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The souls you have got cast upon the screen of publicity appear like the horrid and writhing creatures enlarged from the insect world, and revealed to us by the cinematograph.
The short story seems like the best of all possible worlds. I do feel it is closer to writing poetry than to writing a novel, with its requirements of concentration and economy.
I think that is where poetry reading becomes such an individual thing. I mean I have friend who like poets who just don't say anything to me at all, I mean they seem to me rather ordinary and pedestrian.
We don't attempt to have any theme for a number of the anthology, or to have any particular sequence. We just put in things that we like, and then we try to alternate the prose and the poetry.
I wouldn't write anything autobiographical. If you've lived a life like Laurence of Arabia, it might be a consideration, but otherwise it's a little bit vain, it seems to me.
No, I've heard over the years that it's nice for them to see somebody who's like, you know, a well-known successful musician who's Asian. I've heard it from a few musicians, too.
It's not like that often, I mean, I suppose out of a ratio of 10 fans maybe like 1 or 2 of 'em might be Asian, and maybe every second or third time they might bring up something that they're Asian and I'm Asian.
I mean I like pop music, and I like heavy music and, stuff that I like... the band I've signed on to our label right now; they're called The Sounds. They're kind of like a new-wave pop band.
I figured, 'Why not put goggle characteristics like peripheral protection and face fit into sunglasses?'
I still feel like we're a skate brand - it doesn't mean we can't present our stuff well. It doesn't mean that when you come in, everything has to be messy.
When we opened in Paris, we opened in the Marais. And when we opened in London, it was in Soho. These aren't, like, edgy places. These are places where people - and young people - hang out.
A big shop in Manhattan would feel like we were betraying our roots. And we're not just going to open a bunch of stores.
I don't think people like to read about themselves or about others as they really are. It would be too horrifying.
The artist, like the God of the creation, remains within or behind or beyond or above his handiwork, invisible, refined out of existence, indifferent, paring his fingernails.
I am very fussy; I am very detailed; I nag a lot. So in a sense, I am like Mr. Ping. I am temperamental, I am emotional, I'm fussy, and I'm very exact. And I want people to not fail; I want them to execute - all those things Mr. Ping wants in other people. Or animals.
I think very abstractly when I'm writing. Then, as the project moves on, it becomes more like sculpting.
I don't like talking about 'solutions.' I prefer talking about intelligent responses.
I like to read fiction, and I particularly enjoy reading young adult fiction. But I also read children's books, adult books, current authors, and classics, but I like fiction the most.
Life is like an onion: you peel off layer after layer and then you find there is nothing in it.
No matter how much Bill Gates may claim otherwise, he missed the Internet, like a barreling freight train that he didn't hear or see coming.
That excitement on the court, I'm the same way off the court. I like to have fun, meet people; I like to give high-fives to the kids courtside. Just have fun. That's kind of my personality, that's how I've been.
I like a women who's got some balls, some strength. As long as I can beat her at arm wrestling, that's fine.
Just like the poles of a magnet, some people are drawn to death and others are repulsed by it, but we all have to deal with it.
When I started writing 'A Million Little Pieces,' I felt like it was the right story with the style I had been looking for, and I just kept going.
The man of science, like the man of letters, is too apt to view mankind only in the abstract, selecting in his consideration only a single side of our complex and many-sided being.
When I started working, I didn't have a clue what I was doing, in that I was just wandering around, hoping that I could succeed. Then after I got a little under my belt, it took me about 25 years to feel like I knew what I was doing.
Aphorisms are food for thought - like sushi, they come in small portions that are both delicious and exquisitely formed. And, like sushi, I can never get enough.
Memes can be visual. Our image of George Washington is a meme. We don't actually have any idea what George Washington looked like. There are so many different portraits of him, and they're all different. But we have an image in our head, and that image is propagated from one place to another, from one person to another.
Information is crucial to our biological substance - our genetic code is information. But before 1950, it was not obvious that inheritance had anything to do with code. And it was only after the invention of the telegraph that we understood that our nerves carry messages, just like wires.
There's this creative thing in me that wants to have my work used - like the author of a book who wants it read.
I like to bitch and moan about lawyers, but they often have actually good points.
My wife thinks I have an obsession with social class. So I guess I have an obsession with social class. It probably stems from feeling like an outcast.
I feel like it's a real shame that my generation doesn't make an appearance at the opera.
I like the Nova Corps; I just don't like Nova that much! He's okay, you know? I just don't like that helmet!
I'd like to film a British commercial; they're better than American ones.
The demise of Google Reader, if logical, is a reminder of how far we've come from the cuddly old 'I'm Feeling Lucky' Google days, in which there was a foreseeably-astonishing delight in the way Google's evolving design tricks anticipated what users would like.
Free verse seemed democratic because it offered freedom of access to writers. And those who disdained free verse would always be open to accusations of elitism, mandarinism. Open form was like common ground on which all might graze their cattle - it was not to be closed in by usurping landlords.
Generally speaking, rhyme is the marker for the end of a line. The first rhyme-word is like a challenge thrown down, which the poem itself has to respond to.
This is what rhyme does. In a couplet, the first rhyme is like a question to which the second rhyme is an answer. The first rhyme leaves something in the air, some unanswered business. In most quatrains, space is created between the rhyme that poses the question and the rhyme that gives the answer - it is like a pleasure deferred.
A poem with grandly conceived and executed stanzas, such as one of Keats's odes, should be like an enfilade of rooms in a palace: one proceeds, with eager anticipation, from room to room.
The iambic pentameter owes its pre-eminence in English poetry to its genius for variation. Good blank verse does not sound like a series of identically measured lines. It sounds like a series of subtle variations on the same theme.
If I'm working on a film, I'll do sit-ups for before I shoot. Like, 100 in the morning or something.
I don't need a vacation in the traditional sense, like I would if I had a job I hated.
Down the road a bit, I would like to write a couple of stand-alone adult novels, especially in the horror genre. I've got lots of things up my sleeve.
When I'm feeling a little empty in the head, I like to go see movies or read to loosen things up there.
I like the idea of the artist going out in the world, creating a dialogue.
But you can't show some far off idyllic conception of behavior if you want the kids to come and see the picture. You've got to show what it's really like, and try to reach them on their own grounds.
Dick Armey is an economic conservative. He is not a social conservative. He doesn't like to talk about marriage and about the unborn child, the sanctity of life and things like that. He wants to talk about smaller government.
I like the Steelers now just because I played in Pittsburgh. I'm a fan, but I liked the Cowboys growing up. I like Emmitt Smith a lot.
A diplomatic mission, like a company, is comprised of multiple departments, all of which must be relied upon to move business forward.
What makes San Francisco work is that high-value people like to live there and cluster.
When I was at drama school in the U.K., I was there for two and a half years, and we did one week of television and film. It's right before you leave. It's like, 'We've taught you Chekhov and Shakespeare; you are likely to be in a washing-up soap-liquid commercial.'
Derivatives in and of themselves are not evil. There's nothing evil about how they're traded, how they're accounted for, and how they're financed, like any other financial instrument, if done properly.
I'll always understand the Schadenfreude aspect to short-selling. I get that no one will always like it. I'm also convinced to the deepest part of my bones that short-selling plays the role of real-time financial watchdog. It's one of the few checks and balances in the market.
The Conservative Party absolutely can be a party that speaks to mining communities in Nottinghamshire and Derbyshire, and communities based around heavy industry in Yorkshire and County Durham, Wales and Cornwall as well as urban areas like London.
Be like Curious George, start with a question and look under the yellow hat to find what's there.
On the song 'Dangerous,' it feels like a teenager picking up a new instrument and writing something with all of that naive excitement.
I like 'Goodbye My Lover' because it's a really personal song and I recorded it in my landlady's bathroom in Los Angeles. She had a piano in there and for me listening back to it, it actually sounds like the voice I hear in my head. It's so close to what I can imagine.
The weird thing about the subway is no one looks at each other. So I play the O2 in London. It's a 20,000 capacity venue, and then I'll take the subway to my gig, and everyone's going to my gig, and no one looks at you. If anyone does, they say, 'Hey, you look exactly like James Blunt, only smaller.'
Lewis Carroll, you see, wasn't really interested in telling an exciting story. Well, he wasn't interested in things like cause and effect or a linear narrative. It's surreal, it's absurd, it's wordplay, it's satirical, it's analyzing itself, it's funny, it's an enormous challenge.
My films have a lot of historical context; I'm a huge fan of ruins. You see a lot of ruin work in my movies, I like ruins.
A page of my journal is like a cake of portable soup. A little may be diffused into a considerable portion.
It is like we are obliged to assume that the government is only doing what it says it is doing.
There are portions of Malibu that are very remote; it's like living in the country somewhere.
Most poets, like most people, try hard to be like someone they admire or they are possessed with an image of what they ought to be.
My films are an extension of my poetry, using the white screen like the white page to be filled with images.
Like Christ said, love thee one another. I learned to do that, and I learned to respect and be appreciative and thankful for what I had.
Sometimes I feel like I'm a preacher as well, 'cause I can really get into an audience.
Financial crises are like fireworks: they illuminate the sky even as they go pop.
Losing your capital is like losing your trousers. It is a real humiliation, and one not to be soon repeated.
Most of the pilots I choose do not have high-concept ideas, so for me it's not the idea as much as the execution of the idea, and if the idea, like you take a bar in Boston, that's not a high-concept idea. But if it's executed well, it makes a great show.
Everybody's gone through some kind of struggle in their life, and I'd like to be the type of voice who talks about it.
All my confidence has disappeared because the whole nation thinks I'm a homophobe who looks like a monster.
Having watched 'X Factor' over the years, they just haven't got it right. The male winners haven't been believable. They look like puppets; they sound like puppets.
I have the words 'love' and 'life' on my knuckles, and I would half like those removed.
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