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I like the 'Cirque du Freak' books - 'Tunnel of Blood' by Darren Shan. They're set in England. It's about vampires.
I like producing beats, and I like rapping, too. I have a program for the PC, and I can hook my keyboard to it.
I like - not so much jewelry and that - but jackets, clothes, games as well.
Really, if you get to know pigs, they're very moody. They're not sweet little animals at all. That's what I like about them. They get depressed; they get into these snits. They're carnivorous.
It's still as exciting to play records I've not heard before as it was when I was young. There's not much that makes me feel like that besides making music. And they definitely feed into each other.
I like the contrast in making something that sounds sunny but also has an element of melancholy to it.
Using these toolkits is like trying to make a bookshelf out of mashed potatoes.
I went through phases of odd hairstyles and tank top-over-tee outfits and stuff like that.
I like to borrow forms and quotes and use a lot of allusions, in both poetry and music.
There are these creative shows, all on cable, that are just so daring and out there. That's the stuff I really want to be a part of, like with 'Sucker Punch' and 'Hangover 2.' Those movies didn't hold back. They really went for it.
I view my career like a rubber-band ball in that every role is a new experience building toward something bigger.
I highly recommend ClassPass. I spend a fortune on Barry's Bootcamp, Cycle House, SoulCycle, Flywheel, Ballet Barre, SLT Pilates, YogaWorks... I do everything, and I'm always trying different workouts, and I was like, 'Finally, 99 bucks!'
Walk into a Chase branch and we can give you so much quicker, better and faster. Like Wal-Mart.
It's not like I cleaned up with girls. I always looked young and I was very small; I hated being 'cute.'
It's funny how you get a bit older and become more accepting of things. When you're in your twenties, you're skeptical of everything. I definitely felt like that.
Christian Grey - he isn't a real person. He's a superhero. A myth. He's like Bigfoot! He's unbelievable. He's unattainable. There's no actor in the world who could live up to that.
I want to keep an element of myself in every character I play. And maybe that's connected to finding something that you like in every character. Maybe they coincide.
All the plays I do are comedies. I love listening to people laugh. I couldn't do the dramas like 'All My Sons.'
I've been a sports fan all my life, and like most other actors, I'm convinced I could have been a pro athlete if Hollywood hadn't come calling.
Having a stage name is like having a Superman complex. I go into the telephone booth as Eric Bishop and come out as Jamie Foxx.
With 'Django Unchained,' when you're dealing with slavery, it's like a gymnastics routine with the highest amount of difficulty. Quentin Tarantino is not going to do a movie that's just going to lay there and be safe. There's going to be twists and flips.
I'm always having ideas. I'd like to continue being able to realise the ideas I have.
I took a lot of influences from Studio Ghibli, which is the Japanese animation studio that made 'Spirited Away' and 'Castle in the Sky.' They're like the Japanese version of Disney - but without all the schmaltz.
Did groupies ever interest me? No. I'm a pleasure seeker, and I like going bananas, but that's never appealed to me. I always thought it was a little bit naff.
It feels like being in a band is a luxury now: like you can only do it if you're signed really early or you come from a wealthy family.
In high school, I listened to The Jam, stuff like that, a lot of English bands, really. And then I got into anarcho-punk bands that nobody had heard of.
I panic when we're on tour and feel the world can leave you behind. When we finish touring, I feel like I'm running to catch up and find out what's been happening.
I don't feel like the album format is sacred anymore, and things have got to change. I don't listen to music in terms of albums anymore. I've got a short attention span.
I'd like to be a wounded leading man. Instead of a pillar of strength, I'd be the scared one.
I like to be creative and I'm lucky that I have a couple of different outlets, and I'm lucky that I get to use them.
I'm not striving for fame, that's for sure. I don't particularly like the idea of celebrity. I would like to be successful with my music, so I realise that there's a balance to be made there.
There's no real music on television unless it's music television, and then it's expensive videos, which people like me can't do.
People like to let loose at rock concerts and it gives them an excuse to do it in a way that is not destructive to others and not really destructive to the band.
A Hank Cochran song in the studio is spiritual. It's like singing a hymn in a church.
In addition to public housing, South Williamsburg is home to shabby artists' lofts like mine, apartments of Hasidic Jews, and one extremely tall, high-priced condo.
What a character eats is a detail - like eye color or a favorite song. But food is also our lifeblood.
I find that short stories are almost like palate cleansers or brain cleansers.
When we are young - or even 32 - we often say 'yes' to everything because we're worried that we won't know what we'll like if we don't try it.
I like to run and hike. I do some slack-lining, like balancing on the tightrope, which is really good for your entire body, but I've noticed a lot of benefits in my feet and ankles.
I get to a competition and feel out the slopestyle course and kind of see which directions the jumps are flowing and which way I feel like I can do my tricks.
Sometimes I'll even have a dream of the trick I want to do, and I'll land it perfectly. And then I know. I'm like, 'OK, I'm ready. I want to do this trick.' But it takes so much courage.
I like the Dakine Ryder 24L pack because it's simple, it's steezy, and it's perfect for traveling. It comes with a padded laptop sleeve and a travel pocket at the top for your passport and other things you need quick access to.
I bring incense, essential oils, and candles to make my hotel room feel more like home.
I don't want to be like Donald Trump or anything like it... I'm different than some people.
When I was trying to find work after drama school in London, it felt like the same actors always got the plum roles, especially in television. We have a smaller market place, vastly fewer drama-producing networks, and they seem to compete for the same established names for those projects.
My only hesitation after 'Law & Order' was that I didn't want to be in a super dry procedural like that. I found that satisfying, but very tough because every episode was kind of the same. It just is with that show.
Back in the Eighties, I'd buy the biggest Benetton jumper I could find and would wear it long-sleeved, hanging off my shoulders, with a varsity jacket and a baseball cap on back to front with a quiff. I was the smallest boy in my class, and I looked like a reject from New Kids On The Block. Terrible.
I'm reluctant to get involved in science fiction, because I feel like I've done it and done it well, so unless something comes along that I feel has the potential to do something even more interesting, it seems a shame to sort of re-live something in half-measures.
It frustrates me that Britain can't make something like 'CSI' or 'The Sopranos'. Instead, British TV puts soap in primetime while every other civilized nation leaves it in daytime. Viewers should be more demanding.
There's something extremely rewarding about following characters that you like and knowing that there's as many hours of viewing as you have the appetite for. You can tell more complex stories; you can create more complex characters in the longer form.
I like 'The Fault in Our Stars.' I thought those two guys did a really, really good job. The movie obviously did really, really well.
If I wasn't acting, I'd try and be a footballer. I wouldn't be a musician because I can't write my own music. Realistically, I'd probably do something with dogs, like a vet or something. I love animals.
'Hamlet' is obviously a role a lot of actors want to portray or be involved with in some way and that I'd like to be involved in.
I've seen plenty of young lads elevated into the senior squad acting like they have made it.
'Poltergeist' was really the film that really scarred, but fascinated, me with puppets and dolls, clowns and stuff like that.
'Saw,' in many ways, was like my student film. The first crappy student film you don't really want people to see.
I kind of joke that creating franchises is a lot like directing pilot episodes of TV series. You set a look and feel and kind of pass it on.
What I realized is that it doesn't matter how big or small your film is. The actual filmmaking process, the actual storytelling, it's still the same thing. It's still all about creating characters that you like and creating moments that get you excited or get you tense.
I like to think we're not the only thing that exists on the plane of existence. I like to think that just because we don't see it doesn't mean it's not there.
When I see a bird that walks like a duck and swims like a duck and quacks like a duck, I call that bird a duck.
I was fine with numbers, but it took me a longer time to grasp simple things like spellings.
Book-jacket design may become a lost art, like album-cover design, without which late-20th-century iconography would have been pauperized.
Like 'Twin Peaks,' '24,' 'Mad Men,' and 'The Sopranos' before it, 'Downton Abbey' enriches the iconography and collective lore of pop culture. It replenishes the stream.
Feature-length film comedy is harder to pull off than the episodic sitcom - it doesn't have the same factory machinery up and running, teams of writers putting familiar characters through permutations - but that doesn't explain the widening quality gap that makes movie humor look like a genetic defective.
In 2008, Barack Obama did get Democrats hyperventilating, whipped up to a creamy froth, while John McCain creaked ahead like a cranky granddad whom Republicans let move to the front of the buffet line, deferring to seniority, as they had in 1996, when Bob Dole turtled to the top of the ticket.
My high-school papers, my college-application essays, read like Norman Mailer packed in a crunchy-peanut-butter sandwich.
I started in theater. I would liken sitcom work more to theater work than I would, perhaps, to dramatic television. It's so quick. It kind of feels like the pace of a play.
As an actor, it's exciting to play a role that's so far from what you are and to have people respond to it like a real human being!
I feel like I've grown and become a more consummate performer. I feel like I've chiseled out a more distinctive niche.
The press is like a big bass, you just stick a hook in their mouth and they'll take it.
I like to start with the ordinary, and then nudge it, and then think, 'What happens next, what happens next?'
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