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But who can paint like Nature? Can imagination boast, amid its gay creation, hues like hers?
Yale places great stress on undergraduate and graduate teaching. I like teaching, and I do a lot of it.
I want to create an atmosphere that can be consciously plumbed with seeing... like the wordless thought that comes from looking in a fire.
Generally, we use light to illuminate other things. I like the thingness, the materiality of light itself. So it feels like it's occupying the space, making a plane, being something that was there, not just passing through. Because light is just passing through. I make these spaces that seem to arrest it for our perception.
Usually we are illuminating things instead of looking at the light itself. But I like this quality of the light being the revelation.
I'm working to bring celestial objects like the sun and moon into the spaces that we inhabit.
There are different stages when you fly. The first stage is the dollhouse effect, seeing everything on Earth like it's a model. Suddenly, all of your concerns seem very small.
I'd really like to be able to whistle with two fingers. Is this a biological thing? Is it to do with the teeth? Who teaches people to do this? How do I learn?
It's like half the campaign of selling a record is trying to convince people that you're an artist. Well, I am an artist. This is what I do.
I just essentially stayed at home for three years and just learned to play as many instruments as I could and listened to as many singers as I could. Like, when I got to about 19/20, I started listening to singers. I normally just listened to bands. Now I listen to a lot of old singers, not a lot of new stuff.
To change your phrase somewhat, I know that I like an art where disparate elements form an entity.
I'm not eager at all to present my life out there for public consumption. I like to do one or two films a year and then do what is absolutely obligatory in terms of promoting them. My life outside of films is vital to me.
Every film you work on is different, and that's part of what it's like for anybody who works on a film, is to learn how to work with others. Learn from top to bottom. Actors have to learn how to work with the director and the director has to learn how to work with actors, and that's not just those two departments.
I'm not someone so much interested in exploring a slice of life unless that is down the corridor, around the corner, up the alley, and down the rabbit hole. That, I like.
Grant Dalton, constantly, whenever he gets asked something in the media about Oracle, he makes the statement that we have got unlimited resources, and we can do anything we like. It is just complete crap.
I mean, I didn't - I should have demanded attention of the boss maybe, or something like that that might have backfired. This I would just take as it came.
What the investment community does like is short-term measures designed to boost share prices.
And because of these programs like Medicare, Medicare prescription drugs, Social Security, we now have the healthiest and wealthiest group of senior citizens that the world has ever seen. This is a continuing commitment to that.
Anyone who lives like a modern aristocracy, the last thing they exhibit is a sense of gratitude. Me, I'm very fortunate.
I try not to be super self-referential about my work because it becomes like navel gazing at a certain point.
I like female directors that gravitate toward masculine things. I think the danger of a male director is the over-fetishization of the masculinity.
Being a part of 'Sex and the City' was like being at the center of the universe - it was extraordinary.
Kids love watching adults act like children. It's that spirit they can relate to.
I don't know if we would have stuff like 'Deadwood' and 'Boardwalk Empire' if 'Twin Peaks' had never happened.
I always feel like I'm not very impressive in interviews when I talk about what I watch on television.
I used to know Madison Avenue advertisers. I didn't like 'em. Bunch of jerks.
I stick the collages on the wall and, if I still like them after a month or two, I make a painting.
Mishaps are like knives, that either serve us or cut us, as we grasp them by the blade or the handle.
I like aristocracy. I like the beauty of aristocracy. I like the hierarchical feeling.
A name, of course is like a piece of clothing, isn't it? It gives you an impression right away.
Unfair trade deals like the North American Free Trade Agreement eviscerated good-paying manufacturing jobs, putting more than 3 million U.S. workers out of work.
The vampire underworld is much larger than most people could imagine. It exists in all the cities mentioned in the book, but also in many, many more. Teenagers, especially, seem to like to act out vampire fantasies.
It's our job - as parents, grandparents, aunts, uncles - to find books our kids are going to like.
I'm big on having a blistering pace. That's one of the hallmarks of what I do, and that's not easy. I never blow up cars and things like that, so it's something else that keeps the suspense flowing. I try not to write a chapter that isn't going to turn on the movie projector in your head.
I don't think about an industry or building things, but somebody says you're lucky if you find something you like to do, which is true, and then it's a miracle if you get paid to do it.
With my adult books, for the first six weeks or so, it's about 60 percent ebooks in terms of sales. The kids' books, it's like 5 percent. Which means that the parents, the ones that aren't going into stores now, they're no longer buying books for their kids, which is not great.
I really like playing people who are exciting to watch and who burn brightly.
One of the things I like about doing historical films is drawing the line between now and then.
Airport security is a particular bugbear. At the risk of sounding like a grumpy old man, while I can see that averting terrorism is manifestly important, the measures taken seem, simultaneously, absurd.
What I'd like to say is that I think the lives of every one of these little kids who are trapped in these unsafe and failing schools are too important, and I'm willing to take the abuse in order to help them.
Like the character I played in 'Jekyll', we all have different masks we put on for different occasions. As much as we all want to lead decent lives, we're also attracted by the idea that something dark may lurk within us.
I didn't much like Las Vegas. The noise of the place and the whole 24-hour, 'let's play the slot machines all night' culture of the place just left me cold.
Every now and then, markets behave like schoolchildren. They overreact, they run around like crazy.
I've always sort of felt like what the Shins is, I guess, is a vehicle for my writing.
I tend to write a pretty half and half split of, like, slow, morose things and then sort of more upbeat stuff.
I most enjoy sitting down with the acoustic guitar and just fiddling around and trying to come up with something like a hook or some sort of melodic line. That's something that I do habitually.
I'm trying to avoid having regrets about missing opportunities. That would be the worst thing. Like having an audience waiting, and not working hard enough, and coming out with a record that disappointed them.
I've always found the rhetoric of mainstream civil rights leaders and organizations to be far too timid, accommodationist, and gradualist. It always seemed to me that they behaved like meek and gentle supplicants begging the oppressor for a few crumbs of justice, for a few molecules of citizenship rights.
I'd like to think the scientists need us - but do they? Did Newton need Blake?
At a club like City, there are things in the papers and talk all the time. Ever since I've been a footballer, I have coped with that.
I think, in effect, in most of the European countries, the total marginal tax rate is over 50 percent; that's to say, add on other taxes like VAT to the income tax.
I like clever lyrics, funny lyrics, dumb lyrics. I can never put my finger on what I like about them.
I actually want to write a treatise in defence of pretension. I think the word 'pretension' has become like the word 'ironic' - just this catch-all term to distance people from interesting experiences and cultural engagement and possible embarrassment.
DJing is really, really pleasant. It's like having people over and making hors d'oeuvres.
Like all science, psychology is knowledge; and like science again, it is knowledge of a definite thing, the mind.
Boy, if Garth Ennis had created a religion, I would sure like to be a part of that. It just makes sense, the way he tackles things in it. It's really heavy stuff and it's incredibly well written.
A lot of guys I know are into this whole scarf trend. Not my thing. I prefer to update and personalize my style with the smaller things, like a pocket square or, again, with the shoes. All in the details.
When I was younger - up until I was 19 years old and in college - I was surrounded with people in high school who felt like they knew what they wanted to do with their lives, and that was intimidating to me because I didn't.
I was doing 'Twin Peaks,' and Columbia called and said they wanted me to do 'Gladiator.' I thought it had the potential to be a real commercial film, so I was like a kid in a candy store.
It's like everyone wants to categorize you as this and that until you've made your own mark.
I like all music. Well, I don't like music that was created to make money. I don't really like bands that don't write their own music.
I don't have a computer - I don't like to get into it that much 'cause it can screw with your head a little.
I like the 'Science Channel,' the 'Discovery Channel,' I like 'Discovery Times,' which is a fabulous hybrid of the 'New York Times' and 'Discovery Channel.' Maybe I'm just an old man, but I like to watch that stuff.
Anne Rice really doesn't explore vampires as hideous monsters of the night, they're ancient creatures with a heart. And they want to be loved and they want connections just like we do.
I like people in general, which is why it's fun for me to interact with my fans.
That's the main thing that attracts me - characters who have big journeys. I like playing those people.
I wish all critics, no matter their color, were more sophisticated when it comes to the moral questions a film like 'St. Anna' is trying to raise.
I'd like to do something involving jazz. But books are how I earn my living, and I'd like to stay with the horse I rode in on.
The hard part about writing about a guy like John Brown is that he was so serious, and his cause was so serious, that most of what's been written about him is really serious and, in my opinion, a little bit boring.
The abolitionists were not like the rugged people out West, and they were not like John Brown, either. They were people who made speeches and did politics.
Historical novels are hard to do for the general public for commercial writers like myself.
My wife and kids like the quiet and the countryside - I still find that kind of quiet hard to listen to.
It wasn't that I ever knew I'd be at the Met for 20 years, or 30 years, or 40 years, or anything like that.
I criticize those critics. The reason being that they're doing one of the worst things that ever can be done to an actor, which is to say, Look, you do what we like you to do or else.
I had something called the back of the chair test. Where I sit, we don't sit like you and I do. I can see a sliver right behind them and they come out and they sit like this like god students and they don't touch the back of the chair.
They will take a role that scares them over a role that doesn't. That's another thing I like about actors.
The town caught fire in several places, shells crashed and burst, and solid shot rained like hail.
You should hear the guy who dubs me in Japan. I like him the most. He has a high squeaky voice.
In real life, the most practical advice for leaders is not to treat pawns like pawns, nor princes like princes, but all persons like persons.
I like playing in the later stages of games because there is more space when everybody's legs are tired.
I was raised primarily by women. I had a mother who almost killed herself to survive, I had a sister who was eight years older who was like a second mother, and my mother had two sisters. In the environment I grew up in, I heard a lot of female perspectives.
I saw 'Annie Hall' with a group of people working in comedy and television. We were all stunned. Stunned. It was like watching a spaceship land. That something that funny could also be that beautiful.
Getting somebody like Phil Jackson to come in and build the team is sort of like getting Einstein to help you with your math homework.
I wouldn't say that I'm very similar to the character of Nathan at all. Both of us have had very different upbringings and backgrounds. I have a competitive nature like the character of Nathan. That's really easy to draw from when I'm acting; that's probably the biggest similarity.
Tom Hanks has been a huge idol of mine. I'd love to work with someone like him someday. You could learn a lot working with someone like that.
When I'm trying to go to sleep and there are little noises, like a clock ticking or a fan squeaking, it drives me completely insane.
I'd like to see a comprehensive gun control bill brought to the floor, but if we have to do it in several votes, that's fine, too. But give us the vote. Let us make our case to our colleagues on the floor and have a vote.
I love the visual aspect of the theater. But I like what people have to say, too.
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