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Khaled Hosseini Quotes

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The bewildering success of my books continues to surprise me.

I think that to fully appreciate baseball, it helps to have been born in the U.S.

I give novels as gifts, and there is nothing I like to receive more as a gift.

I don't listen to music when I write - I find it distracting.

I remember reading 'The Grapes of Wrath' in high school in 1983. My family had immigrated to the U.S. three years before, and I had spent the better part of the first two years learning English. John Steinbeck's book was...

I entered the literary world, really, from outside. My entire background has been in sciences; I was a biology major in college, then went to medical school. I've never had any formal training in writing.

There isn't, even now, a great tradition of novel-writing in Afghanistan. Most of the literature is in the form of poetry.

I've been told, and I think I recognize it, that there's a cinematic quality to my writing, with a sense of image and place and scene - and, some would say, my tendency to finish my books the way Hollywood...

In Afghan society, parents play a central role in the lives of their children; the parent-child relationship is fundamental to who you are and what you become and how you perceive yourself, and it is laden with contradictions, with tension,...

My memories of Kabul are vastly different than the way it is when I go there now. My memories are of the final years before everything changed. When I grew up in Kabul, it couldn't be mistaken for Beirut or...

When I go to Afghanistan, I realize I've been spared, due to a random genetic lottery, by being born to people who had the means to get out. Every time I go to Afghanistan I am haunted by that.

Nothing happens in a vacuum in life: every action has a series of consequences, and sometimes it takes a long time to fully understand the consequences of our actions.

Literary fiction is kept alive by women. Women read more fiction, period.

Whatever the readers feel when they're reading my books, I feel it tenfold when I'm writing it.

In Afghanistan, you don't understand yourself solely as an individual. You understand yourself as a son, a brother, a cousin to somebody, an uncle to somebody. You are part of something bigger than yourself.

Afghanistan is a rural nation, where 85 percent of people live in the countryside. And out there it's very, very conservative, very tribal - almost medieval.

I think the emancipation of women in Afghanistan has to come from inside, through Afghans themselves, gradually, over time.

For a novelist, it's kind of an onerous burden to represent an entire culture.

I grew up in a society with a very ancient and strong oral storytelling tradition. I was told stories, as a child, by my grandmother, and my father as well.

I lay no claim, it should be clear, to being a historian. So in my books, the intimate and personal have been intertwined inextricably with the broad and historical.

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