like they had to strip themselves of their identity in order to mitigate the violence and the fears that they were feeling.
I know what it feels like to be a young family looking for opportunity in the United States.
My hair is just like five pieces of very soft straw that needs managing. I touch my hair a lot, and that makes it crazy.
When we were doing a scene, lots of times we would collapse giggling, because it seemed so silly because it felt like we were doing a home movie at times.
I'm a big fan of Albert Brooks, Nichols and May. I'd like to follow in their footsteps and do comedy films.
I wore a lot of vintage clothing. I dressed like a reporter, with a little card in my hat. I had these fantasies of who I wanted to be, so I'd dress like an explorer, a cowboy. I dressed up like Elton John a lot too. That was another period.
I always wanted to get into the horror genre. I like scary movies. I want to go to the fan shows and sign posters with my head hanging by a thread like a B-movie actress.
The patterns of big-band music are smooth and classical. It's got to be fresh. The brass section should crackle, like the sound of eggs being dropped into hot grease.
I love Rag & Bone, Dior, and Valentino; I like feminine, sexy things. Dolce & Gabbana and Chanel, too.
Well, I don't use the toilet much to pee in. I almost always pee in the yard or the garden, because I like to pee on my estate.
I like semi-torn-down places where I could get nestled in and get something done without anyone bothering me.
Basically, I'm a musical vocalist, but I do voiceover stuff as a sideline, like plumbing or something.
Though many people said there is no joint border between Turkey and Montenegro, it feels like we are next to each other. We are in the same neighborhood.
Why is it that whenever I hear a piece of music I don't like, it's always by Villa-Lobos?
I like to experiment with different things and find different uses for them. New things pop up every day - Snapchat, Vine, Parasail.
Always ask for advice. I email with a lot of girls that are like, 'How do I do this, how do I do that.' Stay up on what's cool and what's interesting.
If I post something, and my audience doesn't really like it or if they have other suggestions on how to make it better, I can take that feedback and instantly apply it to the next video.
We have global interests, potential threats from elsewhere, North Korea, Iran, Taiwan Straits and the like. We must be prepared for any future threat. That is why it is important that this be a transition year, 2006.
I wouldn't want to create the impression that I wouldn't like the government of the United States to be Islamic sometime in the future. But I'm not going to do anything violent to promote that. I'm going to do it through education.
Personally, I don't like the term 'success.' It's too arbitrary and too relative a thing. It's usually someone else's definition, not yours.
When I'm being interviewed, presumably it's because people want to know how I feel about something or what my motivation is, not because they want to hear what I sound like in English. I wouldn't be true to the task if I responded in my unrefined English.
I like to read the news, but when I pull up a Japanese site, and an article comes up with my face, I never read it.
I like things that other people don't have. I like to be different from others.
Now there are certain things you have to prepare - like dialect and special skills. But in the moment, interaction between two characters on the page doesn't need - for me, I don't need to prepare that.
I have little routines in the theater. Once I've established something, like the order of putting on makeup and a costume, I have to invariably do it in the same order every time, even if I only did it by chance the first time round.
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