Jazz Quotes
Most Famous Jazz Quotes of All Time!
We have created a collection of some of the best jazz quotes so you can read and share anytime with your friends and family. Share our Top 10 Jazz Quotes on Facebook, Twitter, and Pinterest.
It's sort of what jazz would be if it stopped being snobby and what rock would be if it stopped being stupid.
All the folks I play with come from jazz backgrounds or at least appreciate spontaneity within the parameters of a pop song.
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I found that jazz musicians, possibly more than their classical counterparts, wear long-standing friendships easily and gracefully.
I don't ever consciously change gears when I play jazz or classical. It's all music.
Musically, I try not to box things in. I try to just play around this spectrum of influences: soul, jazz, and hip-hop.
Listening to the stories told in jazz music and how those artists expressed their truths about the times and what they were dealing with is what struck me the most.
I flow between modern and traditional jazz, between samba and choro - all maybe in a week's time.
The clarinet is not so dominant in Israeli music as it is in klezmer. I heard klezmer when I was growing up, but for some reason I avoided it. I listened to Louis Armstrong instead. But the sense of melody...
Well I went to New Orleans to cover the jazz festival for Trio, it's this new arts channel, it's really great.
I always liked jazz. And my people liked the old blues, race records and the doo-wop and all that.
As a lover of both hip-hop and jazz, I feel like much of the latter community still doesn't truly embrace hip-hop as a musical extension.
I've played with jazz and toyed with it when I used to live near the St. Nicholas Pub in Harlem.
I was considered as a jazz man rather than as a blues player. There were no blues players-you played one sort of jazz of another sort of jazz.
Growing up, I listened to a lot of jazz and blues records - John Coltrane and Etta James. I was also really into Radiohead and the BeeGees.
A jazz tune, melody, or composition is usually based on either a traditional twelve-bar, eight-bar, or four-bar blues chorus or on the thirty-two-bar chorus of the American popular song.
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