Journalism Quotes
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As an undergraduate at Amherst College, I was devoted to Dickensian novels and antiestablishment journalism while marginally fulfilling premedical requirements.
I find there's a thin, permeable membrane between journalism and history, and though some academic historians take a dim view of it, I gather a lot of strength and professional inspiration from passing back and forth across it.
We need ethical journalism. There is also capacity limitations in journalism.
It's really just my Hammurabi code of journalism ethics, that I don't want to ask someone to do something that I won't do myself.
Don't count out other amazing programming like Frontline. You will still find more hours of in-depth news programming, investigative journalism and analysis on PBS than on any other outlet.
I find it interesting, the different rules that apply to journalism and drama, even though journalism has become more and more about entertainment, and entertainment has become more and more about journalism.
I wrote for a weekly magazine and then edited a literary magazine, but I did not really feel comfortable with the profession of journalism itself.
There were influences in my life that were more important than journalism, such as comic strips and radio.
What I am is something unbearable for the world of journalism and the world of cliches. I'm a realist.
It is true that the Internet can be used to disseminate falsehoods quickly, but it just as quickly roots them out and exposes them in a way that the traditional model of journalism and its closed, insular, one-way form of communication could never do.
I have nothing but the highest regard for 'Salon' and its commitment to independent and provocative journalism.
In essence, I see the value of journalism as resting in a twofold mission: informing the public of accurate and vital information, and its unique ability to provide a truly adversarial check on those in power.
I personally think honestly disclosing rather than hiding one's subjective values makes for more honest and trustworthy journalism. But no journalism - from the most stylistically 'objective' to the most brazenly opinionated - has any real value unless it is grounded in facts, evidence, and verifiable data.
A key purpose of journalism is to provide an adversarial check on those who wield the greatest power by shining a light on what they do in the dark, and informing the public about those acts.
If we don't give the authors of music, film, literature, and journalism a way to control the distribution of their goods, the quality of all of these creative efforts will decline.
I was probably a B student in high school, but it wasn't until I got to college that I said, 'Oh! This is what it's all about.' And then I became an A student. I studied journalism in college and that's what really kicked it into high gear for me.
Very quickly, I discovered I did not have what it takes to be a good crime reporter: I was too unassertive and a little bit wimpy. It was very clear that was not what I was going to do, but I loved journalism, and I'm the daughter of a film professor, and my mom taught reading.
Every patient tends to bury the most important story inside some other story, just the way new writers often 'bury the lede.' 'Burying the lede' is an old journalism term for when you only find out the real point about halfway into the article, but it also applies to therapy.
Journalism is popular, but it is popular mainly as fiction. Life is one world, and life seen in the newspapers is another.
Journalism largely consists of saying 'Lord Jones is Dead' to people who never knew that Lord Jones was alive.
Before Truman Capote, journalism and non-fiction weren't taken very seriously.
Surrendering to jargon is a sign of journalism's dismal lack of self-confidence in the optimized age of content-management systems.
Everything seems set up for success in digital journalism - money, eyeballs, software, brands.
I am not a pure fiction writer, nor am I an academic writer. Somehow I ended up in this blended area of literary journalism.
Politics demands certain skills honed by experience, just as journalism does, just as acting does.
In a meritocracy, actors who act well get good roles. They don't get to be journalists, too - a job that, in a meritocracy, should go to those who do journalism well.
What I learned at journalism school and at ABC - those skills are the same no matter where you are in the world.
I read Popular Mechanics, Popular Science, Reader's Digest... I read some responsible journalism, and from that, I form my own opinions. I also happen to be intelligent, and I question everything.
The media has changed. We now give broadcast licenses to philosophies instead of people. People get confused and think there is no difference between news and entertainment. People who project themselves as journalists on television don't know the first thing about journalism. They are just there stirring up a hockey game.
I have been an outsider in journalism and in the academy, because I never fully belonged to any of them.
Tricks you need to transform something which appears fantastic, unbelievable into something plausible, credible, those I learned from journalism. The key is to tell it straight. It is done by reporters and by country folk.
A composite is a euphemism for a lie. It's disorderly. It's dishonest and it's not journalism.
When I started off in journalism, you knew there was an audience out there and that you wanted people to read what you produced. But it also felt like you had a limited ability to shape the audience, or to acquire an audience, for what you were doing. So you didn't really think too much about that.
Of course, formulas always existed in journalism. When I was just getting into the business, 'Time' and 'Newsweek' knew if they could put Jesus' face on the cover that it would do really well on the newsstands. So every year, they would put Jesus' face on the newsstand. There was a formula there.
Most rock journalism is people who can't write, interviewing people who can't talk, for people who can't read.
All the faults of the age come from Christianity and journalism. Christianity, of course, but why journalism?
You reach a time... when fact and fiction blend seamlessly. If you do it too soon, it's journalism. If you do it too late, you forget, and it's fantasy. There's an optimum time.
It was this fascination with hidden lives, I suspect, that led me to journalism; seeking to uncover the truth about people became a job.
Fake news is a big thing in the field of Social Media Journalism. Fake news can be as simple has spreading misinformation.or as dangerous as smearing hateful propaganda.
I got started on YouTube when I was a freshman in college. I was a broadcast journalism major, and I already had a lot of experience with video editing and photography.
Growing up, I was going to school for broadcast journalism. I wanted to be Oprah.
I was going to college for broadcast journalism because I knew whatever career path I would take, I knew I wanted to be talking to as many people as possible and inspiring as many people as possible, particularly girls. When I was in college, I was like, 'I know I'm going to be on camera a lot when I'm older if I fall into my dream job.'
I studied science and journalism at the University of Colorado and then got interested in experimental film there and started doing my own films.
I was in the business of marketing, and I have two Bachelor's Degrees in Political Journalism, and I wrote for the school newspaper at the time.
In journalism, there has always been a tension between getting it first and getting it right.
I went to Princeton to major in comparative literature. I never went to film school, but I studied storytelling across mediums - poems, literature, film, and journalism.
For me, journalism has been more a matter of projecting a particular approach to covering policies, to covering issues. It was a continuation of what I tried to do in government.
I like being involved in the lighter side of journalism because it serves a purpose, and it's fun. And I can keep my opinions off camera if I want.
In journalism, a fact is just a fact. But in fiction, you have to build your case. It has to be made, step by step.
There is a tradition that sees journalism as the dark side of literature, with book writing at its zenith. I don't agree. I think that all written work constitutes literature, even graffiti.
We never see any journalism or documentaries on the oceans and what we're doing on this Earth and how it affects the oceans and how important they are. I'm intrigued by it. It's almost an untold story.
I was a newspaper editor in high school, and I truly thought of journalism as a career. I loved it.
I've always been a big consumer of American journalism over the years and had an interest in the history of it and of the press in America; how it has changed.
Journalism is straying into entertainment. The lines between serious news segments, news entertainment, and news comedy are blurring.
In junior high, I was still writing poems and stories. In college, I was a journalism major. When I got out of college, I went to work for an educational publisher, so I was still writing, developing curriculums.
Andy Stasiuk was a newsman of the old school of front-page journalism - tough, knowledgeable, cynical, single-minded and fun. He covered the news as a happy warrior in an era of cutthroat editorial competition.
I will not subject my wife, family or friends to the sadistic vitriol of yellow journalism. I will not dignify such journalism with a reply or an answer. I never will.
All of journalism is a shrinking art. So much of it is hype. The O.J. Simpson story is a landmark in the decline of journalism.
I've found there to be a tremendous amount of East Coast snobbery in the journalism world.
It tends to be overlooked that many people are indirectly affected by thoughtless and cruel journalism.
I was not going to use writing for advertising or journalism. I would tend bar, load trucks, chauffeur - do whatever it took. But from the moment I took my first writing workshop, I was a writer.
You're under pressure when you produce facts. You're working with facts in journalism, but you're under all kinds of formal constraints; there are expectations.
There's a lot of journalism about poverty, but sometimes it just helps to see that there's a real person who becomes a real mom, who is working with unsustainable wages that could eventually destroy her.
I don't think Fox News or Rush Limbaugh need Clinton it turns out. I think there's a hunger out there for - whether it's on the left or right - a more lively and provocative type of political journalism. I think Salon and Fox on the other side have both benefited from that.
My favorite thing is still journalism. I'm almost 50. This has been my life ever since I was in college.
Most magazines have become wallpaper, they're all the same, all the same celebrities. It's really an abysmal time in American journalism right now. But occasionally one story or two will pop out.
After Watergate, which happened when I was in college, I became increasingly inspired by journalism as a way to change the world. It sounds corny, but to wake the public up, to serve a higher cause.
The only school that let me in was U.C. Santa Cruz, which is where I went. They didn't have a journalism program, so I took sociology, which is the closest thing to journalism.
Most of us entered journalism and joined 'news organizations' because we care about the greater good. We strive to comfort the afflicted and afflict the comfortable.
I would be lying if I said the journalism doesn't reflect my own choices as a reporter and a writer: what to say, what to emphasize, how to say it, what is true or untrue.
I understand the difference between journalism and scholarship that comes 20 years later.
The '30 for 30' strand started life as a series of behind-the-scenes docs for the sports channel ESPN. It has now spawned an equally fascinating series of podcasts. Like the films, these podcasts don't rely on access, the usual currency of sports journalism, and are strangely excited by stories that are complicated and require telling at length.
Yes, the disruption of the Internet can be blamed for the destruction of the business model that once made journalism a thriving, well-paying enterprise, but it has also created an array of new tools for reporting. Somebody will eventually figure out how to make online newspapers profitable - I hope.
If political cartoonists continue to rely on newspapers, we may be in serious trouble. It's a very transferable form of journalism, though - it works great on Web sites.
As a journalist, I've always treaded carefully about being Jewish and caring a lot about Israel and having that not become too big of an issue that could affect my journalism. But I also don't think it's essential to my Judaism, as I think it might be for some other people.
I think that there's a strain in journalism that believes that anyone who surrenders him- or herself to faith and to belief necessarily checks reason and rationality at the door.
I don't think there's any reason in journalism not to approach stories we cover with humility, empathy, compassion, and intellectual openness. I mean, I think those are just important human traits. I don't think that precludes scrutiny, negativity, where it's appropriate.
I don't really think of 'Frontline' as a strictly public affairs series; I think of it as a work of journalism that is constantly reinventing itself.
It's all a sham: I have seen, and I know firsthand, indeed from my own pen, how the organized Right has sabotaged not only journalism but also democracy and truth.
Well, my background is journalism. I don't have any creative-writing experience except for one class I took as a sophomore in college.
I think newspapers shouldn't try to compete directly with the Web, and should do what they can do better, which may be long-form journalism and using photos and art, and making connections with large-form graphics and really enhancing the tactile experience of paper.
The idea of 'Voice of Witness' is to let survivors and witnesses of human-rights abuses tell their story at length. It started with a course that I co-taught at U.C. Berkeley journalism school back in 2003.
It's CNN's bigger problem that CNN wants to deny reality. I, too, used to drink the Kool-Aid that it was a top journalism operation that reports without bias. Now that I'm outside the walls of traditional media, I know there is no such thing.
I'm saying that the WMD reporting was not consciously evil. It was bad journalism, even very bad journalism.
I was drawn to journalism as a young guy because I felt like there was some purpose to it, not always but sometimes.
In 1967, my mother - then Francie Weinman - graduated from Northwestern University with a degree from the prestigious Medill School of Journalism. But because she is a woman, the only television news job she could get in her hometown of Chicago was as a secretary at a network affiliate.
There is no doubt that the way journalism worked when I was growing up and getting started has changed forever.
My aunt got me interested in journalism - she found an old typewriter, had it worked over, put it on the dining room table, gave me a stack of paper and said, 'Play like you're a writer.'
The media is done, they don't do journalism anymore, it's activism, nothing more, right?
Literature is the art of writing something that will be read twice; journalism what will be grasped at once.
In 1982, when I was almost 26 years old, I decided I wanted to write fiction. I'd majored in journalism in college, and I'd always assumed I would write nonfiction.
A lot of people, myself included, are excited about blogging and stuff like that, citizen journalism, but I do remind people that no matter how excited we are, there's no substitute for professional writing, no substitute for professional editing, and no substitute for professional fact-checking.
I thought I was going to be a professor; then I ran screaming from there into magazine journalism.
Do you have a year to tell you what I have been through as a woman working in journalism? I went through hell. A lot of discrimination, everything you can think of.
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